Double Tap

So I came back after a fulfilling Thursday night, only to sit down for one of the best movies I've seen (regardless of the budget) in quite some time. Locklear fits the role to a tee...and this is coming from a guy whose mother tortured him by watching General Hospital after baseball practice EVERY SINGLE time! Rae demonstrates a keen role that made me shiver and relate at the same time. Even the cinematography was exceptional. A little over the edge at times with the one-liners, this mind-game of a flick still let's you laugh at the dark-humored, though deeply plotted, script. If you're going to watch this, watch it for the dialogue as much as you watch it for the action...and Heather, that's a really neat tatoo... <3

Yet another movie that I had never heard about prior to sitting down to watch it. So I suppose writers Erik Saltzgaber, Alfred Gough, Miles Millar and director Greg Yaitanes had every opportunity to entertain and impress me with this 1997 crime thriller.

The writers put together a fair enough script that started out nicely and actually kept a good pace throughout the course of the movie. It was an interesting storyline, though it was a bit generic. I am not saying that it was a bad thing, but I just could have wished for a couple of twists to the storyline along the way, to thrown a curveball at the audience and thus make it less generic. But it definitely was an entertaining enough movie and watchable movie.

The cast ensemble in the movie is quite good. I have to say that I didn't believe that Heather Locklear was capable of carrying a movie such as this with her acting talent. But she proved me wrong, because she definitely carried the role and the movie quite nicely. The movie also has the likes of Mykelti Williamson, Stephen Rea, Terrence Howard, Peter Greene, Robert LaSardo and A Martinez on the cast list. So you have some familiar faces on the screen. The acting performances in "Double Tap" were good.

While "Double Tap" was watchable, I have to say that I doubt that the movie will ever grace my screen a second time. Why? Well, because there just simply wasn't enough meat on the storyline, and the generic aspect of the narrative just doesn't support more than a single viewing.

My rating of director Greg Yaitanes's 1997 movie "Double Tap" lands on a five out of ten stars.

This film was a pleasant surprise to watch. Heather Locklear was realistic and hot as the tough FBI agent with an introspective demeanor. She shows her range, with performances from this film to the cheesy Melrose Place. However, really, do FBI agents actually look like her and Gillian Anderson? The plot was believable and fast-paced, with Stephen Rea as the methodical/conscientious/efficient thug-killer. Some of his hits were pretty imaginative. The score could have been better, as well as the supporting cast. 7 out of 10.

Stephen Rea is a philosophical gardener. Because gardening doesn't pay enough, I suppose, he's also a hit man with a signature of leaving a rabbit's foot next to his victims. Heather Locklear is in some law enforcement agency, although which is never quite clear. While she's trying to track him down, he's hired to kill her, so of course they fall in love which is never consummated.

It's a mildly ridiculous script, but director Greg Yaitanes manages some nice touches, like filming Miss Locklear in her group scenes so she is tiny. The leads underact, there are a few performers who will later become notable, like Mykelti Williamson, and the 90- minutes slid by before I noticed.

This is an unbelievably stupid movie. How does an idiotic farrago of a script like this ever get made into a film? Nothing any of the characters says or does is for a moment credible... and yet the piece is apparently aiming to be a "gritty, realistic crime drama". The director sort of has a stab at some meaningful creative input, and I'd guess would probably be quite likely to produce something watchable with a real script... but nothing could save this nonsense. More believable characterisations and narrative would have been produced if the actors had been restricted to mouthing "Gaga. Googoo." for the entire length of the film. I'm really sick of being expected to accept this sort of rubbish as if it were a credible effort at film-making. Not recommended to anyone... if you have low enough standards to watch this, then you should be quite happy watching any flickering image without bothering to pay admission or rental. Well ok, the score is interesting, and Heather Locklear shows signs of a performance better than might have been expected from her record... but really *nothing* could defeat such an abysmal script.