De Aquí a la Eternidad

No Hate on This One Everyone, So Go With Me. This is a (kinda) amazing Last Chuck Jones Bugs Bunny and Yosemite Sam Short Looney Tunes Short, Dedicated to Friz Freleng, In which the Pirate Ship, H. M. S. Freleng is Named after, Bugs Bunny Disguises as a Mermaid and decides to play tricks and pester pirate Yosemite Sam until he pleads for Mercy. It Also Features a Cameo from Michigan J. Frog, The Dancing and Singing Frog from the 1955 Merrie Melodies Short, One Froggy Evening, While Not really as great as Carrotblanca, this should really be treasured and cherished for all. A Treat for Everyone!

The idea of a Bugs and Sam cartoon as a tribute to Friz Freleng was a worthy one. But this retread lacks everything that made the original Warner Brothers cartoons great. The jokes are tired; the story is hackneyed, and Yosemite Sam's voice is an abomination. Let's remember the good times instead.

I am a big fan of Looney Tunes, I love Chuck Jones' cartoons and I grew up on Freleng's Yosemite-Bugs cartoons. From Hare to Eternity is a very enjoyable cartoon, and is a fitting tribute to the legendary Fritz Freleng(creator of Yosemite Sam). What I didn't like so much was the voice acting, I do like Greg Burson and Frank Gorshin a lot, and they do try very hard, Burson is okay but Gorshin sounds a little too forced, deep and abrasive for my liking. Also Freleng to me captures the character feel of Yosemite Sam more than Jones, he is entertaining here as is Bugs but you miss the fire and zaniness in his character sometimes here and Bugs feel underplayed. However there is much to enjoy, the animation is colourful and fluid, the music is scattered with very neat HMS Pinafore references, the writing is witty and very funny that does feel like the old Bugs and Sam cartoons I know and love especially Sam's "never take a rabbit's advice", there is an amusing cameo from Michigan(aka The Singing Frog from One Froggy Evening) and if you haven't seen Bugs in mermaid drag singing "Dear Little Buttercup" then you haven't lived. Overall, aside from the inconsistent voice work From Hare to Eternity is very entertaining. 8/10 Bethany Cox

This later Chuck Jones effort (his last Bugs short) is, as you'll read in all of the previous reviews, meant as a tribute to Friz Freleng, who died the year before this was made. While I certainly admire that, it doesn't really soften my opinion on this cartoon any. Which is to say that, like 99% of the later Looney Tunes cartoons, this sucks. It's a corny unfunny parody of Gilbert & Sullivan's H.M.S. Pinafore with lifeless modern animation and some truly terrible voice work from Frank Gorshin. His Yosemite Sam sounds like some kind of cross between Tony the Tiger and Baloo. Greg Burson's Bugs is a decent impression. But, you know, still an impression. The jokes are really lame. I didn't laugh once. As with most of the later Looney Tunes, including the ones directed by Jones, this mostly trades on nostalgia instead of offering anything fresh. "Remember those funny old cartoons where Sam would be a pirate or a ship's captain or something? Yeah, well, we do too so here's a cartoon that tries to be like that but fails. Oh and there's a Michigan J. Frog reference because that was another thing that was funny." It's sad, really. But no one, even geniuses, stays on top of their game forever. So try to view this in the most generous spirit possible, if you must view it at all. It was made by an animation legend, even if there's nothing remotely legendary about this.

The first time I saw this was on last year's Cartoon Network special, "June Bugs" (the three-day marathon featuring every Bugs Bunny cartoon ever made, except for 12 cartoons that were considered racially offensive by today's standards), and I've got this to say: Chuck Jones still has that twisted, fractured humor that only his cartoons during the Golden Age of Looney Tunes (1939-1964) could provide. Sure, Bugs in women's clothing is something you'd find during the Golden Age, but the way Jones delivered it sends shockwaves and a reborn sense of what comedy is/was/should be/has always been through me. The one thing I still can't believe is that he outlived Friz Freleng by seven years (Jones was born in 1912; Freleng was born in 1905) and such comic genius from this incredible man could be transferred to other shows that aren't afraid to be politically incorrect, totally bizarre, and funny at the same time ("The Simpsons", "The Critic", the late, great, "Get A Life", etc).