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6.1/10
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TU CALIFICACIÓN
Un vagabundo llega a un pueblo buscando trabajo. Mientras trabaja en un rancho ganadero, se enamora de la bella Kitty y se ve envuelto en un triángulo amoroso tan mortal como erótico.Un vagabundo llega a un pueblo buscando trabajo. Mientras trabaja en un rancho ganadero, se enamora de la bella Kitty y se ve envuelto en un triángulo amoroso tan mortal como erótico.Un vagabundo llega a un pueblo buscando trabajo. Mientras trabaja en un rancho ganadero, se enamora de la bella Kitty y se ve envuelto en un triángulo amoroso tan mortal como erótico.
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
That this film has a running time OVER 2 hours, and has had little or no theatrical recognition, immediately activates my senses. This length will complicate scheduling on pay-cable, and meant pressing an additional disk for the laser package. Why?. One possibility (rare) is that it is truly an auteur's masterpiece, not for the masses, maybe, but important enough, as is, to be kept intact. The more likely scenario is that this movie is such a waste of time that everyone involved could really care less what gets released. By now they've all changed their names, left town, and moved onto the next..
Predictably, The Locusts falls into category 2. Vince Vaughan in a muscle shirt and Ashley Judd with her cotton dress flying in the wind are about all this film has on the plus side. Dragging and nagging situations, disconnected dialogue, and uncertain motivation tend to make most every frame tortuous to endure.
First time-writer-directors (John Patrick Kelley here) tend to script a very personal project, one based on material with which they are intimately familiar-they draw on their strength. Subsequent efforts can wane, as the writer ventures into more unfamiliar territory. With this in mind, I leave you with 2 questions: (1) Where in the world did this story come from? And (2) What can we expect from John Patrick Kelly when he starts writing from an unfamiliar point of view ?
The answers may scare you.
Predictably, The Locusts falls into category 2. Vince Vaughan in a muscle shirt and Ashley Judd with her cotton dress flying in the wind are about all this film has on the plus side. Dragging and nagging situations, disconnected dialogue, and uncertain motivation tend to make most every frame tortuous to endure.
First time-writer-directors (John Patrick Kelley here) tend to script a very personal project, one based on material with which they are intimately familiar-they draw on their strength. Subsequent efforts can wane, as the writer ventures into more unfamiliar territory. With this in mind, I leave you with 2 questions: (1) Where in the world did this story come from? And (2) What can we expect from John Patrick Kelly when he starts writing from an unfamiliar point of view ?
The answers may scare you.
Normally when I hear or read the title of a movie, I have some idea of what it could be like. That's not always correct, but most of the time it works - especially with famous movies of course. But when I read the title of this movie, I really didn't know what it would be about. Of course I didn't think that it would be a movie about the insect, but I just couldn't form a good idea about it. That's why I just gave it a try, not knowing what to expect, but hoping for the best. And I'm glad that I did, because this certainly was a nice movie.
"The Locusts" is situated in the 1950's and shows how the arrival of Clay Hewitt changes life drastically in a small town. He's looking for a job and is hired by the local feed ranch's owner, an aging widow who likes to drink and seduce younger men. He quickly becomes her new lover, but also has an eye for her quiet son Flyboy. The boy hasn't spoken a word in years and is completely withdrawn since the death of his father. The only one who he talks to since his recent return from a mental hospital is his pet bull. But Clay wants to give it a try and gradually he manages to get the boy out of his isolation, much against the will of the boy's mother...
Even though this is perhaps not the most original story ever, I must say that I had a good time watching this movie. The acting has a lot to do with that of course. Vince Vaughn is very enjoyable as Clay Hewitt and Kate Capshaw did a very fine job portraying Delilah, but in my opinion it is Jeremy Davies as Flyboy, who was the best this time. But overall this is a movie that portrayed its characters well and didn't drown in an overdose of plot twists. This is John Patrick Kelley's first and so far only film, but it certainly makes me look forward to new projects from this man. I give this movie a rating between 7/10 and 7.5/10.
"The Locusts" is situated in the 1950's and shows how the arrival of Clay Hewitt changes life drastically in a small town. He's looking for a job and is hired by the local feed ranch's owner, an aging widow who likes to drink and seduce younger men. He quickly becomes her new lover, but also has an eye for her quiet son Flyboy. The boy hasn't spoken a word in years and is completely withdrawn since the death of his father. The only one who he talks to since his recent return from a mental hospital is his pet bull. But Clay wants to give it a try and gradually he manages to get the boy out of his isolation, much against the will of the boy's mother...
Even though this is perhaps not the most original story ever, I must say that I had a good time watching this movie. The acting has a lot to do with that of course. Vince Vaughn is very enjoyable as Clay Hewitt and Kate Capshaw did a very fine job portraying Delilah, but in my opinion it is Jeremy Davies as Flyboy, who was the best this time. But overall this is a movie that portrayed its characters well and didn't drown in an overdose of plot twists. This is John Patrick Kelley's first and so far only film, but it certainly makes me look forward to new projects from this man. I give this movie a rating between 7/10 and 7.5/10.
I have always thought that Vince Vaughn was a decent actor but this film just proves I was wrong...he is fantastic! Ashley Judd, Kate Capshaw, and Jeremy Davies turn in performances that would earn them award nominations if the movie had any media backing whatsoever. Great film.
Considering that any subsequent viewing of this film will be on video or cable, why not take a look? The draw being a good performance from Vince Vaughn. The writing is terrible and the dialogue is almost embarrassing. The plot is ridiculous, full of literary (but really juvenile) symbolism.
Somehow, Vaughn still manages to be fun to watch, even when he is castrating bulls.
Somehow, Vaughn still manages to be fun to watch, even when he is castrating bulls.
Will the real Vince Vaughn please come forward and do some more acting like this. He really stood out in this picture. Although not the best I have ever seen, the movie kept me intrigued to the very end. It had all the stuff great movies are made of...sweaty 120 degree weather...ice tea in mason jars...family secrets...the shirtless ranch hand in the spare room... the sultry older woman who lusts after him...and plenty of cigarettes...
¿Sabías que…?
- TriviaSteven Spielberg cast Jeremy Davies in Rescatando al soldado Ryan (1998) after seeing his performance in this movie.
- Bandas sonorasSweet Nothin's
Written by Ronnie Self
Performed by Brenda Lee
Artist courtesy of MCA Records
Under license from Universal Music Special Markets
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- How long is The Locusts?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- A Secret Sin
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 40,158
- Fin de semana de estreno en EE. UU. y Canadá
- USD 17,787
- 5 oct 1997
- Total a nivel mundial
- USD 40,158
- Tiempo de ejecución
- 2h 4min(124 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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