Gato negro, gato blanco

A return welcome for Emir Kusturica. His BLACK CAT, WHITE CAT is light entertainment, fun and uplifting. It's great to see all the "old Gypsies" back. They haven't aged much in 12 years. Maybe TIME OF THE GYPSIES, the English title of his darker classic on the subject, meant that the gypsies, and Kusturica's in particular, are TIME-less. Vibrant, and colorful, this master director's latest masterpiece turns cliche' into new fresh entertainment.

Emir Kusturica's films all pulsate wildly to the wonderful sounds of authentic gypsy music. Guitars, fiddles, accordians and all manor of horns are as much a part of their lives as eating and sleeping.

Song and dance feature heavily in "Black Cat, White Cat," Kustruica's finest and most complete film to date. The music isn't really a soundtrack, but is largely, physically written into each scene (performed with gusto by musicians who often follow the characters around). Indeed, the 'bad-guy' character of Dadan scarcely has a scene where he isn't swinging or dancing along to something (even a bizarre pop/rock song makes a comic cameo). But the other characters have their musical moments as well.

"Black Cat, White Cat" has a large cast and a sprawling storyline, largely resolving around two gangsters - Dadan and the hapless Marko - and their attempts to outwit each other. Things come to a head when Dadan tries to force Marko's son to marry his spinster sister as a repayment for one of his father's debts.

But the plot is largely unimportant in a film of this type. The viewer is simply swept away in a good natured deluge of funny lines, inventive slap-stick, unusual settings and colourful supporting characters (a particular favourite: the old man who continually re-watches the last two minutes of "Casablanca"). All you need to do is sit back and enjoy. Oh...and listen to the music.

Few films just simply fascinate me. As an American Boomer, I am admittedly spoiled and quite jaded, when it comes to movies. This film tantalized me and enthralled me. I felt like a kid at a carnival. The rich cinematography was palpable. The beauty of the chaotic and very non-Pasteurized world of these kooky gypsies and country folk was unexpectedly stunning. And it was so funny! Just plain old funny! The acting was superb. I recognized some favorite character actors from other films I have seen from Yugoslavia. (Look for the Nail Lady). The only glitch for me was an occasional sense that the subtitles could not convey the full impact of the obviously earthy and colloquial dialogue. The film seems to proudly carry on the zany comedy tradition of Europe in the sixties, such as the Pink Panther series and the Czech "Firemen's Ball". I regret I did not see this in a theater with the howling audience it deserves.

First warning. This movies *does not* reveal "some deep mystery of life", like you might expect from Kusturica. It's pure (and beautifully filmed) comedy that delivers what most other comedies promise.

Second warning. This move does make "politically uncorrect" jokes, however it does not do it for the sake of attracting an audience that's proud of "understanding" and tolerating such jokes. Comparison with "There's Something About Mary" comes to my mind - with one huge difference: "Crna macka, beli macor" works! Anyway, this is not the major point of this movie.

Third warning. Most of humor in this movie is situation comedy type. If you liked Oliver Hardy swallowing nails you will laugh to a fat lady pulling them out of wood with her buttock and vice versa. Two friends I saw this movie with were not amused at all!

Besides the comedy part, it is a typical Kusturica movie. Geese running everywhere, special air-condition face cooling system type inventions etcetera. Everything you love. Plus one sparkling and one plain funny and sweet love story.

I saw UNDERGROUND and I have been very impressed, and one month ago I went to the movie theater in order to see BLACK CAT, WHITE CAT and it was the illumination: "What a great movie!" I told myself. The music is very good, very captivating and structures all the movie. It make us discover a not very known culture: the tsigan culture which is very interesting and where music is very important.

That movie stands out the RETURN of Emir Kusturica.