The Maker

One of the best movies I've ever stumbled across. A great character-driven low-budget film. Definitely worth checking out for yourself.

Josh is turning 18 and hanging out with a bad crowd. They do drugs, drive recklessly and even steal from the U. S. Mail. His brother Walter has been gone for a while and he comes back hoping to make amends for leaving the family. Josh has what seems like a brother-sister relationship with Bella, but he really wants Emily, a cop who is several years older.

Josh's parents died when he was very young, and he was adopted by the Minnells. Walter (who has gone back to his original name Schmeiss) knows the full story, which Josh has never heard, and what happened to them may explain why both brothers turned out the way they did.

'The Maker' is the one who makes the rules in a given situation. Josh has that opportunity when he helps Walter and Felice in their 'transfer and storage' business.

I think of the pleasant character from 'What the Deaf Man Heard' when I think of Matthew Modine. However, he can play bad guys too, and he made Walter likable and not really evil. As a con artist, Walter had to be quite a good actor too. I thought most of the lead actors gave good performances. Still, the movie was quite dark at times, and somewhat violent toward the end. Jonathan Rhys-Meyers effectively showed a young man having to make important moral decisions as he reached a point where he could have gone down the wrong road.

It was a worthwhile film, if you like this sort of thing.

There were so many good things here -- interesting characters, good details (like the Minnell's perfect home being right next to an ugly industrial complex), and the potential for a nice dramatic movie about troubled brothers reuniting. The filmmakers had lots of good ideas and no way to weave them together into a coherent movie. Modine was sadly unconvincing as a bad guy, Madsen was an unnecessary scenery-chewing addition, and how Balk's character was written off was a crime. The scenes between Bella and Josh were the best. Jonathan Rhys Meyers was excellent! (He does a good American accent.) He brought a very genuine, believable feel to the character Josh. It's a shame the movie let him down by becoming increasingly implausible, and finally just a low-budget action climax cliche. Good cast & good ideas make this worth seeing.

Sleeper alert: A straight-to-video-cable flick that upon closer inspection is a very intriguing character study. Ignore the generic video box cover and the ubiquitous straight-to-vid Madsen: note the talented cast, (modine, parker, balk) and director (hunter, "river's edge) and allow yourself to give this movie a chance. A troubled but gifted teen confronts his 18th birthday with his troubled and lost friends, when a stranger (or is he?...) enters his life. Low-key, well played, with a bit of generic warehouse shoot-out footage probably a necessity to get funding...the filmmaker's make a real effort on a scant budget, and despite flaws, any accomplishment however small shouldn't be overlooked in this time of cookie-cutting filmmaking. See it!

For the most part, the only things that brought me through the whole film are that it was very difficult to get the loan of a copy of the film via interlibrary loan, and it has Rhys Meyers (as he spelled it for this film) in it, who is always nice to look at. Although there is a good premise for an interesting film and story, there was not enough continuity and plot development to keep me interested and engaged. There were a number of subplots and minor characters which and who really didn't add anything of value to the story. I think that if you are a fan of Rhys-Myers or Modine, you may want to see the film in order to get to see them in an unreleased-for-theaters film, but otherwise, it really isn't work your time or trouble. If you're planning to enjoy looking at Rhys-Myers' skin, you can do a lot better with some of his other work. Tangled may not be an excellent film, either, but he drops his pants for you in it, and that is worth something you won't get out of "The Maker."