I Want You

This was an interesting film with some very quirky characters.

Honda (Luka Petrusic) is a tall, thin 14-year-old boy who usually went everywhere at kind of a gallop, and is a mute. He lives in a house on the beach with his sister named Smokey(Labina Mitevska)--he also has a little hideaway in an old boat that has washed up on the beach.

Honda has a rather strange hobby of listening constantly to other people's conversations and other activities, and recording them.

Honda can even record people in a car not too distant from where he is, and he even has mobile equipment.

One day Honda runs into a beautiful young woman named Helen(Rachel Weisz), quite literally. After making her acquaintance, Honda and her become friends.

A young man named Martin,(Alessandro Nivola)out of prison and on parole, with whom Helen was previously involved, is stalking her.

Smokey, a sultry nightclub singer, who has a very unusual hairstyle, upon meeting Martin, becomes very interested in him.

All four of these people have some psychological issues. Helen - has some obvious sexual problems Martin- is a stalker Smokey- is going to bed with every man she encounters. And Honda with his muteness,eavesdropping and obsession with Helen is also in need of Dr. Freud.

We discover as the film progresses, why Honda is mute and what transpired between Martin and Helen in the past.

How this all concludes was quite surprising and unexpected to me.

8 stars

'I Want You' is unique, transcending British cinema in one easy leap. What the film offers that makes it special is a portrait of obsessive desire and compulsion framed quite brazenly in an English coastal town. Cinematographer Slawomir Idziak (of Three Colours Red/White and Blue fame) commits to celluloid a most distinct and unfamiliar slice of life in a claustrophobic town, complimented superbly with Winterbottom's direction.

The cast although largely unknown (with the exception of Weisz and Nirvola) effortlessly demand attention and understanding and the development of these characters is really what the film is all about.

'I Want You' consciously refers back to cult films like 'Red Rock West' and 'Romeo is Bleeding' and here it seems Micheal Winterbottom may just have produced an English answer.

It is about a boy, who doesn't speak but falls in love with an older girl. As it turns out, her father was murdered. Now her former boyfriend, who is released on parole, stalks her, but nevertheless rescues her from being raped. Fair enough. She is torn between him, the boy and some others, who try to have sex with her.

It is a quite strange but due to that fancy story. The film offers more than just the story, it also uses many different ways to talk to its audience. Listen carefully to the song texts. They might not be the best, but add a sometimes funny, sometimes bitter sphere. This bitterness is more than just a stylistic device, it is one of the central themes, as it deals with guilt and the desire of being loved.

See it, but be aware that it is a relatively cheap production, so don't await to much in this term.

The topics touched on in this film include suicide, patricide, pedophilia, sexual obsession and murder. With a running time of just 87 min. and a large dose of nudity, it is amazing just how boring this film is. We are to believe that it is a cross between a 1950s English kitchen sink drama and an erotic thriller. Even though there are large gaps revealed to us in the characters' motivation, there is enough shown as the make them as one dimensional as a paper cut-out. Rachel Weisz's two nude scenes might be considered courageous in another film; but with so much gratuitous nudity preceding it, it loses it's impact. If you want to see Rachel Weisz naked and have a fast forward button, then rent this film. Otherwise stay away. It is incredibly pretentious and boring.

I really liked this movie. I can't quite figure out why, however. It's not quite the psychological thrill that it was perhaps intended to be (we never really get into the head of Martin, a man obsessed with his old love, which most people think is what the film is supposed to be about), and the relationship between Helen and Honda never really becomes a focal point, but like City of Lost Children, it gains a lot of points by simply being a unique viewing experience.

The relationship that Honda has with Smokey (his sister) and Helen are realistic and almost heart warming. It would have been a more enjoyable movie if it simply focused on the trio, but the movie is very intelligent and thought provoking as it is.