Mimic

The idea of a film featuring genetically modified humanoid insects stalking the streets of New York makes me believe it would have a long shelf life - It`d spend a long time on a shelf waiting for a distributor , but MIMIC was far better than I expected . Director Guillermo Del Toro rightly concentrates on mood and atmosphere and also deserves a mention for making sure the cast didn`t camp the film up because it`s the sort of film that`s difficult for actors to believe in but everyone on screen takes it absolutely seriously . The screenwriters also deserve some praise for taking a ludicurous premise ( Remember we`re talking humanoid insects here ) and writing a story that makes you forget you`re watching something laughably far fetched . We also get to learn that soldier insects have to be killed stone dead in order to stop fighting and that insects take their pray to an underground lair to be eaten so the audience learns something about both insects and how to telegraph a script . My only criticism about the screenplay is that it does feel rather like an ALIENS type movie towards the end but that`s a very minor criticism .

So I fairly enjoyed MIMIC . It`s not as good as QUATERMASS AND THE PIT which is the greatest film to have the underground transport system as its setting but it`s a whole lot better than other subway or bug movies

I realize that there have been LOTS of giant bug movies made, but there have been very few that have had a combination of great acting and superior special effects. This movie has both and throw in a lot of suspense. There are great moments in this movie that it seems passed most people by. No, it wasnt a big money maker(I honestly dont remember it hitting the theaters)but it is tremendous movie. Some didnt like the ending, but I did. I came to like these characters so much that I wanted them to survive. Thats a tribute to the actors for creating interesting characters. By comparison to other movies of this kind, I would say it belongs in the top five. If Aliens is counted as a 'bug' movie, I feel it is on top and I would put the 50's ant movie Them up there, too. Mimic belongs there, without question. It deserves so much more than the ratings Ive seen on here. Its a 9 out of 10 in my book.

Just like the giant cockroaches in the movie mimic their predators (humans), director Guillermo Del Toro mimics David Fincher's style in "Seven": gimmicky opening credits, excessively dark photography, constant rain, claustrophobic atmosphere. Nonetheless, it is his superior craftsmanship and visual sense that elevates this otherwise standard, conventional monster movie into an above-average standard, conventional monster movie. He is helped, of course, by a capable cast (Mira Sorvino holds her own as the lead), and by the impressively designed creatures, which look much better than the monsters in some more recent horror films. (**1/2)

I love Guillermo del Toro's films for his unique vision and storytelling. 'Mimic' is one of his early feature films and already back then his trademark visionary style became evident. The film manages to create suspense from ordinary, everyday events. I enjoyed the husband and wife team Dr Susan Tyler (Mira Sorvino) and Dr Peter Mann (Jeremy Northam). The sincere, strong bond between them made me root for them even more.

The Underground scenes with the cast being trapped inside a stationary train and being attacked by giant roaches were by far the film's best scenes. Charles S. Dutton had a small role, but delivered! There are a few genuinely disturbing scenes as the giant roaches attack young children. The little boy constantly clapping spoons was a bit annoying, though, although I understand the relevance of this character. The film's visual effects are very good.

The ending leaves the door wide open for a sequel. (Just a pity the original characters and cast did not reprise their roles in the sequel).

Guillermo del Toro, responsible for interesting yet flawed vampire flick CRONOS, is definitely a name to watch out for. He makes the faultless transition to America here and gives us a typical monster movie which remains hugely enjoyable despite the rather hackneyed plot. At least the idea of the monsters - genetically modified insects - is rather more original than some other recent creations. Del Toro paints an artistic picture of life in New York - shot through soft brown filters - and has his usual collection of oddball characters, including a boy who plays the spoons. In terms of style, del Toro is one of the best in his field at the present time and is light years ahead of any American competition, although it does take a while for the full impact of the cinematography to hit you.

This film best be avoided by those of us who hate insects, because it doesn't portray them in a good light. From the creepy opening titles - showing a montage of pinned butterflies - to the icky and slimy creatures running around in the subways, they're everywhere, and MIMIC takes every opportunity to zoom in on their ugly features. The film has a good range of actors and actresses in it. Mira Sorvino, in the title role, is a typically tough and yet realistic heroine, and thankfully much less annoying than her counterpart in THE RELIC, Penelope Ann Miller. Jeremy Northam is somewhat bland in his macho leading role but the show stealer is Charles S. Dutton, better known to audiences for his role as the tough Dillon in ALIEN 3, and he here plays a tough, wise-cracking comic relief policeman who finds himself caught up in the activities. Dutton is probably the most sympathetic character of the lot.

As for the action sequences, they are long and varied. Good use is made of the creepy shadows and rubble in the subways, and the best scene of the film comes when the band of survivors group up in a train carriage while the insects attack from outside. The gore isn't excessive but is used sparingly, and therefore more effective. The main fault of the film lies in the high number of clichés and scenes stolen from other countless horror films, a fault which seems to plague cinema these days. Take for example the bit where an insect bursts into the carriage and then disappears under a cabinet, a cross-breed of similar scenes from NIGHT OF THE LIVING DEAD, Friday the 13th and ALIENS. These scenes are numerous and come across as disappointing, as does the tacked-on happy ending where Northam survives the huge gas explosion and they all live happily ever after. Speaking of the explosion, there's a great pyrotechnic display at the end, which really closes up all the loose ends and harks back to horror films from the 1930s such as THE BLACK CAT and FRANKENSTEIN where all creatures and villains met a fiery demise.

However, one great thing MIMIC has going for it are the special effects, which pretty much surpass a lot of what's gone before. The scenes with the insects in their human disguise are chilling, but there's an excellent centre piece where one of them spreads its wings, takes off and carries Sorvino away! CGI obviously plays a big part here and fortunately doesn't look too fake, computer graphics seem to be improving all of the time. The CGI effects are used sparingly and therefore are more effective and realistic than other CGI-fests such as GODZILLA. These flying insects are really something to see and definitely worth looking out for. MIMIC may be simply a new take on an old cliché, but it's a heck of a lot of fun and is simply one of the best-made monster films of the '90s.