El niño carnicero

Just caught this movie on cable; I hadn't heard of it before.

It is a brilliant film; black comedy of the blackest sort. What is truly amazing is the acting ability of lead Eamonn Owens; in my mind the finest performance of a kid his age that I've ever seen.

The sardonic humor of this film, the way it treats such horrible things as lightly as it does, the acting, the script, the quaint narrative devices, and sense of menace cloaked in charming small town Irish life make this a thoroughly original and engaging character study.

Sinead O'Connor is a scream as the Virgin Mary.

The thick accents in this film make it a little bit difficult to follow in parts, but American audiences should still be able to understand most of the dialogue.

I cannot recommend this film highly enough; it is proof that you can still make a quality movie without buying into cheap Hollywood cliches.

The Butcher Boy is exuberant, funny and horrific. It's passionate and inventive and unforgettable. The Butcher Boy was directed by Irishman Neil Jordan who's previous films are impressive. They include The Crying Game, Mona Lisa, Interview With A Vampire, and Michael Collins.

The Butcher Boy is based on a novel by Patrick McCabe who also co-wrote the screen play. I'm very pleased to relate that The Butcher Boy isn't based on a true story!!! I sure hope it isn't anyway.

The Butcher Boy is about a lad who commits a horrific murder in a rural Irish town. But the film certainly isn't solemn. Jordan has enlivened an essentially gory tale with a touch of inventive, sometimes humorous magic realism (a bewigged Sinead O'Connor plays The Virgin Mary). Jordan is also blessed by having available a wonderfully gifted leading actor.

Fifteen year old Eamonn Owens, a schoolboy in real life from near where The Butcher Boy was shot, plays 12 year old Francie Brady. Francie finds himself betrayed. His dad (Stephen Rea) is a drunk, his Ma (Aisling O'Sullivan) is suicidal. His best friend lets him down. The township and it's institutions aren't supportive. He eventually takes his revenge.

The boy also has visions. We could say he's imaginative as children should be, but this boy is cheerfully violent as well. The Butcher Boy doesn't discuss cause and effect at all, but such is the power of the film, most viewers will wonder how such a thing could happen. Was Francie schizophrenic? Was he a psychopath. If he had had a stable loving family what might have happened?

Regardless, Eamonn Owens is just terrific as the cheerful, energetic, often very funny Francie Brady. This red headed bundle of uninhibited, unselfconscious energy has created a very memorable screen character indeed. Neil Jordan must have been tickled pink to have such a lead for his film.

Leading English stage actress Fiona Shaw plays the prissy Mrs Nugent and Irish stalwart, Milo (the eyebrows) O'Shea plays a meddlesome priest. Stephen Rea fans won't find much to celebrate since Rea doesn't do much more than look drunk, sit, and kick in a television, but that's because The Butcher Boy quite rightly revolves around the wonderful, funny and bloody Eamonn Owens. See The Butcher Boy if you can.

The Butcher Boy is a very weird film...This boy Francie has a bad influence; his father. His father is a violent man, alcoholic, but he loves his son a lot...This boy is very well played by Eamonn Owens, a young actor I didn't know before who surely worths a look at his performance. Stephen Rea is perfect in the role of the violent father, and Fiona Shaw is great in the role of a woman who hates Francie, because he beats up her son. But Francie is dangerous...The story is a mix of fear, hate, madness, happiness, that is mixed up in that little boy's brain. Sometimes, he's the good boy who protects his mother and sometimes he is the murderer...Francie is full of contradictions, and he tries to put happiness and death together. The narrator is very funny, but sometimes tells innapropriate things for the images we watch...but that's the psychotic part of it...incredibly well-shot, this film deserves lots of attention. I bought it for five stupid dollars...and Lost In Space was fifteen dollars...and the video sold it because of the lack of rentals...well, too bad for this video, they have one less good film on the shelf.... Neil Jordan brought us The Crying Game, Interview With The Vampire, In Dreams and some other good films...but I believe this one is his finest job...it's like watching Sleepers, Psycho and A Clockwork Orange at the same time. One thing that could be a problem; the accent of the characters when they speak...but I was happy to see that it was not set in the United States...Great film... I give it 85% and maybe it deserves better.

