Brat

One thing that some other reviewers failed to comment on is the way that you discover just who Danila is - he covers-up the fact that he saw action in Chechnya and always says he served far from combat. This story is really about the Russian crime situation LESS than about an entire generation of people who served in Afghanistan and Chechnya ('94-'96 and '99-present). This movie will be misunderstood by many Westerners (I am Russian myself) because it does not fit the traditional Hollywood screenplay style - and its characters do not behave themselves like most Hollywood characters would in a crime drama. There is a very Slavic quality in this film that I am VERY happy to see preserved and NOT Westernized. (You must see Brat2 to learn more about Brat.)

This is a great movie with alot of violence. Throughout the movie there are long stretches of Danila making explosives, sawing off a shot gun, and fashioning weapons, with Nau music playing. The rest of the movie consists mainly of him using these weapons at his job as a hitman. Make no mistake, there is depth to this film. It is more than an excuse to show violence.

Danila is an interesting character. At the ame time he blows away people regularly with no remorse and little thought. Its his job, may as well do it well.

I watched this as part of a film series at college in the original Russian, and the group of Russians sitting behind me laughed at many points. The laughter confused me a bit, but the second time I saw it was pretty funny, and not in the usual one liner sense of action movies. I especially liked the part where Danila asks if he can copy the directorÕs Nau CD.

I highly recommend this film for people who either like random violence or can tolerate it for the sake of an interesting plot. The film has a distinctive feel to it.

I really liked this movie. It was a gangster crime movie, but in a totally different style than most American films. There was a good story and great visuals of Russia. I liked the fact that not everything had to be explained to the audience. The director assumed that we were able to think for ourselves, i.e.; the lead character's 'true' past in the army. I don't believe that he was "just a clerk at HQ". I saw the DVD version, and watched the interview with the director. The film is even more amazing considering the shoestring budget. He got his friends to perform some of the acting roles as well as write and play the music (which was quite good). This is a great gritty film. Its one of the more watchable movies from Russia that I have seen. I gave it a 7 out of 10. I plan to see 'Prisoner of the Mountain' next, can't wait.

This Russian film about a young hitman in St. Petersburg could just as easily have been set in London or New York; killing for profit's the same everywhere, isn't it, and yet Aleksey Balabanov's terrific thriller "Brother" seems peculiarly Russian. You wouldn't really find these characters in London or New York and what happens here wouldn't necessarily happen there, at least not in this fashion.

Danila, (Sergey Bodrov, excellent) is a young ex-soldier who gets into trouble at home so his mother packs him off to live with his older, well-off brother in St. Petersburg. The thing is, however, big brother is a hitman and very soon Danila is, too. The thrills Balabanov serves up aren't the ones you expect. This is a character study like Melville's "Le Samourai" but our young anti-hero is a rank amateur compared with Delon, although he does know his way around a gun. Danilo thinks he's a big shot but he's just another young boy with a passion for rock music, (the film has a terrific score). Even the ending isn't the conventional one. See this.

Or LITTLE ODESSA meets PUSHER, if you mix up the topic and the style. That's the first time I watch a genuine Russian crime movie, film noir, and so well done. I won't add much to the other comments anyway better than mine. I like this film, so surprising too and with a terrific story telling.