CALIFICACIÓN DE IMDb
6.1/10
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TU CALIFICACIÓN
Un vagabundo llega a un pueblo buscando trabajo. Mientras trabaja en un rancho ganadero, se enamora de la bella Kitty y se ve envuelto en un triángulo amoroso tan mortal como erótico.Un vagabundo llega a un pueblo buscando trabajo. Mientras trabaja en un rancho ganadero, se enamora de la bella Kitty y se ve envuelto en un triángulo amoroso tan mortal como erótico.Un vagabundo llega a un pueblo buscando trabajo. Mientras trabaja en un rancho ganadero, se enamora de la bella Kitty y se ve envuelto en un triángulo amoroso tan mortal como erótico.
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I found "The Locusts" an excellently written emotional story about hardship, manipulation, abuse, suicide, sex, blackmail, and dealing with mistakes. This is a film which requires attention to fully experience it, so it's not a drinking buddies movie. You can do that, but the film will appear shallow in that context.
The acting is wonderful and subtle. So much is said not through the words but by the actors' presentations of emotion and the scene staging. The plot appears simple on the surface. The plot on the surface is like a film noir; wealthy widow who preys on attractive male employees, her troubled adolescent son grieving his father's death, drifter with a mysterious past, and all. Seemingly black and white characters. Sex-starved widow hires drifter to work on her cattle farm. She sets her eyes on him. The drifter resists and simultaneously tries to befriend the son. This is established early. Later, past occurrences are revealed. Tragedy happens.
However. There is so much emotional subtext in the scenes. So much of the plot is implied by behaviors and not spoken. The character development through the scenes is complex and emotionally powerful. The actors handle it wonderfully. I like it better on rewatching because I can see the things I missed before. I cannot with say more without giving away plot points.
Back to my comment above, it works better if you are going to pay attention, are in the mood to try to figure out what about the characters is not being said. This film may trigger trauma memories in some people. I think the subject matter when released was disturbing to audiences. The subject matter is still disturbing, but some portrayed subjects are better understood today than in 1997.
The acting is wonderful and subtle. So much is said not through the words but by the actors' presentations of emotion and the scene staging. The plot appears simple on the surface. The plot on the surface is like a film noir; wealthy widow who preys on attractive male employees, her troubled adolescent son grieving his father's death, drifter with a mysterious past, and all. Seemingly black and white characters. Sex-starved widow hires drifter to work on her cattle farm. She sets her eyes on him. The drifter resists and simultaneously tries to befriend the son. This is established early. Later, past occurrences are revealed. Tragedy happens.
However. There is so much emotional subtext in the scenes. So much of the plot is implied by behaviors and not spoken. The character development through the scenes is complex and emotionally powerful. The actors handle it wonderfully. I like it better on rewatching because I can see the things I missed before. I cannot with say more without giving away plot points.
Back to my comment above, it works better if you are going to pay attention, are in the mood to try to figure out what about the characters is not being said. This film may trigger trauma memories in some people. I think the subject matter when released was disturbing to audiences. The subject matter is still disturbing, but some portrayed subjects are better understood today than in 1997.
In the 50's, the drifter Clay Hewitt (Vince Vaughn) arrives in a small town in the countryside of Kansas and befriends the locals Kitty (Ashley Judd), Earl (Paul Rudd) and his girlfriend Patsy (Jessica Capshaw) after punching their friend Joel Carter (Daniel Meyer) in a bar. Clay asks for a job to raise money to go to California, and Earl drives him to the ranch of the widow Delilah Ashford Potts (Kate Capshaw) to work with him in the slaughterhouse. Mrs. Potts is an alcoholic and promiscuous woman and hires Clay and let him stay in the barn. When Clay meets her son Joseph "Flyboy" Potts (Jeremy Davies), he learns that he has just returned from a mental institution after eight years and he does not speak a word to anybody. Further, his only friend is a bull called Jim that belonged to his father. Clay falls in love with Kitty and gets close to Flyboy that becomes his friend and slowly changes his behavior. When Clays decides to leave the town, he discloses a dark secret to Kitty. Meanwhile Flyboy's change of attitude unleashes a series of evil events and revelations from Mrs. Potts.
"The Locust" is one of the most powerful dramas shown in the American cinema industry, with a depressive and heartbreaking story of family revelations. This film is almost perfect, with wonderful direction, performances, cinematography, art direction and music score. Further, it is dramatic but never corny. It is also impressive how the distributors have neglected this film that was only released on VHS in Brazil. My vote is eight.
Title (Brazil): "Segredos Imperdoáveis" ("Unforgivable Secrets")
"The Locust" is one of the most powerful dramas shown in the American cinema industry, with a depressive and heartbreaking story of family revelations. This film is almost perfect, with wonderful direction, performances, cinematography, art direction and music score. Further, it is dramatic but never corny. It is also impressive how the distributors have neglected this film that was only released on VHS in Brazil. My vote is eight.
Title (Brazil): "Segredos Imperdoáveis" ("Unforgivable Secrets")
A cliche-ridden movie with a lusty widow and a mysterious drifter. And oh yeah, they have secrets. And we know it takes place in the quasi-South since everyone drinks iced tea out of Mason jars. Despite the cliches and sloppy film-making, it's completely enjoyable. Cheesy, corny, fun, sexy and often touching thanks to lovely performances by Vince Vaughn and Jeremy Davies. And someone PLEASE remake Streetcar Named Desire quickly. Vince Vaughn is a star in the making, and he and Ashley Judd sizzle. Stanley and Stella, anyone?
Considering that any subsequent viewing of this film will be on video or cable, why not take a look? The draw being a good performance from Vince Vaughn. The writing is terrible and the dialogue is almost embarrassing. The plot is ridiculous, full of literary (but really juvenile) symbolism.
Somehow, Vaughn still manages to be fun to watch, even when he is castrating bulls.
Somehow, Vaughn still manages to be fun to watch, even when he is castrating bulls.
Will the real Vince Vaughn please come forward and do some more acting like this. He really stood out in this picture. Although not the best I have ever seen, the movie kept me intrigued to the very end. It had all the stuff great movies are made of...sweaty 120 degree weather...ice tea in mason jars...family secrets...the shirtless ranch hand in the spare room... the sultry older woman who lusts after him...and plenty of cigarettes...
¿Sabías que…?
- TriviaSteven Spielberg cast Jeremy Davies in Rescatando al soldado Ryan (1998) after seeing his performance in this movie.
- Bandas sonorasSweet Nothin's
Written by Ronnie Self
Performed by Brenda Lee
Artist courtesy of MCA Records
Under license from Universal Music Special Markets
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- How long is The Locusts?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- A Secret Sin
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 40,158
- Fin de semana de estreno en EE. UU. y Canadá
- USD 17,787
- 5 oct 1997
- Total a nivel mundial
- USD 40,158
- Tiempo de ejecución2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was The Locusts (1997) officially released in India in English?
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