Hace tres años, la doctora Susan Tyler creó genéticamente un insecto para matar cucarachas portadoras de una enfermedad. Ahora, los insectos quieren destruir a su único depredador, la humani... Leer todoHace tres años, la doctora Susan Tyler creó genéticamente un insecto para matar cucarachas portadoras de una enfermedad. Ahora, los insectos quieren destruir a su único depredador, la humanidad.Hace tres años, la doctora Susan Tyler creó genéticamente un insecto para matar cucarachas portadoras de una enfermedad. Ahora, los insectos quieren destruir a su único depredador, la humanidad.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 8 nominaciones en total
- Yang
- (as Glen Bang)
Opiniones destacadas
The Underground scenes with the cast being trapped inside a stationary train and being attacked by giant roaches were by far the film's best scenes. Charles S. Dutton had a small role, but delivered! There are a few genuinely disturbing scenes as the giant roaches attack young children. The little boy constantly clapping spoons was a bit annoying, though, although I understand the relevance of this character. The film's visual effects are very good.
The ending leaves the door wide open for a sequel. (Just a pity the original characters and cast did not reprise their roles in the sequel).
This heart-pounding picture is full of suspense ,thrills , mystery, lots of gore and a storm criticism to genetic engineering . This slick monster-feast is a triumph of style , well paced and full of frightening scenes . It's packed with overwhelming body count , loathing scenes , grotesque killing, and rivers of red blood . Interesting as well as thought-provoking screenplay by Matthew Robbins and the same director ,screenwriters Matt Greenberg and John Sayles are uncredited in the movie, but were credited in some of the trailers . The movie delivers the goods with hair-rising chills and noisy scares when the giant cockroaches appear savagely stalking and attacking its preys , including children . This is an OK amusing juvenile with interesting characters and scientific plot but quite entertaining . It's remarkable for FX recreation the ferocious and carnivorous beast developing a bloodthirsty hunger for human eating . The actors give vigorous physical performances dodging the giant bugs recreated by means of make-up realized by Rob Bottin , adding the prolific computer generator, as usual . The mutant cockroaches , themselves, of course, are the real stars, and they're marvellous terrifying astounding, and quite convincing .The picture is smartly designed and stylishly photographed by Dan Laustsen . Thrilling and intriguing musical score by Marco Beltrani . The motion picture was well directed by Guillermo Del Toro , though the scene where Mira Sorvino and Jeremy Northam walk in the hall with all the sick kids lying in their beds was actually directed by Ole Bornedal, one of the producers on the film . Del Toro delivers the terror movie goods with sense of style , though was originally planned as a single 30-min. short as part of a feature of sci-fi/horror/comedy shorts by Miramax. Director Guillermo del Toro disowned the film after constant clashes with Bob Weinstein, who would frequently visit the set and make unreasonable demands about what should be shot, deviating away from the script , since then del Toro has never worked with the Weinsteins. Guillermo is an expert on murky atmosphere such as proved in ¨Cronos¨ , ¨Pan's labyrinth¨, ¨Hellboy I¨ and ¨Hellboy 2¨. The picture will appeal to horror buffs and Guillermo Del Toro fans . It's followed by two sequels : Mimic 2 with Alix Koromzay , John Polito and Bruno Campos ; and Mimic 3 with Lance Henriksen and Karl Geary .
So I fairly enjoyed MIMIC . It`s not as good as QUATERMASS AND THE PIT which is the greatest film to have the underground transport system as its setting but it`s a whole lot better than other subway or bug movies
This is an atmospheric thriller from Guillermo del Toro, director of The Devil's Backbone and Cronos. He manages to mix great director with good old fashioned monster horror to great effect. The concept itself is clever, even if the idea of bugs evolving to look very like humans is a little far fetched. However, once the action moves to the subway the fact that the bugs are clearly lethal no matter what they look like, makes this less important. The film is quite short and makes the action come quicker and seem more urgent. Several people get killed by the bug that wouldn't usually get killed in this sort of horror (children for example), this is very effective as it is quite scary to see the unexpected happen.
The mood is dark throughout and Del Toro uses the sewers and subway to great effect, creating a real sense of claustrophobia - like the humans have entered the bug's world and not the other way round. The bugs are shown early on in the film - usually not a good idea (keep it hidden in the Jaws way), but here the special effects are good enough to make the bug really believable. However the horror is not in seeing the bugs but in they way they hunt and kill - the fear is in what could happen. That's why seeing them doesn't take anything away.
The cast are great, Sorvino especially is very good in the lead. Jeremy Northam and Charles S. Dutton are good in support and Abraham Murray adds a bit of cameo class (though his role is quite unnecessary). But the director is the real star adding some genuine scares and real mood to a film that could have easily been just another creature-feature that goes straight to video and straight to the back of your mind.
Overall a superior creature horror film.
¿Sabías que…?
- TriviaDirector Guillermo del Toro disowned the film after constant clashes with Harvey Weinstein and Bob Weinstein. The latter complained that early footage of the film wasn't scary enough, and would frequently visit the set to make unreasonable demands about what should be shot, deviating away from the script. When that did not solve the matter, Weinstein threatened to fire del Toro and replace him with another director. However, del Toro was saved by the intervention of Mira Sorvino, who was a recent Oscar winner for Poderosa Afrodita (1995) (produced by Weinstein's company Miramax). She threatened to quit the film if del Toro's vision wasn't respected, and she received support from her then-boyfriend Quentin Tarantino, who has made several films for Miramax. The Weinsteins finally agreed to let del Toro stay on, but they oversaw the final cut of the film. Since then, del Toro has never worked with the Weinsteins again, but he made his peace with the film after creating a Director's Cut that was closer to his vision.
- ErroresWhen Susan goes into the abandoned subway office looking for Manny, she calls out "Chuy?" and not "Manny?" Chuy is hiding in the office, but at that point in the film she doesn't know it yet; she has no reason to expect to encounter Chuy and no reason to call his name. In fact, as far as we know, she shouldn't even know his name.
- Citas
Peter Mann: Leonard, have you ever seen anything like this before?
Leonard: Why you asking me if I've seen some shit like this before? Do I look like I've seen some shit like this before? Hell, no I a'int never seen no shit like this before. Who the fuck would wanna climb up one of these walls and hang one of these? Musta been a big elephant-ass motherfucker.
- Versiones alternativasGuillermo del Toro released a director's cut in 2011. It runs at 112 minutes.
- ConexionesEdited into The Blood Pact: The Making of 'Blade II' (2002)
- Bandas sonorasGive Me Central 209
By Robert Ellen
Used with permission by Molique Music
c/o Warner Chappell Music Canada
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Judus
- Locaciones de filmación
- Lower Bay Station, Toronto, Ontario, Canadá(subway station)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,480,490
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,818,208
- 24 ago 1997
- Total a nivel mundial
- USD 25,480,803
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1