Mandragora

Wiktor Grodecki's masterful film entitled "Mandragora" is by any standard, a stirring and gut wrenching example of poverty gone amok. The torrid film depicts the story of Marek, superbly played by Miroslav Caslavka, a troubled boy of fifteen who, bored with the juvenile pranks and idle antics in an average town, seeks the glitz and glitter of the city of Prague. Once there, he quickly realizes the needs of life in the big city come with a price, one which he cannot afford and thus succumbs to the hungry appetite of the predatory elements surrounding him. Beginning with the alluring promise of quick cash for services rendered, Marek, quickly realizes this means his 'innocence' which is taken after being drugged and raped. Escaping the inattentive and uncaring pimp, he descends into the depths of sexual perversions when he encounters and befriends a more 'experienced' partner who trades him to a dark, sadistic pair, leaving him broken and violated. The decent into the perverted practices continues when, after a brief respite, he finds himself beaten, left for dead and in the hands of a vicious pornographer. With his father searching for him, the boy having survived an appalling apprenticeship, delves into the illusionary and dead end world of drugs where father and son unfortunately miss each other by inches. All in all, a truly revealing film for anyone wishing to have a worm's eye view in the slow death of male prostitutes. *****

Following the short life of runaway-turned-rent-boy Marek and his new found friend David, Mandragora achieves what many other movies skirt corners in their attempts to achieve. An honest, no-holds-barred look at exactly what can happen when one bad decision leads to another...and another. This movie is brutal. No horrific scene cut short (including images of rape, suicide, sadism, self mutilation, etc.). Both in their early teens, these two boys go from bright-eyed innocents to drug addicted, aids infected felons in a matter of weeks...and by the end of this movie, you'll feel quite the same. I had a hard time getting through this movie in one sitting and by the end I felt as though I'd really achieved something. But, regardless of how bad I've made it sound, this movie truly affected me. It made me want to run to the streets, locate the closest underage prostitute, throw my arms around him/her and tell them, "I understand what you've been through."

This movie seemed really harsh to me. I guess one of the reasons for that is that the main character Marek looks alike a person I used to know – someone I have lost actually – I won't get into many details. There were quite a few moments of this movie which were astonishing with their way of showing the reality out there. Reality which exists, but many are not ready to accept this fact.

To me Marek is a normal teen-aged boy, who needs his own space – he is tired to hear from people who think that they know what is best for him. Unfortunately he should have listened to his dad – a person, who surely loves him, trough somehow the link between them was lost. There is emptiness in the heart of the boy – caused by the missing of his mother – I did not get if she died before or just left them, but somehow the fact she was not there was affecting Marek in a way which make me to think that he was more close to her than to his father.

I can not blame him for running away , I myself have considered this opportunity several times and even seeing movies like that , seeing that it could be hard to survive couldn't quite affect my troughs that someday I may do it. The differences between me and Marek – he is more brave than me – he took his decision and acted on it. It is another question if his decision was silly or not … The first sexual scene is very disturbing – I felt sorry for the boy. I was watching the screen thinking "Now you have to go back ", but at the same time realizing that for him this was not an option. The scene at the bar – when he announced for a very first time his new profession is where you see the way he deals with it. I could hardly forget the way he spoke, as he approached the American tourist, the way he looked him – it seemed oddly professional – I don't really know what term to use to describe it.

At the same time we see the other types of characters – the pimps, the boys, the clients – they are portrayed in greater details. Somehow even their face expression talked about their personality or at least it did to me.

I passed trough a very similar place to this bar in which Marek was approached by the pimp for a first time. And you know as I looked into it – it seemed unbelievable how many were the similarities to what was shown in the movie. The only difference – the prostitutes were girls – but nothing more. When school as over I have to pass that places again (and 8 pm doesn't seem like the right time to do it – but I have no choice) – after seeing the movie it freaks me out a bit.

But on to the movie – it is a masterpiece of Wiktor Grodecki, there is no doubt in this. I highly recommend that you watch it at least ones. And may be someday you will be able to make the difference for a boy like the ones shown in this movie – to take him out of his own hell he is living it. Even trough it is hard – as the boys seemed doomed to their destiny.

In response to a previous reviewer's guess that certain characters like the porn director are caricatures: Those who have seen "Body Without Soul" (a powerful documentary by the same director which was clearly the basis for Mandragora's script and the blueprint for its characters) no doubt recognized many lines and scenes. The same can be said about a few characters, the director being one. (David being another - there's even physical resemblance between the actor and the real David.) They both exist in real life, the actor playing the porn director also looks like the original and most of his lines have been taken (word for word) from the documentary where the prototype is being interviewed in GREAT (often sickening) depth plus filmed in action, as he's interviewing a few newboys and prepping them for the next shoot. I'm afraid that unlike everything else he does and says in Mandraghora, the scene of his arrest is fiction, something Grodecki desperately wants to happen. The rest, however, is real.

Mandragora itself, although erratic until a certain point (there are also a few lines that sound forced, it's as though the writer was trying too hard to condense "the point" and jam it down our throats), eventually becomes coldly honest in the realistic depiction of its characters' degradation and despair. It's also unique in that it doesn't try to explain anything. We never understand the father's insensitive behavior to Marek; we don't get a "valid" reason why the boy runs away from home. Nothing is rationalized like it no doubt would have been if this were mainstream cinema (for example: "The father is a drunk and Marek left home because he was being beaten or sexually molested").

The point to this approach is quite clear - that in real life, most things can't be explained and others just happen. That there doesn't necessarily need to be a specific, profound reason for a child to run, get lost and spiral down into Hell. Mandragora doesn't look for such excuses because they're not relevant. What is is that most of the time kids run away for no good reason which doesn't make the consequences any different. For life to slip through a child's fingers really could be this accidental and this easy which is exactly where the tragedy is.

Despite its flaws, I highly recommend this movie. However, you'll get the most accurate idea of the subject matter and Grodecki's perspective if you watch it along with the much better "Body Without Soul".

When I first heard of this film, I was *slightly apprehensive* to say the least. Opinions seemed to be split, some loved it, some hated it, but I had it on good recommendations, so I bought it on the off chance.

Normally when films are dubbed 'disturbing' it puts me off - they rarely are, this just seems to be a catch all for not very good films. But I sat and watched this, and I am totally in love. The acting is very good, they portray the emotions you would expect from someone in that situation beautifully. I never usually cry at films, but the raw desperation in their eyes made me sob several times.

There is one reason that this film didn't get full marks from me, and it's a totally foolish Angil reason. There isn't enough of David Svec. I immediately fell in love with him, and remained so throughout the film. But too much of his screen time involves him beaten and bloody, although thinking now I guess that's just what his character's destined for. And he does wear it very well. So yeah, maybe it should have full marks... WATCH THIS FILM> <3 <3