Blues Brothers 2000 (El ritmo continúa)

As good as the original Blues Brothers movie was, as bad is this sequel: After a rather boring warmup of old scenes which are by far not as good as the original ones, it looks like the producers have run out of money - because the end is where there was the first hope that there will be some action. OK, I concede the songs are great again, but the plot...forget it. If you like the music of the old Bluesbrothers movies, you might consider to buy the soundtrack - that contains everything which is good about that movie.

It takes guts to make a sequel to a movie after 20 years, especially after the original has become a legend and the star has died since.

However this movie does a lot of things right and frankly, even if it had been perfect, some people would hate it anyway. The film suffers from not having John Belushi, but John Goodman puts in a good effort, and I for one was surprised at the quality of his singing. James Brown and Aretha Franklin reprise their guest roles. The music is not as good as the original but still better than most music in the charts these days.

The humour from the original is here but it is not as funny as the original. In fact all elements from the original are here in slightly inferior forms, with the exception of the car chase, which is better.

To be honest, it is worth seeing this film just to see how all the band has aged. i would recommend it to anyone who enjoys Blues music, though fans of the original may be disappointed

Dear John Landis,

I have just watched Blues Brothers 2000. I am a fan of the original movie and didn't expect much from the sequel (no offence).

It's good that you made no effort to change the plot from the first one and just rehashed the first movie. Also I was amused by the way that one of the highlights of the film was a hugh car crash with several minutes of cars flying over cars flying over cars etc (it's good to see film-making has come so far since Smokie and the Bandit!).

In fairness to you, you managed to get a lot of good artists together and a lot of good songs. So here's my suggestion for the furture - whenever Dan Akroyd wants his next career boost and asks to do a BB3 - why not just record a pile of good songs and release a CD instead?

That way I won't need to sit through another poorly plotted, overdone, messy copy of a much better film.

What a mess! Hang your head in shame (but tap your feet to the beat!)

yours sincerely,

Bob the Moo

Blues musicians don't get much national exposure and the Blues Brothers did finally awaken some rock audiences to who these men and women were. Lord knows Chess Records tried in the late 60s and early 70s. Muddy Waters and Howlin Wolf were suddenly doing albums that sounded more like rock music, they did an album together then they did albums with British rock musicians. Muddy lived long enough for the major success after those failed efforts. The Wolf did not.

Fast forward to the late 90s where the musical climate was boy bands, pop like Oasis, No Doubt, Blur, Blink 182, Spice Girls, hip hop and nu metal. This movie comes out and everyone's reaction is the same because John Belushi's been dead for years. The people who think that missed the point of the original premise.

This movie while it could have had a better story (maybe a memorial service fot Jake would've worked or an attempt by Elwood to have Jake's name ring out like Robert Johnson's? The conflict comes from trying to convince him how asinine that is. Disrespectful yes but that makes for good comedy too. That conflict might have been a funny excuse to bring all the blues musicians to rock out), it still is supposed to be about the music and more so than the original, this one is a who's who for surviving Blues musicians, most of whom are long gone now 22 years later. BB King, Lonnie Brooks, KoKo Taylor, Eddie Floyd, Charlie Musselwhite, Bo Diddley, Dr John, Aretha Franklin reprising her role, James Brown reprising his role, my personal favorite is Junior Wells (HooDoo Man is a classic) and thats to name a few. The original had John Lee Hooker briefly, Cab Calloway, James Brown, Ray Charles, Aretha Franklin and maybe 40 minutes of car chases and crashes like a Hal Needham movie. I dont remember the comedy duo having too many good scenes together either but thats because the point is the music. This movie gets that point and seeing those I mentioned perform is what got me watching this and kept me watching.

Contrary to popular opinion, this is not a sequel. It is supposed to be a tribute to the original. People who bash this movie without reading Aykroyd's interviews are ignorant to the intent here. This movie was originally to be a sequel back in 1981 just before Belushi died. When that happened, the idea for another adventure fell away. But after almost two decades, Aykroyd wanted to do something to revisit the classic film and pay homage to his friend and co-star Belushi, so he assembled this "Concert Movie", which is supposed to be all about THE MUSIC, not the story. The only reason a story was put in was to keep it moving from musical number to musical number, because everyone knows that straight concert films are pretty boring, even if you really like the performer(s). So here it is, for the true Blues Brothers fans to enjoy. P.S.-And if your problem with the plot was some of the cartoony style actions that occur (Cabel being pulled heavenward and his clothes magically "changing", et cetera), remember that the original had the same things. In the first one the entire band's clothing "magically" changes for a concert, but if you know that this is merely a representation of the character's psychological state and not a literal change, then the film works much better. The same idea works for the much-maligned "zombie" sequence near the end at Queen Mousette's mansion. Also, people complain about the Bluesmobile in this film being able to drive underwater. Well, in the first film the car flew, performed flips, and was nearly indestructible. In fact, if you watch the DVD of the first film, you find in the deleted scenes and "Making-of" section that the Bluesmobile is supposed to be "magic", because it was parked each night inside a power transformer. How is that for cheesiness on the first film? So that also explains Elwood's ability to smuggle himself in the dash of the car in this one, and the car being able to crash land from a fiery loop-de-loop at the fairgrounds. Even though I wish this film could have been a little edgier and darker in tone like the original, I do find its bold and effective use of color to be magnificent and fascinating. Perhaps this film has a little more depth than people expect, so they incorrectly perceive it to be a lackluster and shallow mindnumbing entertainment. I know better ....... Remove the stars in the address to e-mail me.