Un equipo de investigación es enviado a la isla del Parque Jurásico para estudiar los dinosaurios allí, mientras que otro equipo de se acerca con otra agenda.Un equipo de investigación es enviado a la isla del Parque Jurásico para estudiar los dinosaurios allí, mientras que otro equipo de se acerca con otra agenda.Un equipo de investigación es enviado a la isla del Parque Jurásico para estudiar los dinosaurios allí, mientras que otro equipo de se acerca con otra agenda.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 4 premios ganados y 28 nominaciones en total
Vanessa Chester
- Kelly Curtis
- (as Vanessa Lee Chester)
Thomas Rosales Jr.
- Carter
- (as Thomas Rosales)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'The Lost World: Jurassic Park' is lauded for its thrilling action, impressive effects, and Jeff Goldblum's return. The darker tone and dinosaur behavior exploration are appreciated. However, critics cite weak characters, a convoluted plot, and repetitive elements from the original. Inconsistencies and unrealistic scenarios, especially in the final act, are noted. Despite flaws, it is seen as an entertaining sequel offering fun and excitement.
Opiniones destacadas
The Lost World is the sequel to the 1993 classic Jurassic Park. Whilst this film is not as good as the original it does stand up well as a sequel. Jeff Goldblum returns as Ian Malcolm. Malcolm has been asked to return to another Island were Dinosaurs have been allowed to live without cages. Malcolm refuses but when he finds out his paleontolagist girlfriend is already there he goes with a team of documentariens to rescue her. However several accidents ensue and they are left stranded on the Island with a second party. The film does not have the all round strength of the first and is far more dependant on thrills and its visual effects this time round. It does however succeed as good entertainment and its better than the third installment in the franchise by quite a bit. The Dino sequences are handled well with the Raptors in the long grass being the highlight of those and quite possibly the entire film. The T-rex features strongly again ( and this time there's two of them) along with a new and nasty little green dinosaur compsagnathus. The acting is'nt Oscar worthy or anything like it but the characters do have some charm and when they are put in danger you care what happens to them which is always a good sign. It does suffer a little from a bloated and anti climatic ending that is funny for about 2 minutes but I wont spoil it for you none the less. I give the Lost World its high rating because it does exactly what it sets out to do, entertain us. So I think its fair we overlook some of its flaws as with any kind of blockbuster sequel they are always there.
Okay, the best Jurassic Park is obviously Jurassic Park. It was the most faithful to the fantastic Michael Critchton books, plus it was well done. As a sequel, The Lost World does just fine. Of course, I'm used to seeing horrible sequels all the time. Jeff Goldblum does a good job reprising his role as Ian Malcolm, and the newcomers of Julianne Moore and Vince Vaughn do well too. The story is a little unbelievable, though. After recently being replaced by his nephew as CEO of InGen, John Hammond(Richard Attenburough) reveals to Ian Malcolm(Goldblum) a site B: A place where dinosaurs run free. He sends him and his girlfriend, Sarah Harding(Moore), technology expert Eddie Carr(Richard Schiff) and photographer Nick Van Owen(Vaughn) to document the dinosaurs, while the official InGen team, led by Roland Tembo(Pete Postlethwaite), tries to capture the T. Rex and transport it to San Diego. As always, there is many bone-crunching deaths, the Special FX are excellent, but the story and plot fall a a bit short. Overall: 7/10
Jurassic Park II, officially known as The Lost World: Jurassic Park, takes audiences back into the dinosaur-laden world that captivated viewers in the original film. Directed by Steven Spielberg, this sequel shifts the focus to Isla Sorna, the island where dinosaurs were originally bred before being moved to Jurassic Park.
The story follows Dr. Ian Malcolm, who returns to lead a team of experts sent to document the dinosaurs in their natural habitat. As they venture deeper into the island, they encounter a variety of prehistoric creatures, some familiar and some new, all while grappling with the ethical implications of their presence. The stakes escalate when a rescue mission turns dangerous, leading to thrilling encounters that highlight both the wonder and peril of these magnificent creatures.
