Hamam

I agree with those who comment that marketing this as a gay film is an indulgence in false pretenses, but I and my friends have enjoyed this thoughtful, beautifully filmed parable of self-discovery as a parable for the coming-out process. The vagueness and the fact that so much of the story is told through glances, gazes, and shimmering vistas of Old Istanbul means that everyone can bring their own story along with them to illuminate the hints and nuances of this remarkable film.

The ensemble performances were very powerful, and I honestly couldn't find any false notes here, though the atmosphere of Mediterranean melodrama at the film's sudden and somewhat awkwardly contrived conclusion seemed a little heavy and perhaps unnecessary as an ending to the serenity of the film as a whole.

I quite liked the music, and I enjoyed the director's eye for everyday details in a landscape that is very exotic to a North American filmgoer--reminiscent of The Scent of Green Papaya, or Raise the Red Lantern.

This is a wonderful film about happiness and love, not some sex film. Finding your true place in life physically as well as emotionally is the theme. Everything is beautiful about this movie, the people, the love between the two men and the between the family and Francesco. Great performances by the cast, especially Alessandro Gassman. Beautiful scenes of Istanbul, which I am sure is not seen by the usual tourist.

I loved this movie and highly recommend it.

A special film For the side of Istanbul, for delicat portrait of love, for inspired performances, for flavors and words and tension and the meet with a form of happiness out of any definition. A film about love. The flavors of cinnamon, the clash between worlds, the precise portrait of emotions are real admirable. Sure, a visual delight but, more important, wise exploration of an universe great for its subtle beauty and splendid delicacy. A film who I love. For the seeds remaining after its end and for the flowers of memories about it. Alessandro Gassman gives, in authentic manner, a profound seductive performance.

Marketing this as gay-themed is sort of misleading. There is an important gay relationship in it, but it's handled in a subtle manner. The Turkish family is either tolerant or in denial, (probably both). Reminds me a little of the Italian film 'I Am Love', which also takes a dramatic turn near the end. Prior to that, though, the story moves rather slowly. The quality of the lighting and the DVD itself is not great. I hope someday it will be 're-digitized'. Anyway, the film is remarkable for portraying a quietly ambivalent acceptance of homosexuality in a culture that is non-western and cosmopolitan: Istanbul. And interestingly, it suggests that the quietly ambivalent acceptance has been going on for a very long time. (10/2012)

In the US, this film is being 'pitched' as a film about sexuality. In truth, that is not the film's focus. The main character travels to Turkey and undergoes an unexpected personal transformation. Part of this transformation has to do with same-gender sexuality. But you will enjoy the film much more if you forget about that entirely, and let the story unfold.

I think that the film's main characteristic is that it is subtle. The main character is not shouting his confusion from the rooftops; the viewer is left to draw conclusions from glances and actions (or the lack thereof). Some self-reflection comes in the form of letters that his aunt wrote to his mother, with the implication that he feels the same way.

Steam, or Hamam, is about suddenly finding one's "home", and being willing to accept that discovery and embrace it.