La relación entre cuatro empleadas temporales que trabajan para la misma empresa de créditos se ve amenazada con la llegada de un nuevo empleado, que consigue un puesto fijo por el que compe... Leer todoLa relación entre cuatro empleadas temporales que trabajan para la misma empresa de créditos se ve amenazada con la llegada de un nuevo empleado, que consigue un puesto fijo por el que competía una de las mujeres.La relación entre cuatro empleadas temporales que trabajan para la misma empresa de créditos se ve amenazada con la llegada de un nuevo empleado, que consigue un puesto fijo por el que competía una de las mujeres.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
- Coffee Lady
- (as Irene Olga Lopez)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Maybe I was resisting because I didn't want to see my life up there on the screen. Currently working in a temp job (where I am typing this review), "Clockwatchers" is terrifyingly familiar. It's not a hilarious comedy, although it is quite funny. Certain moments threaten to veer into David Lynch-style self-conscious surrealism, but the director reigns these moments in, in the nick of time.
It's a film about small things happening in an enclosed space, and the friendships that grow between the most unlikely of people, due mostly to proximity. The mood of paranoia that emerges in the second half of the film is perfect - turning trivialities into monumental acts of anarchy and betrayal. The office becomes a sealed microcosm where the theft of a tiny plastic monkey becomes the end of the world.
Not everyone is going to understand this film - it's not "Office Space", which is more accessibly 'wacky'. You're not going to chuck it on with your mates and have a good laugh. It's much more sombre and serious and ultimately quite sad. And it's made me quit my job (so perhaps I should have given it 10 stars, just for that).
Writer/Director Jill Sprecher is extremely adept in nailing down specifics, and this gift for detail is in full evidence here. The film is about fear, lunch hours, pettiness, toilet paper, loneliness, rubber band balls, despair, paper clips, friendship, pencils, desperation, cocktail garnishes, anger - downright fury, actually - at being marginalized by the illusion of society - and much more. Toni Collette's face is still in my memory - her terrified-to-do-or-say-the-wrong-thing rabbit eyes, her rapture at feeling connected to her 3 fellow temp workers (and specifically, seeing her nose crinkle the way it does when she smiles), the desolation of seeing their bond destroyed by wretched but inevitable bone-chilling office politics and fear.
It's a small slice of life, Clockwatchers, but it's an important slice, one that anyone who has ever interacted with anyone on a daily, money-driven basis can relate to. If you've ever held a job, I'm saying, you will see yourself mirrored in at least some of these meticulous details.
Good art often offers commentary on the times. When you're in the midst of an era, it's hard to see what characterizes it. I think Clockwatchers does a terrific job of capturing a facet of the temp world of the 80's/90's. I was a temp for a year in 1988. It's quite accurate.
But you don't have to be a temp to recognize these characters. Yes Dilbert, yes Office Space, and especially the beginning of Joe vs the Volcano have these same foils. But I think Clockwatchers' take was unique. The characters were well developed while still being archetypes. There was a subtlety and style that all the others listed chose against.
The direction and cinematography of this film is terrific. It takes guts to burn film doing a close-up of someone's glasses for 10 seconds. There is real art to this film. The writing, the directing, the pacing, editing, all right up at the top of the scale. The acting was fine, but I don't think it's the strong suit of this movie. Toni Collette is a standout. While I love Parker Posey, I think she was probably a bit over the top here. The Muzak, while as mood-setting as the buzz of florescent lighting, can grate at a viewer.
This film touched on too may things to list them all. Here's a sample... What are you doing with your life if you're waiting for it to burn off? Isn't it exhausting and poisoning to pretend to look busy all day? If you are a cog in a machine, and accomplishing nothing at that too, did you really even exist? Are the "troublemakers" in life getting us in trouble, or offering us freedom (note there are two people here stirring up the pot)? What is theft (and theft of services)? Where is the dividing line between unethical play and immorality? At what point do you give up on the dream of personal growth? Are some people "better" than others? What does beauty (and grooming) have to do with it? Does the corporate hierarchy define our worth to others or our self-worth? What is loyalty and betrayal, to whom do you owe how much, and how do you give consent to those obligations/ownership? Work/friends/family are all portrayed as villains and allies wielding this loyalty Sword of Damocles.
One IMDB reviewer said this film was a good way to kill time after work. That's terrific irony. :)
The cast is particularly superb. Parker Posey was born to play her role. There is no actress that can play the arrogant, hyper, rude yet somehow lovable female as Posey. Lisa Kudrow adds a thorough discomfort the movie is trying to achieve. In "Clockwatchers", she plays her stereotypical "comic bimbo" role in a way that doesn't seem funny. Her character is more sad. In a typical office comedy, her character would get the most laughs. Not here. She plays it in a way you can only feel sorry for her, and you can only hope she finds a better life. Somehow, you know that she can't.
This is certainly not a comfortable movie to sit through. You have to be more in the mood to see "Saving Private Ryan" than you would, say, "Romy and Michelle's High School Reunion". It digs too deep, and most people wouldn't be in the mood to see that on a Friday night. If you look deep enough, however, and are patient enough, there are so many great gifts this movie can provide. My rating: 10/10.
¿Sabías que…?
- TriviaLisa Kudrow postponed her honeymoon to shoot this film.
- ErroresWhen Iris attempts to retrieve the bag Paula drops on the bus, the small child who was sitting immediately in front of Paula vanishes. Iris immediately sits where the missing child was last seen.
- Citas
Iris Chapman: Everything is temporary. Everything begins and ends and begins again. When I look ahead, I imagine infinite possible futures repeated like countless photocopies, a thousand blank pages, and in each one I see myself, never hiding, never sitting silently, and never just waiting and waiting and watching the world go by.
- Créditos curiososThe opening credits are shown over the sound of the loud ticking of a clock.
- Bandas sonorasSnooky's Theme
Written by Joey Altruda
Performed by Joey Altruda
Published by Josho Publishing/Careers-BMG Music Publishing, Inc. (BMI)
Courtesy of Ocean Park Music Group
Selecciones populares
- How long is Clockwatchers?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Clockwatchers
- Locaciones de filmación
- 110 East Union St, Pasadena, California, Estados Unidos(former Clothes Heaven location; Jane's fiance picks her up)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 537,948
- Fin de semana de estreno en EE. UU. y Canadá
- USD 34,838
- 17 may 1998
- Total a nivel mundial
- USD 538,338