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IMDbPro

Nil by Mouth

  • 1997
  • R
  • 2h 8min
CALIFICACIÓN DE IMDb
7.3/10
11 k
TU CALIFICACIÓN
POPULARIDAD
2,632
5,420
Ray Winstone in Nil by Mouth (1997)
A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.
Reproducir trailer1:57
1 video
99+ fotos
Psychological DramaTragedyDrama

Un rudo y malhumorado patriarca de una familia de clase trabajadora, ve cómo su vida y las relaciones que le rodean se deshacen poco a poco.Un rudo y malhumorado patriarca de una familia de clase trabajadora, ve cómo su vida y las relaciones que le rodean se deshacen poco a poco.Un rudo y malhumorado patriarca de una familia de clase trabajadora, ve cómo su vida y las relaciones que le rodean se deshacen poco a poco.

  • Dirección
    • Gary Oldman
  • Guionista
    • Gary Oldman
  • Elenco
    • Ray Winstone
    • Kathy Burke
    • Charlie Creed-Miles
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    11 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,632
    5,420
    • Dirección
      • Gary Oldman
    • Guionista
      • Gary Oldman
    • Elenco
      • Ray Winstone
      • Kathy Burke
      • Charlie Creed-Miles
    • 103Opiniones de los usuarios
    • 44Opiniones de los críticos
    • 76Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 2premios BAFTA
      • 9 premios ganados y 9 nominaciones en total

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    Trailer 1:57
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    Editar
    Ray Winstone
    Ray Winstone
    • Raymond
    Kathy Burke
    Kathy Burke
    • Valerie
    Charlie Creed-Miles
    Charlie Creed-Miles
    • Billy
    Laila Morse
    • Janet
    Edna Doré
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    Chrissie Cotterill
    • Paula
    Jon Morrison
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    Terry Rowley
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    • Old Guy in Window
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    John Blundell
    • Man with Knife
    Kenan Hudaverdi
    • Laundrette Owner
    Everton Nelson
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    • Street Violinist
    • Dirección
      • Gary Oldman
    • Guionista
      • Gary Oldman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios103

    7.310.6K
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    Opiniones destacadas

    bob the moo

    Not a great film but truly a powerful and engaging experience

    Much more an experience than a narrative-based film this project. Gary Oldman's directorial debut betrays some of his weaknesses but shows a lot of strength with a subject that he also scripted. From the very start we find ourselves in the type of pub/club that, as an educated liberal I find incredibly intimidating. I'm not trying to be elitist (although I'm sure it will come across that way) but the characters in this film are instantly recognisable to me and very frightening. People who carry their frustrations without knowing what they are angry at and ultimately are just out and out angry at everything whether it be just a minor bump in a pub. This is the world of the film and within it we have a loose narrative about a problem within the family of Billy, who is a junkie but the main thrust is less about a specific story but rather just putting the audience in the middle of this trapped and violent family and leaving us to find our own way.

    This approach makes the film a little weak structurally and does produce some scenes where Oldman relies on heavy use of music to just play over silent scenes but mostly it works. The way that it does work is that the experience is so visceral and convincing that the viewer doesn't care so much that it lacks a story with star, middle and end but rather feels the scenario and characters. Oldman directs in the grim and smoke of the environment and, while not technically impressive to watch, it works with the theme and content. What he does very well is draw some great performances from the British cast. Winstone has become famous off the back of characters like this and he nails not just the anger but the misplaced sense of frustration and inadequacy; he doesn't wear it like a badge but merges it really well into his character so that it is easy to just see him as an angry thug. Burke is better known as a comedic actress but she is tremendous here – really convincing and full of fear, when she says she feels so very old I really believed her. Creed-Miles feels a bit out to one side but is also strong – as are Morse, Morrison and others in supporting roles.

    Nil By Mouth is not a fun or pleasant film and the language is extreme and endless. Nor is it a great film in regards structure, flow or narrative. However what it is very good as is an experience which is convincing and uncomfortably real. Poverty is terrible in any place and being trapped in it for generations is worse; Oldman does not pity his characters nor does he blame others for their problems but he makes them both sympathetic but also repugnant and it is the overall experience of watching that make thes film one worth seeing.
    7KnightsofNi11

    Ugly, brutal, fascinating

    It's always a fun experience to watch an actors shift to the director chair. Such is the story behind Nil by Mouth, the directorial debut of Gary Oldman, one of the finest actors working today. Oldman himself does not appear in the film, but a whole collection of fantastic actors do instead. The film is a brutal story of a dysfunctional family living in London. This distraught and detached family struggles to stay together, having to battle one brothers heroin addiction, anothers short temper and violent tendencies, as well as the general debauchery that occurs within the lives of these people. This isn't a pleasant film and it isn't a happy film. It's a brutal depiction of London working-class districts and it will certainly disturb you to your core.