While Jurassic Park II features stunning visual effects and intense action sequences, it does not quite capture the groundbreaking storytelling and suspense of its predecessor. The character development feels less robust, and some plot points lack the same depth that made the first film so compelling.
Despite these shortcomings, there are exhilarating moments that showcase the film's ambition and the awe of the dinosaurs. The film still delivers entertainment and excitement for fans of the franchise, even if it doesn't reach the heights of the original. Jurassic Park II is a worthy addition to the series but ultimately leaves viewers longing for the magic of the first film.
The story follows Dr. Ian Malcolm, who returns to lead a team of experts sent to document the dinosaurs in their natural habitat. As they venture deeper into the island, they encounter a variety of prehistoric creatures, some familiar and some new, all while grappling with the ethical implications of their presence. The stakes escalate when a rescue mission turns dangerous, leading to thrilling encounters that highlight both the wonder and peril of these magnificent creatures.
While Jurassic Park II features stunning visual effects and intense action sequences, it does not quite capture the groundbreaking storytelling and suspense of its predecessor. The character development feels less robust, and some plot points lack the same depth that made the first film so compelling.
Despite these shortcomings, there are exhilarating moments that showcase the film's ambition and the awe of the dinosaurs. The film still delivers entertainment and excitement for fans of the franchise, even if it doesn't reach the heights of the original. Jurassic Park II is a worthy addition to the series but ultimately leaves viewers longing for the magic of the first film.
"The Lost World" is one of those sequels that, while never quite reaching the impact or magic of the original, still delivers enough tension, visual spectacle, and dino-driven chaos to justify its existence. Steven Spielberg returns to the director's chair with a darker, more visceral approach, opting for a faster-paced narrative that leans into constant danger and a more direct critique of corporate greed-though, in doing so, it sacrifices some of the charm and elegance that made the first film so iconic. This is a follow-up that goes big: more dinosaurs, more characters, more destruction. It's not always refined, but it's visually bold and unapologetically wild.
David Koepp's script expands the "Jurassic Park" universe by introducing a second island, Isla Sorna-the dinosaurs' original breeding ground before they were transferred to the park. The premise-pitting a team sent to document the animals in their natural habitat against another looking to exploit them commercially-is solid on paper, but stumbles in execution. The tonal balance is shaky, bouncing between genuine suspense, half-baked environmental commentary, and awkwardly timed jokes. There's a bloated second act that slows things down, but when the movie fully embraces the chaos, especially during the big set pieces, it finds its rhythm and delivers what it promises: high-octane, prehistoric adrenaline.
As expected, the action sequences are where the film shines brightest, and Spielberg proves yet again he's a master of spectacle. The cliffside trailer attack, with the T-Rex parents tearing through metal to save their baby, is a masterclass in tension and disaster choreography. The Velociraptor ambush in the tall grass is another standout-a nearly wordless, visually stunning slice of horror that builds dread through composition and pacing. And of course, the San Diego climax, as ridiculous as it sounds on paper, works in its own way-it leans into the absurd and gives us a mini "Godzilla" moment inside the franchise. It's unexpected, messy fun that somehow just fits.
Visually, "The Lost World" keeps the high standard set by its predecessor. The mix of animatronics and CGI still works well, even if the computer effects are more noticeable this time around. There's a tactile quality to the dinosaurs that feels far more real than most modern creature features. The Stegosaurus scene early on is a great example: they're majestic and intimidating, and the sense of scale is genuinely awe-inspiring. The jungle cinematography adds an organic depth to the setting, especially when contrasted with the colder, artificial vibe of the urban park in the third act. John Williams' score may not be as instantly iconic here, but it's still effective-more tribal and percussion-heavy, it fits the wild, unpredictable tone of the sequel.
