Asesina ejecutiva

lame flick tries to be campy but comes off as stupid and inane with a dopey script that never works and it has terrible acting i did not find anything amusing in this Carol Kane gives a decent not a memorable but decent performance not worth it *1/2 out of 5

A mousy wallflower accidentally kills a co-worker and suddenly realizes her life would be better without some of these fools in her life and goes on a killing spree, murdering several people in her office. Carol Kane gets a chance to shine as the lead character in this and does a great job creating such a unique and bizarre woman. Molly Ringwald is also a lot of fun as the office gossip. Some of the dark humor might not amuse those looking for a straightforward horror film, but I found it really delicious.

This movie is strangely entertaining, I don't really know why. The story isn't anything special, it's just the old concept where a harmless person becomes murderous for really vague reasons. Our office killer kills someone by accident, and that somehow makes her start killing people on purpose. Very well, I'll take it. So we get to see her murder a bunch of people, just one after the other, and it's well, there is no right adjective. It's not funny because people are dying gory deaths, it's not shocking because well, look at this thing, but it is pretty good. I believe it's kind of a tongue-in-cheek kind of thing, and I believe it's working. Carol Kane also plays her role very well, helped by the screenplay that's gradually making her character meaner. At one point she encounters some girl scouts selling cookies. What follows is just not cool. Well, maybe a little. I'm also really digging this ending. Either way, this is essentially following a formula, but there's still some creativity involved here and there and I appreciate that.

Don't ever fool around with Dorine Douglas! She will make sure you will pay for whatever you do to her!

"Office Killer" is a film, judging from most comments submitted to this forum, that deserved better. Cindy Sherman, the director, shows she can deliver a good movie. The film was written by Ms. Sherman and it appears Todd Haynes, a good director himself, helped with the dialog, although he is uncredited.

We don't understand, at the beginning, what is Dorine's motivation for doing what she does, but the key to comprehending what's wrong with her is revealed in flashbacks that shows her as a teen ager when some traumatic events occurred involving her parents. Dorine has been dealt a bad blow from life and her reactions, although extreme, seem to be typical of someone that has been deeply scarred.

The film works because of the wonderful Carol Kane who does some of the best work of her career. Ms. Kane transforms herself into this weird Dorine, who is the butt of all jokes at the magazine where she works. What triggers her spiral unraveling is the downsizing the company is going through that will render her a part timer, losing, no doubt, a good deal of her earnings.

The supporting cast is up to task under Ms. Sherman's direction. Molly Ringwald, Jeanne Tripplehorn, Barbara Sukowa, Michael Imperioli, David Thornton and Alice Drummond, among others, respond well to the director's instructions.

One wishes good luck to Ms. Sherman with future films because she is not afraid, to show it all for the viewer's enjoyment.

I was impressed to see this film had so many bad reviews, both from critics and viewers. I saw it and I actually think it is a very good inside joke, it is only necessary to get the "spirit" of it. Director Cindy Sherman uses gore and some very curious camera positions to make you a little bit scary and also laugh once or twice (not out-loud, though). The performances from Carol Kane (totally crazy) and Molly Ringwald (in a very against-the-type turn) are very good. The supporting cast (German actress Barbara Sukowa and The Soprano's Michael Imperioli) is also interesting. I think this film makes a perfect midnight video snack with some friends.