Gunshy - Un tipo peligroso

This movie was good overall with great cinematography and the the special effects were well done. The actors did a great job in their roles despite a script that could have been better written as it had some unbelievable scenes.

Okay, it's one of the oldest plot lines in the gangster film genre, but if done well, the "man infiltrates vicious gang and finds himself loyal to the friend who got him in.". The cast is good, William Peterson has the downtrodden man character down pat these days, Diane Lane is serviceable, but the real surprises come by the way of Micheal Wincott finally playing a sympathetic almost good-guy, and Eric Schaeffer for the first time in his life not being annoying on screen as the creepy hitman. Good dialogue, an abscence of bad acting, and dark look that hides its low budget origins. Definitely worth picking up from the video shop.

William Petersen plays Jake, a down-on-his luck writer who has lost his muse and crawled into a bottle. One night, he drunkenly takes on an obnoxious bar tough, Lew (played by Meat Loaf), who takes him outside and begins to hand him a serious beating. The beating is interrupted by a low-level Irish mob enforcer, Frankie (Wincott), who had an appointment with Lew for a collection. Frankie puts a hurting on Lew and takes Jake home where Frankie's girlfriend, Melissa (Diane Lane), who happens to be a nurse, provides medical attention for Jake.

Though Jake is obnoxiously resistant at first, Frankie wants to be his friend and help him out of the hole he's dug himself into. In exchange, Frankie wants Jake to help him become more educated and erudite.

While this could turn into a sappy story on the level of Danny DeVito in Renaissance Man, instead it's a cool, dark tale of conflicting loyalties and desires with a little redemption thrown in to boot. Well acted and with solid dialogue, the film has a few cliche moments, but they are ultimately forgivable in the end.

The only reason I watched this film was I'd read Michael Wincott had a leading role in it. Wincott is a superb character actor and always delivers in his villainous roles, proving the devil really does have the best tunes. This is another villain, on the surface, a brutal enforcer for the Irish mob in Atlantic city but Wincott, gives us something else as well, a sweetness and vulnerability that makes a interesting paradox for this type of movie and character. The other leads are filled out by the always watchable Diane Lane and William Petersen, whom, with Wincott form the menage a trois at the heart of the story. Director Jeff Celentano has also assembled an intriguing supporting cast of name actors; R Lee Ermey (Wasted in a bit part right at the beginning of the film), Michael Byrne, who is chillingly sinister despite the broadest Irish accent heard on cellulloid, Meat Loaf in a cameo that kickstarts the plot and Kevin Gage (Best known as Waingro in Heat) as an intense detective involved in a plot twist that comes out of leftfield and sort of works. So far, so good but where the film falls down, is a sometimes woeful script that at times makes you want to laugh in disbelief, the most ridiculous moment being Petersen singing "What shall we do with the drunken sailor", at length, whilst waiting as the getaway driver during a heist! Petersen was yet to star in C.S.I but had already been a very capable leading man in the likes of Michael Mann's "Manhunter" amongst others. Here, he is one note and irritating for much of the film, though he does improve, and it is hard to see why Lane's character would fall for him over the more charismatic Wincott. The plot, too seems somewhat contrived in bringing together Petersen and Wincott as friends but somehow the whole is better than the sum of it's parts. Once Wincott enters it is an engaging though flawed piece with good action sequences. With more care in the scripting this could have been a really good film but as it is, well worth a watch.

Very well done film noir set in present-day Atlantic City, which uses the rather depressing boardwalk locations (off-season) to good effect. The story is rather twice-told but the direction and acting are solid, particularly in the case of William Petersen, Michael Wincott, and Eric Schaeffer.