On the character front, the spotlight shifts to Ian Malcolm, now taking center stage instead of just offering cynical quips from the sidelines. Jeff Goldblum carries the film with his signature charisma and urgency, though turning him into a full-blown action hero sometimes feels like a stretch. Julianne Moore's Sarah Harding is capable but lacks spark, and her constant refusal to leave the island defies logic more than once. Other characters, like the morally ambiguous hunter Roland Tembo (Pete Postlethwaite), the functional-but-forgettable Kelly (Vanessa Chester), and the well-meaning activist Nick (Vince Vaughn), range from mildly engaging to completely disposable. The villain, Peter Ludlow (Arliss Howard), is a paper-thin caricature of corporate greed-more metaphor than actual threat.
Despite its flaws, "The Lost World" isn't a total misfire. It's a sequel that flickers with brilliance, weighed down mostly by the impossible task of following a masterpiece. But it still delivers a grand-scale adventure packed with intense moments and jaw-dropping sequences. It expands the universe decently, introduces some memorable new dinosaurs, and shows Spielberg clearly having a blast with a more destructive, pessimistic tone. It's a film that tries to turn the wonder of the first movie into a meditation on the collapse of human intentions when faced with nature-and in doing so, it gets a little lost between commentary, chaos, and popcorn fun. Still, for fans of the franchise and anyone who grew up wide-eyed at the sight of these creatures, "The Lost World" is an imperfect but enjoyable ride through a jungle full of prehistoric thrills.
David Koepp's script expands the "Jurassic Park" universe by introducing a second island, Isla Sorna-the dinosaurs' original breeding ground before they were transferred to the park. The premise-pitting a team sent to document the animals in their natural habitat against another looking to exploit them commercially-is solid on paper, but stumbles in execution. The tonal balance is shaky, bouncing between genuine suspense, half-baked environmental commentary, and awkwardly timed jokes. There's a bloated second act that slows things down, but when the movie fully embraces the chaos, especially during the big set pieces, it finds its rhythm and delivers what it promises: high-octane, prehistoric adrenaline.
As expected, the action sequences are where the film shines brightest, and Spielberg proves yet again he's a master of spectacle. The cliffside trailer attack, with the T-Rex parents tearing through metal to save their baby, is a masterclass in tension and disaster choreography. The Velociraptor ambush in the tall grass is another standout-a nearly wordless, visually stunning slice of horror that builds dread through composition and pacing. And of course, the San Diego climax, as ridiculous as it sounds on paper, works in its own way-it leans into the absurd and gives us a mini "Godzilla" moment inside the franchise. It's unexpected, messy fun that somehow just fits.
Visually, "The Lost World" keeps the high standard set by its predecessor. The mix of animatronics and CGI still works well, even if the computer effects are more noticeable this time around. There's a tactile quality to the dinosaurs that feels far more real than most modern creature features. The Stegosaurus scene early on is a great example: they're majestic and intimidating, and the sense of scale is genuinely awe-inspiring. The jungle cinematography adds an organic depth to the setting, especially when contrasted with the colder, artificial vibe of the urban park in the third act. John Williams' score may not be as instantly iconic here, but it's still effective-more tribal and percussion-heavy, it fits the wild, unpredictable tone of the sequel.
On the character front, the spotlight shifts to Ian Malcolm, now taking center stage instead of just offering cynical quips from the sidelines. Jeff Goldblum carries the film with his signature charisma and urgency, though turning him into a full-blown action hero sometimes feels like a stretch. Julianne Moore's Sarah Harding is capable but lacks spark, and her constant refusal to leave the island defies logic more than once. Other characters, like the morally ambiguous hunter Roland Tembo (Pete Postlethwaite), the functional-but-forgettable Kelly (Vanessa Chester), and the well-meaning activist Nick (Vince Vaughn), range from mildly engaging to completely disposable. The villain, Peter Ludlow (Arliss Howard), is a paper-thin caricature of corporate greed-more metaphor than actual threat.
