Eve's Bayou

I had never heard of this film when my wife ordered it from NetFlix, and I keep wondering why. This is a terrific flick. Jurnee Smollett as Eve is truly excellent, and not just "good for a kid," or "good but annoyingly precocious," she is just plain good. The story is wonderful, and I love the fact that the race of the characters is hardly mentioned. It's a story about people, and it doesn't matter on what continent their ancestors originated. The cast is uniformly excellent, especially Samuel Jackson (one of the film industry's most versatile actors), and Debbi Morgan. Small parts portrayed by Branford Marsalis and Vondie Curtis Hall are very nicely done, and add color to the background of friends and relatives of the Batiste family. I enjoy the way the film shows us the world of psychic perception and Voodoo, and the degree to which belief in them can affect behavior. The location filming is wonderfully evocative of the steaming south, and the direction spot-on. I recommend this film.

This film is now showing on cable here in Australia, and is a far better than average offering.

Written and directed by Kasi Lemmons, the film is a powerful family drama set in the sixties in the south of the USA. It stars Samuel L Jackson as a small town doctor with a wandering eye. The story is told from the viewpoint of his middle child, Eve, wonderfully played by Jurnee Smollett, who sees her middle-class family life threatened by her father's infidelities.

No tale set in a bayou village could exist without references to black magic and voodoo, and this film also has them as a rather central part of the plot. But these elements are handled skilfully and believably, and heighten the tension that develops.

One of the interesting tools used by Lemmons is to tell and retell a story from different characters' perspectives, asking the viewer to determine which is more truthful, and indeed, whether the truth is paramount.

Jackson gives a sparkling performance as Dr Louis Batiste, a man of warmth and generosity who is well regarded by the local community that he serves. His family is seemingly a happy and close one, until the children begin to question some of the adult behaviour they witness.

Jurnee Smollett's Eve is the main protagonist around whom much of the story is centred, and she effortlessly moves back and forth between being a precocious brat and a young woman with powerful emotions. The rest of the cast is also very good, including a voluptuous Lisa Nicole Carson as the temptress Mattie Mereaux, and Diahann Carroll as a bayou witch.

This film moves along at a good pace and is a little more than you might expect.

You know how you get when you're deeply into a novel and you can't stop turning the pages... then take a bathroom break before you start watching this movie. Only of course you have to just deal with the pace of the movie which is great in this case and leaves not one dull moment.

I think this was one of the best movies of 1997 and should have received more recognition. I look forward to what Kasi Lemmons does next.

This is director Kasi Lemmons' first film and she has entered the world of cinema with a very bold start. Eve's Bayou is a very passionate story about life and love with a family surrounded by dark secrets. Lemmons' has boldly introduced us to a world in which magic is obvious and characters are deeply developed. There isn't one actor in this film that you do not fully appreciate. Everyone in this film gives everything that they have to help create this hidden masterpiece. Roger Ebert named this film the best of 1997, and I agree whole-heartedly. What makes this film different from other films of this nature is that Lemmons keeps us grounded. We are constantly reminded of where we are and whom we are dealing with. There is not some outside element trying to sneak in and disrupt the peace; it is a completely internal movie that allows us to devote ourselves to this desperate family. She controls Jackson with the greatest of ease, and gives us one of the most powerful child performances ever. If I had the chance to give the Oscar to Jurnee Smollett for her role of Eve in this film, I would have gladly handed it to her. Her performance commanded the film. She was the strongest and most beautifully developed character in this film. Smollett was outstanding. I have never been so impressed with a child actor as I was with her in this film. Her eyes gave us all the drama that we needed. I never thought that I would witness acting in its purest form come from a child. For anything, this film is worth seeing just for the performance of Smollett. She literally steals the scenes from everyone, even Mr. Jackson.

I mentioned earlier that I loved the fact that this film kept us grounded by continually showing us scenes from the bayou. It kept our minds focused on where we were and the environment that surrounded these troubled people. Amazingly, Lemmons has transformed this setting into more than just a place, she has given it life. Not only through our characters, but it also is the center of most of the magic that occurs. It is a very symbolic reference. A bayou is a creek or a secondary waterway that is a passageway to another larger body of water. In this film, Eve represents the bayou as she travels to her family, the larger body of water. Also, whenever Mozelle calls upon the 'spirits' her first sight is of the bayou. Lemmons may be saying that the bayou is more than just water, it is the center of everyone's universe in this town. Perhaps it has more meanings, but I really felt that Lemmons was using the bayou as more than just a place setting, it spoke to me more about the characters.

Finally, I would like to add that coupled with the amazing acting, Lemmons gives some of the most memorable direction behind the camera. The scenes when Mozelle speaks about how she lost her second husband (the one that loved her the most) because her lover wanted her to himself was riveting. Told through the mirror, this was one of the most interesting ways to tell a flashback. Instead of using the classic 'black and white' or faded lines trick, Lemmons actually brought the scene to us. We witness it firsthand and this allows us to be impacted deeper. I felt the connection, and it worked.

Overall, this was a gem. I wasn't expecting to see such a caliber of acting and direction as I did in this film. The cinematography was outstanding. Lemmons has an eye and a passion for this film, and it is apparent with every scene that she captures. The Batiste family engulfs all of your emotion. Lemmons takes innocent children and captures you within their world, giving you only brief moments to breathe. She shows us the power behind Jackson's voice and the ability he has to expand his career. This was a surprise for me, but a well enjoyed surprise. I suggest you check this film out when time permits. It is a rare find that you will probably see in the bargain bin at any local store. Pick it up and enjoy it. I do not think you will be disappointed.

Grade: **** out of *****

I love to discover that a film which I have never heard of turns out to be a gem, especially when it makes you think. Mind candy it is not.

I came across this film in the budget DVD section of one of the chain stores when I was buying a bunch of films that I had never heard of to watch when it got too hot in summer to move outside. After it had lain around for several months, I finally got around to watching it, and it just blew me away!

This film held my attention from the opening scene. To begin with, it was set in a completely different world - Louisiana, which may be an American state, but is still "foreign". The film contained elements of mystery, family life, and infidelity in an exotic mix spiced with voodoo. The story centered around an upper middle class creole family, descended from a Frenchman and a freed African slave, who bore her liberator 16 children!

The film began with a party at the elegant home of the Doctor, Louis, the father of the child Eve and philandering husband of Roz. The family included Louis' mother and sister, who had the gift of second sight and who "was not unfamiliar with the inside of a mental hospital." From that party, events unfolded, the significance of which depended on the perception of the participant. Eventually tragedy strikes, but was it provoked or did he have it coming?

Not only was the setting and story oh so different, the performances were excellent, including the small cameo roles, and the background music just so haunting that I agree with all those reviewers who found it to be one of the best films ever.

I would just love to see what this group would do with an all black version of "Streetcar named Desire."