    The brutality of Nil by Mouth is unheard of. The film is a non-stop stream of cursing, graphic drug uses, and despicable violence. The film never lets up on the atrocity, leaving you no time to catch your breath. It's a fast moving film; one that doesn't stop to explain things and doesn't spell everything out for you. It's a completely character driven story with more character development in it than actual events occurring. Yet, enough happens to make the film plenty interesting. It slows down towards the middle as it sets up for its somber ending that leaves you with a strange and uneasy feeling in your stomach.

    Now, I'm always up for a great character driven story, but you have to be prepared for a lot going into Nil by Mouth. The thing is, the characters in this film are not likable in the least. They are the most despicable, deplorable, horridly atrocious people you've ever laid eyes on. Apart from them being sleazy and unattractive, they all possess the most unflattering personalities. The film presents a very strange family dynamic, having the characters constantly switch between love and hate for one another. Billy, the brother with the terrible heroin addiction, has his own mother give him drug money and also provides him with a place to shoot up. This seems like the most brutal form of motherly love until the two scream at each other a scene later, throwing the most horrendous profanities at one another. It is indeed some of the strangest relationships you could ever observe, teetering on being farcical at times, yet being sincerely compelling at other times.

    Overall, it is hard to become attached to the characters in Nil by Mouth. They certainly tell a fascinatingly twisted story, but don't expect to find any sympathy left in your heart when it's all over. This film disturbs me more than entertains me, but that is obviously the point. It is so harrowing and so horrendous that I can't guarantee you will want to watch it again once it's over. I'm not sure that I do, but I don't regret watching it by any means. Gary Oldman needs to try his luck with directing again one of these days, because his first attempt has gone pretty well.
    7Embley

    like a punch in the stomach

    this film is incredibly harsh. it took a while for me to get into it - accent barrier and a little too close to reality make it a tough one to watch. but it really is a great film - horrifying and depressing. i don't think i could ever watch it again, it is too hard.

    kathy burke is great as is her terrifying husband. cheers to gary oldman for doing good quality work.
    Stig-4

    Oldman cuts to the bone

    In Sturges' classic "Sullivan's Travels," a swank film director announces to his butler: "I'm going out on the road to find out what it's like to be poor and needy, and then I'm going to make a film about it." The butler snorts: "It you permit me to say Sir, the subject is not an interesting one. The poor know all about poverty, and only the morbid rich would find the topic glamorous." Love it or hate it, Nil by Mouth digs deep inside and never lets you go. Unlike Sullivan, Oldman had only to look inside himself to find his subject. He does an honest and remarkable job. Of course a film of this type is not going to win any Oscars - Oldman didn't make it to please anyone. Most will find this nihilistic and depressing, and they're right. Suffice to say, Oldman is a natural craftsman. If he continues to follow his heart and gut, who knows what else he might accomplish. A remarkable debut.
    8JohnBoyRoy

    Sobering and shocking, although hope remains...

    This is a piece of debutant film making at its best.

    Oldman set about to create a gritty and colourful portrayal of the rough end of life in Saafff Lhaandan and in that respect he was f**kin sucessfull you bunch ah chaaaants!

    The camera work is disjointed and initially appears clumsy, but the expertly chosen angles and focuses soon become enthralling. It is nicely gritty and rough around the edges. Take a special note of the excellent sound design - it really adds to the overall atmosphere of the cityscape Olman so expertly creates.

    The narrative progression is pretty much non-existent. Like all realist films its not really about what is happening, but the broader issues exposed by smaller events within the film. These include some brutal moments from Winstone and also some heavy drinking/clubbing binges.

    The acting is so good and so believable that I forgot I was watching a film - it is almost a documentary and those not familiar with the actors within the film may be fooled into thinking that is what they were watching.

    Olman also introduces some subtle symbolism (the moment with the red balloon for example) but is never heavy handed or distracting.

    Winstone and Burke really are stunning in this film, and the ending is a brilliant piece of ambiguity and hope. CHeck out Winstone's subtle touching moments with his daughter - it brings a tear to the eye.