I'd be lying if I claimed that the original reason I saw this wasn't anything as simple and basic as curiosity... the plot simply sounds so bizarre that one can't help but wonder about the movie itself. The movie is a wonderful mix of surrealism, drama and black comedy. As another reviewer points out, the accents may make the dialog a little hard to make out... I was fortunate enough to have subtitles(as any Dane will tell you, we get subtitles on everything that is presented to us on a screen), but I think most anyone who has a good enough grasp on the English language(and a good ear wouldn't hurt) will be able to understand, at the very least, enough of it to follow what's going on. The film is quite disturbing... it's told by a psychotic, and everything is seen from his point of view, making the line between truth and fantasy blur. The narrative is impressive, underplaying some scenes to great effect. The plot is interesting. The pacing is a tad uneven... while most of the film moves as it should, not too fast nor too slow, there are parts where it seems to come to a complete halt. Luckily, these parts are few and far between. The characters are well-written and credible. They are also all competently portrayed. The acting... wow. What can I say? Eamonn Owens is nothing short of an artist. As you watch the film(which I hope you will), observe his eyes... look into them, as he looks around menacingly, and tell me that you don't feel fear. Pure fear. One is reminded of Donald Pleasence's marvelous monologue about Michael Myers' eyes(in Halloween, for the uninitiated). That stare... if I ever met Owens in real life, I doubt I'd dare look him in the eye. Even more impressively, this was his debut performance. I'll have to watch more of his movies, to see if he can pull off other roles as well, but he certainly nailed this one. Stephen Rea was great... I've seen him in nothing else, but I could recognize his face from the trailers for V for Vendetta, a movie I'm looking forward to(even more now that I know he will grace the film with what is sure to be just as astounding a performance as he gave here), even though I'm sure it won't live up to Alan Moore's graphic novel. Sinéad O'Connor was a blast(and seemed to be having one, as well) as Our Lady. I haven't been able to find out who portrayed the main character as an adult, but let me tell you, his voice acting is grand. The narration definitely adds to the film, both in use and in acting. The writing is great. The whole film is highly entertaining and very poignant. This should be seen by just about anyone who can live with(and more importantly, understand) the language and take the disturbing nature of the film. I recommend this to anyone who is afraid of neither accents nor the disturbing images contained herein. Very funny and quite unsettling. 8/10

This film is as shocking and horrific as it was funny and touching. In a world of many heartless films that are shallow, annoying, and predictable or insensitive and too dramatic, this movie balanced all it's elements wonderfully. It's a tale of Francie Brady, a young Irish lad in the early Cold War, who at first has a lot of playful mischief and a deep heart for those closest to him. Yet as the film progresses so does the Francie's problems and so does the darkness within him as he tries to hold on and protect what little he was born with. His drunken father, who has a great knack with the trumpet, loves his family but his pain seems to override his tenderness. His mother is caught in the struggle of being a good mother and fighting her own inner demons, which ultimately consumes her. Francie invests much of his faith into his best friend Joe, a calmer but good-humored boy. But even the deepest of friendships suffer from the pressure of society, as Joe abandons Francie for a more conforming lifestyle. As all of Francie's allies leave him, insanity and anger take over his mind. He plunges into a life a wild and frantic searching and destruction. He takes out much of this anger on a critical and harsh neighbor, in a gruesome scene (which is funny considering how it differs from most of the Hollywood bull). Francie's escapades lead him to hospitalization. We then meet the adult Francie years later as he is released. We see the eager boy who grew into a lunatic and now has settled into a state of sad yet conventional behavior, but a good old friend (which was once a part of his insanity) comes back to comfort him. This film may be eerie and unconventional but that is what adds to it brilliance and fantastical charm. Viewer Note: I'll never look at a pile of cabbage the same way again