I Married a Strange Person!

I've been a fan of Bill Plympton since I first saw one of his shorts in a late-80s animation festival, and to me, "I Married a Strange Person!" is his best work. It's possible that I've missed something better -- I've seen many/most of his shorts, but only one other of his long-form works, "The Tune". This film, to me, is much funnier and more memorable than "The Tune", though not as deep, I suppose.

Fans of the "splatstick" horror/comedy genre should enjoy this film, as it uses over-the-top gore to similar comedic effect. Don't get the impression that this is a film in the vein of "Lupo The Butcher" or something, though, with ultra-violence being used for ultra-violence's sake. Plympton's imagination is FAR too vivid for that to be the case.

I'd have to say, in fact, that Plympton has the most unique and active imagination of any visual artist I'm familiar with, and this film is a great showcase for it, since the plot concerns a special brain lobe that causes imagination to become reality.

Apart from the comedic gore, there are hilarious looks at sex. What Plympton has done for quitting smoking and other topics in his shorts, he does here for sex. Everything from people to animals to inanimate objects are seen engaging in the act here, to comic effect. One of the most imaginative images is the upper receptacle in an electrical outlet banging the lower receptacle from behind (with the three-prong receptacles having become faces).

Another thing to mention is the film's great score. Funny, catchy, toe-tapping tunes that you'll feel like you've heard somewhere before.

To sum up, buy this film! If you're at all a fan of animation or semi-risque comedy, you're sure to love it.

This film was one of the best surreal films I actually enjoyed in a long time, great WILD style, love the way he animates the faces to its very creepy but awesome at the same time, I enjoyed the first half better than the last half though.

It seems like an hour and ten mins is very short but like other people said the pacing is a bit over the top I found, the first half kept me purley entertained and never got bored once, but then the last half it felt like there were almost no breaks, it was just a wild rollar coaster until the end which was just as amazing and unique as the first half but its not as powerful because its just so much to take in so fast, it should of had bigger breaks towards the end, one other minor thing irradiated me was how they shoot at the woman and husband at the end point blank range for like 5 minutes and they just dodge them all, I know its not taken seriously but that just felt so dragged out and took away from the overall ending experience.

But thats just the negative, go watch this film IT IS AMAZING its like nothing I have ever seen before, best words to describe it....

Fantasia on speed and acid.

I feel sorry for the people that said they were bored during this movie and that was the only thing they had to say about it. This movie was a wonderful fantasy in which Plympton used the animated media to its highest potential. This movie does have something to offend just about everyone, from extreme profanity, extreme violence, to bizarre (but funny) sex scenes to quoting Hermann Goring?? The bird sex scene in the opening probably did a good job offending most of the population and let you know there was a really raunchy good time ahead; the facial expressions were great! Another great part to look for is when one character watches the "How To Make Love To A Woman" video. There was one segment I rewound the tape three times and STILL couldn't hear what was said because I was laughing SO HARD! WONderful movie and such an improvement over "The Tune".

Bill Plympton's feature-length cartoon is about how Our Hero gets a boil in his neck that permits him to change things into other things. Because he is newly married, this upsets his bride (even though the sex is great), and she rushes home to her parents. Meanwhile, the CEO of minor TV network Smilecorp hears of this ability and orders its military division to seize the person, or at least the boil, using all sorts of armaments.

At this point, the story, such as it is, loses any sign of coherence; with the ability to change anything into anything else, how can it be otherwise? Still, there are some fine Plympton gag sequences, and the animation is a little fuller than it usually is for his work; apparently he got more money for this production than usual.

None of which serves to make it a great cartoon. Although the gimmick suits Plympton's wild sensibilities, the open-ended nature of it seems to have overwhelmed the film maker.

I caught this movie by accident at 2am and found it highly entertaining. It dashes from one scene to the next at a rate of knots. The animation is good and it is very refreshing to see an adult oriented cartoon despite the bizarre nature of the story. I'll be watching out for more by Bill Plympton in the future.