Brat

I haven't seen a crime movie with action more realistic than that in Brat. This movie emphasizes that when you get shot you can't run as fast as a cheetah unlike the Hollywood films even today. It was a breakthrough picture for Russia's film-making and, in my opinion, a picture that could take on most of American movies of the same or similar genre. You wanna see the way things were done in Russia five years ago? You wanna see cruel reality? You want to see the real criminal side of Russia? See Brat. It isn't only an amazing movie because it is so realistic, the acting is awesome and you won't get bored for sure. Brat 10/10

This Russian film about a young hitman in St. Petersburg could just as easily have been set in London or New York; killing for profit's the same everywhere, isn't it, and yet Aleksey Balabanov's terrific thriller "Brother" seems peculiarly Russian. You wouldn't really find these characters in London or New York and what happens here wouldn't necessarily happen there, at least not in this fashion.

Danila, (Sergey Bodrov, excellent) is a young ex-soldier who gets into trouble at home so his mother packs him off to live with his older, well-off brother in St. Petersburg. The thing is, however, big brother is a hitman and very soon Danila is, too. The thrills Balabanov serves up aren't the ones you expect. This is a character study like Melville's "Le Samourai" but our young anti-hero is a rank amateur compared with Delon, although he does know his way around a gun. Danilo thinks he's a big shot but he's just another young boy with a passion for rock music, (the film has a terrific score). Even the ending isn't the conventional one. See this.

Or LITTLE ODESSA meets PUSHER, if you mix up the topic and the style. That's the first time I watch a genuine Russian crime movie, film noir, and so well done. I won't add much to the other comments anyway better than mine. I like this film, so surprising too and with a terrific story telling.

Post-Soviet Russia's rough crime drama. I certainly don't know the St. Petersburg, it digs into a poor society's underbelly trying to find its feet. With a very black sense of humor, dark and grim. The late Sergei Bodrov Jr. with a strong support cast around him is great in the lead. You see, you know... Apart from Eisenstein and Tarkovsky, there is Russian cinema. One more thing... If it had been done in any other country, it would have been restored by the Americans as a dumb, violent man.

If you were in S.Petersburgh in the early nineties, you feel this movie has been able to grab a cubic meter of air of the city at that time, pack it, and give it to its viewers to breathe. The effect is physical. I can feel the smell of the wet dusty roads, the moulded no man's land of stairways in post soviet blocks of flats and much more. Apart from this high accuracy in physical sensation, the movie is multi-layered (you can watch in it a "boevik" action movie, a social analysis of the period, even a Dostoevki-like study on the value of brotherhood and after all, a unique picture of what Russia is, was, and will be. Those who can enjoy it in original will find some tasty bits of Russian irony and humor.