Despite its flaws, "The Lost World" isn't a total misfire. It's a sequel that flickers with brilliance, weighed down mostly by the impossible task of following a masterpiece. But it still delivers a grand-scale adventure packed with intense moments and jaw-dropping sequences. It expands the universe decently, introduces some memorable new dinosaurs, and shows Spielberg clearly having a blast with a more destructive, pessimistic tone. It's a film that tries to turn the wonder of the first movie into a meditation on the collapse of human intentions when faced with nature-and in doing so, it gets a little lost between commentary, chaos, and popcorn fun. Still, for fans of the franchise and anyone who grew up wide-eyed at the sight of these creatures, "The Lost World" is an imperfect but enjoyable ride through a jungle full of prehistoric thrills.
Steven Spielberg returned to direct this sequel,(loosely) based on the Michael Crichton novel that sees Jeff Goldblum returning as Dr. Ian Malcolm, who is enlisted by John Hammond(Richard Attenborough again) to return to Jurassic Park(though on previously unmentioned Site B) to study the dinosaur population, and also to rescue another team, which includes a former flame of his(played by Julianne Moore). He reluctantly agrees, and after locating her, finds to their disgust that the company INGEN has allowed hunting parties to take place, where big-game hunters(led by Pete Postlethwaite) stalk and kill dinosaurs, though the tables would of course be turned...
Good sequel has equally effective F/X and terrifying story, though a few too many characters; the twist toward the end is surprising and entertaining, though some poor editing leaves a big plot hole aboard the discovered freighter...still, a worthy sequel that holds up today.
Good sequel has equally effective F/X and terrifying story, though a few too many characters; the twist toward the end is surprising and entertaining, though some poor editing leaves a big plot hole aboard the discovered freighter...still, a worthy sequel that holds up today.
All Jurassic Park Movies Ranked by IMDb Rating
All Jurassic Park Movies Ranked by IMDb Rating
See how the Jurassic Park franchise films rank, according to IMDb user ratings. [Last updated June 16, 2025]
¿Sabías que…?
- TriviaThe vocalizations for the juvenile tyrannosaurus were of a baby camel crying for its mother.
- Errores(at around 1h 50 mins) After Ian and Sarah have the infant T-Rex in the back seat of the red convertible, as Ian turns into the gas station, in Ian's rear-view mirror you can see a brief reflection of Steven Spielberg with baseball cap directing the scene.
- Citas
Dr. Ian Malcolm: Oh, yeah. Oooh, ahhh, that's how it always starts. Then later there's running and screaming.
- Créditos curiososDavid Koepp is listed as the "unlucky bastard" because he was eaten by the T-Rex. Koepp wrote the screenplay.
- Versiones alternativasThe Fox television network's version (aired on November 1st, 1998) includes two scenes not in the theatrical cut (see Trivia section). The first scene is an InGen meeting between Ludlow and InGen representatives, and takes place in between the opening Compy attack sequence and the Hammond scene. It contains exposition about what aftereffects the events of the first film had on InGen, and how Ludlow is taking over control of the company from Hammond. The second is in between the Hammond scene and the mission-prep scene with Eddie Carr. Set in Mombasa, it introduces Roland Tembo and Ajay Sidhu and makes it clear they have a long history working together. Both deleted scenes are included as special features on the DVD and Blu-ray, but are not integrated into the film.
- ConexionesEdited into La ventana secreta (2004)
- Bandas sonorasTres Dias
Written by Tomás Méndez
Performed by Nati Cano's Mariachi Los Camperos (as Mariachi Los Camperos de Nati Cano)
Courtesy of Peer-Southern Productions, Inc.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Lost World: Jurassic Park
- Locaciones de filmación
- Mayfield Senior School - 500 Bellefontaine Street, Pasadena, California, Estados Unidos(mansion where John Hammond lives)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 73,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 229,086,679
- Fin de semana de estreno en EE. UU. y Canadá
- USD 72,132,785
- 25 may 1997
- Total a nivel mundial
- USD 618,638,999
- Tiempo de ejecución
- 2h 9min(129 min)
- Color
- Mezcla de sonido
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