    Classic in the modern sense of the word.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The song the grandmother sings in the pub at the end of the film was dubbed; the actual singer was Gary Oldman's mother.
    • Errores
      A boom mic is visible in the supermarket parking lot.
    • Citas

      Ray: She took his dinner in to him once, me mum, in the pub, and plonked it in front of him on a tray. Knife and fork, salt and pepper. He said, "What's that?" She said, "It's your dinner. I thought you might be hungry. You ain't eaten for three fucking days. You live in here, you might as well fucking eat in here." It's funny. He didn't like that, did he? Mugged him up in front of his mates. Thought more of them cunts than he did us. Lovely. Yeah. She got a clump over that. Well, she would, wouldn't she? He was always pissed in there, weren't he? You know? We go in the pub to get our living, you know? That's where we do our business. He'd be there spunking out while we're sitting at home without a dinar, you know, thank you. And he'd promise things. You know? Promise to take us places, you know? Never did. Never took us anywhere. And when he did bother to come home he'd sit in that fucking chair, doss off with his tray in his lap. And I'd just stand there looking at him. I'd look in his face, and my mother'd go upstairs, and I'd say, "Say, Mum, ain't Daddy coming to bed?" And she'd say, "No. No, he's all right, son. He'll come up when he wakes up." He's gotta wake up to go to bed! Now, I'd stand there looking at this fucking old man, you know, my dad, you know, in that chair, that horrible fucking chair with the shiny, worn-out arms. I should've burnt the fucking thing. By the end he was hemorrhaging from both ends, you know? I used to hear him in the morning hanging on to the khazi. It was lovely. Never stopped him going to the pub, though. No, he was well enough to do that. Now, one day, right, he's staggering across the pub pissed from the night before. He's gone over, crunch, right on his mooey, like a fucking ironing board. His hooter's around here, his railings all over the fucking place. Me and me mum had to go the hospital to see him. We walked in. He's laying in bed. He's got tubes up his arms, fucking up his nose, down the back of his Gregory. He didn't look well. Fucking vodka was keeping him alive. Well, I ain't that interested, so I'm having a little mooch about, you know. I looked above his bed, and there's this sign, right, with some weird writing on it. I couldn't read too well at the time. I said to my mum, "Mum, what's that say? You know, that sign above Daddy's head. All right?" She said, "Nil by mouth." "What's that, a football score? 'One-nil, three-nil, two-nil, a geezer called fucking Nil.'" Yeah. I said, "Well, what's it mean?" She said, "It means... "

      Mark: It means nothing to eat.

      Ray: Yeah, nothing down the...

      [points into his mouth]

      Mark: Nothing down the... Yeah.

      Ray: Yeah, all right. I remembered that day, because I could've put that on his fucking tombstone, you know? Because I don't remember one kiss, you know, one cuddle. Nothing. I mean, plenty went down, not a lot came out, you know, nothing that was any fucking good. And I'd look at this man that I call Dad, you know? My father, I knew him as Dad. He was my fucking dad but he weren't like other kids' dads, you know? It was as if the word itself were enough, and it ain't.

      Mark: That ain't when he died though, is it?

      Ray: No. He lived another ten years, slippery old cunt. He died one afternoon in that fucking armchair. About right. I went round to see him, you know, when he was plotted up at me mother's.

      Mark: Hatcham Road?

      Ray: Yeah, Hatcham Road. He was upstairs in that front bedroom. Laid out.

      Mark: Free.

      Ray: Yeah. Yeah. I've gone up there, gone in. I'm sitting on the bed looking at him. He's laying there like... Mullered. And it was like he'd shrunk, you know? He was a big man.

      Mark: He was a lump.

      Ray: Yeah. You should know. You got enough clumps off the cunt.

      [sighs]

      Ray: And I just touched him, you know? He was fucking freezing cold. It frightened the life out of me. I was looking at him, you know? For the first time in my life, I talked to him. I said, "Why didn't you ever love me?"

    • Conexiones
      Featured in Especial Cannes: 50 Anos de Festival (1997)
    • Bandas sonoras
      Las Vegas
      Written by Mitch Murray and Peter Callander

      Performed by Tony Christie

      Courtesy of MCA Records

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    Preguntas Frecuentes

    • How long is Nil by Mouth?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de octubre de 1997 (Reino Unido)
    • Países de origen
      • Reino Unido
      • Francia
    • Sitio oficial
      • Sony Pictures Classics
    • Idioma
      • Inglés
    • También se conoce como
      • 切勿吞食
    • Locaciones de filmación
      • Piccadilly Circus, Piccadilly, Londres, Inglaterra, Reino Unido
    • Productoras
      • SE8 Group
      • EuropaCorp
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 9,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 266,130
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 28,367
      • 8 feb 1998
    • Total a nivel mundial
      • USD 284,477
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 8 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 1.85 : 1

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