Intimidad peligrosa

I saw this film while voting for the Independent Spirit Awards and I must say it had many of my favorite performers. William Hurt, Amy Madigan, Sean Penn (whose company helped make the movie), Joanna Cassidy, Paul Dooley and Jennifer Rubin is like a dream cast to me. I couldn't wait for them to be put to good use. Sadly, they were given almost nothing interesting to do. It has a good setup, it is about the damage that happens in abusive relationships, specifically what people are willing to endure in order to feel loved. The project was not structured or developed very well, however. I think the script needed a few more drafts because the situations needed more urgency or more weight. Most good independent films take you on an emotional or spiritual journey and this film just did not do that.

When an abusive man's girlfriend ends up in a wheelchair and another one jumps in front of a car to end her misery, attorney William Hurt decides to bring him to trial. Emotionally-scarred Robin Wright is called to testify at a court hearing against her former lover.

Sounds like the beginning of a good courtroom drama, and with a cast that also includes Sean Penn, Joanna Cassidy and Amy Madigan, how can you go wrong?

A lot, actually. What we have here is a strong contender for the title of Most Boring Film of the Decade. I honestly can't recall seeing a duller, slower, more sophorific piece of filmmaking.

Does director/writer Erin Dignam think real people talk and act like these characters? I'm all for psychological dramas and introspective stories but they have to be somewhat interesting. Even depressing stories can be compelling, but compared to this, Ingmar Bergman's films look like Die Hard meets Rambo. This film is so sleep-inducing, it could be used by dentists as an anesthetic.

Don't take my word, see it and judge for yourself. But make sure you have plenty of coffee available, or you may never reach the end with your eyes open.

A previous commentist accurately summarized the plot as follows: When an abusive man's girlfriend ends up in a wheelchair and another one jumps in front of a car to end her misery, attorney William Hurt decides to bring him to trial. Emotionally-scarred Robin Wright is called to testify at a court hearing against her former lover.

However, the rest of his comments indicate that it's not just adolescent Americans who want movie stories neatly finished by the end of the movie. I found this film to be a thoughtful examination of several aspects of love and dependency. It provides no easy answers to the questions posed and actually requires the viewer to pay attention and THINK. Performances are uniformly excellent, especially Robin Penn Wright's in the principal role.

This obscure drama film about a former talented swimmer who tries to piece her life together after a troubled relationship is so aloof and uncommunicative that you feel like you've snuck into a party you weren't invited to. Writer/director Erin Dignam arguably aims for authenticity and depth by being offish, and it works in the sense that Robin Wright Penn's lead character comes off as remarkably true, even if she still isn't particularly interesting. William Hurt plays her lawyer in an even more introspective manner than we usually see him. His character seems absentminded, almost like a distraction, until we ultimately get a little glimpse into his own demons, which seem to gravitate him towards Wright Penn. It's all a somewhat slight and detached character study, but at least it's an actual study. The women are in focus here, which may be some sort of accomplishment in itself, and the film tries to discuss issues which it doesn't claim to have a definitive answer to beforehand. For that Dignam and her cast deserve credit, even if the end product is artistically lacking and never quite comes alive. Sean Penn produced and appears in an allegorical cameo.

If "Titanic" is what moves you, then skip "Loved." If you prefer slow-paced, thoughtful drama without special effects, noise or guns, where you have to put a lot of pieces together yourself, this is your movie. I don't believe that a movie is to be seen, half-digested and compartmentalized after one viewing, certainly not if it has any of the elements of subtle poignancy that this movie has. And because they are so good, I want more from writer-director, Erin Dignam and the lead actors, William Hurt and Robin Wright. I like looking at William Hurt and at Robin Wright even when they say nothing, when they struggle to find the right words. They can take all the time in the world, they are so impressive in their thoughtful solitude. Speak of a mismatched pair: a tall, dowdy lawyer of scholarly mien and a beautiful waif of athletic prowess. In this movie there is a chance to see if opposites attract after all. William Hurt and Robin Wright deliver flawless acting. He is a California prosecutor taking on a battered woman case, and Wright is the more than willing victim, the reluctant witness that has to be subpoenaed to testify. Imagine a sunny, naive, diffident, young California woman moving to New York City to get away from a first teen-age entanglement that leaves her damaged physically and emotionally. That's Wright character, Hedda. A one-time Olympic swimming contender, she returns to California for the prosecution of her former abusive boy-friend, who is wont to repeat his aggressive behaviour with others. Hurt is recruited to prosecute this difficult case, to end, or at least, to put a dent in this man's damage. If there are flaws in the film, they lie in no information being given about Wright's life in New York, and what it is that has hurt the prosecutor's past life and career. He seems to have lost his way but we don't know why. There is only so much reading between the lines one can do though it could be me that doesn't read well. Wright's character may be too naive to be believable, but on the other hand, it is called the battered spouse "syndrome." In the loose ends and in the space between thelines lie the beauty of this movie. Something unsaid may be happening between the prosecutor (Hurt) and his witness (Wright). Two lovable, damaged people may or may not be inching, reaching out to each other. Two near-fully realized characters are presented to us to make of them what we will because the writer-director won't give the store away. I prefer it that way. "Loved" is a compelling theatre piece, perhaps in the vein of an "Oleanna." In "Loved" the dark courtoom scenes are set within those of a bright, sunshiny Santa Monica and Redondo Beach. You may feel like walking around Santa Monica after when the movie ends. I do. Adventure seekers, romance novel readers and fans of "Godfather 15; 16; 17," ad nauseum, need not apply.