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6.3/10
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Un escritor se obsesiona con el ex novio de su novia, ahora un novelista de gran éxito. Para descubrir si el exnovio todavía siente algo por su antiguo amor, el escritor se une a las reunion... Leer todoUn escritor se obsesiona con el ex novio de su novia, ahora un novelista de gran éxito. Para descubrir si el exnovio todavía siente algo por su antiguo amor, el escritor se une a las reuniones de terapia grupal del novelista.Un escritor se obsesiona con el ex novio de su novia, ahora un novelista de gran éxito. Para descubrir si el exnovio todavía siente algo por su antiguo amor, el escritor se une a las reuniones de terapia grupal del novelista.
Joel Kastelberg
- Curt
- (as Joel Castleberg)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Mr. Jealousy while not everyman, is certainly a typical kind of man, especially in today's world of endlessly mixed sexual signals. So convincingly, poignantly, and sympathetically portrayed here by Eric Stoltz, Mr Jealousy hardly allows us to ignore our own (mister's) part in his makeup. We love his humor and sense his pain too.
I think it is the wonderful restraint and a great complementary cast that helps bring this home to us. One can fully relax (no squirming, trust me) with the manner and content of this comedy, which makes this film a kind of gem, I think. And the therapy scenes deserve special notice. The opening may be a bit thin, and the ending both thin and forced, but the body is of a different terrain, a bittersweet movie unto itself. (someone think of a better ending!)
I think it is the wonderful restraint and a great complementary cast that helps bring this home to us. One can fully relax (no squirming, trust me) with the manner and content of this comedy, which makes this film a kind of gem, I think. And the therapy scenes deserve special notice. The opening may be a bit thin, and the ending both thin and forced, but the body is of a different terrain, a bittersweet movie unto itself. (someone think of a better ending!)
For all of you Whit Stillman fans (Metropolitan, Barcelona, and Last Days of Disco) check out this movie as well as Noah's earlier film Kicking and Screaming. The premise of the movie is very good and it lives up to its title. If you hate the kind of movie where everyone spends the whole movie talking to one another then skip this one because there are not any jokes involving people being kicked in their midsection or everyone's favorite bathroom humor. Instead you have an intelligent comedy that will add nothing of value to your life but will hopefully make you laugh as you examine other peoples neurosis. I think that there is chemistry between Stoltz and Sciorra despite what a previous reviewer said. I also think this film is better than Kicking and Screaming.
Lester (Eric Stolz) has a new girlfriend in Ramona (Annabella Sciorra). She is a beautiful lady, with a swell job in a Brooklyn museum, and she is continuing work on a graduate degree at Columbia. Substitute teacher Lester, however, is obsessed with Ramona's past relationships. He was burned by a couple of former girlfriends and fidelity is paramount to him. When Ramona actually gives Lester a book to read, written by a former boyfriend, Lester is stunned. Not long after this, Lester stumbles upon the nouveau-celebrity author at a therapy group. Ah ha! If Lester assumes an alias and becomes part of the group, he has a chance to find out more about Ramona's past and her predilections for loyalty. Yet, even as Lester discovers revelations about his new girlfriend, he may be endangering his own chance of survival with Ramona, by not living in the present alone. Should he continue? This film has an offbeat charm that makes it attractive. The script is thoughtful, clever, and original, daring the viewer to listen closely to every word and idea presented. The actors, in addition to the two stars, are very fine, with Chris Eigeman giving a nice turn as the newly famous author, and Bridget Fonda, Peter Bogdanovich, and others on hand to help out in a big way. The costumes are attractive and the NYC setting always a winner. However, this is not the typical romcom by any means. It has a slower pace and its commitment to dialogue over action makes it a hard sell for the ADD crowd. This said, do catch Mr. Jealousy at your earliest opportunity, if you like to vary your viewing habits. Here is one movie that offers charm and intelligence without losing its own unique identity.
5=G=
"Mr. Jealousy" is a somewhat tedious heavily narrated Woody Allen-esque intellectual musing of relationship issues, specifically jealousy, with a NYC Gen-X milieu. A romantic-comedy tale of a tentative Stoltz's affair with a too experienced Sciorra, this emotionally sterile and somewhat heady flick is not likely to evoke more than an occasional chuckle nor milk a single tear nor give anyone the warm and fuzzies. Okay stuff for those into microscopic examinations of relationships though not likely to have broad appeal. (C+)
This film caught me by surprise on cable one night, and I went out and rented it again to show my friends. Eric Stoltz and Annabella Sciorra look gorgeous and have a wonderful chemistry together, and Chris Eigeman (from 'Metropolitan' and 'Barcelona') is the perfect Brett Easton Ellis-esque foil. It's rare to find a funny film about romantic jealousy, but this is it. Carlos Jacott just about steals the film with his impersonation of a British gentleman, and the rest of the cast is superb. The cinematography is sumptuous and the music is perfect. A great date movie..
¿Sabías que…?
- TriviaOn The Man Who Shot Liberty Valance marquee that appears in the film, a quote ("a classic") is attributed to G Brown. The critic in question is Georgia Brown, famed Village Voice film critic and mother of writer/director Noah Baumbach.
- ErroresNumerous occurrences. At one point, not only is the mike visible, the *boom* is visible.
- Créditos curiososAfter the final credits Lester, Vince and Lint are shown in an additional scene in the diner. They apparently have been playing dominos and Lint is somehow offended and is packing up his set while accusing Vince of still having a 20-sided die from their D&D days.
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 301,796
- Fin de semana de estreno en EE. UU. y Canadá
- USD 30,732
- 7 jun 1998
- Total a nivel mundial
- USD 301,796
- Tiempo de ejecución
- 1h 43min(103 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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