El gran Lebowski: Identidad peligrosa

It's actually kind of hard to describe this movie (and what's so great about it) to people who don't already know it and love it; as with many cult films, The Big Lebowski will either speak to you (in which case you will become a fervent follower of His Dudeness and abide by his code for the rest of your life) or, if it doesn't, the film will either leave you completely indifferent or you'll even downright hate it.

I believe it's a very funny film and I'm sure it can be rightfully called a comedy, but don't expect punchlines, gags, jokes or slapstick - it's not that kind of comedy. If you want to enjoy this film, you have to meet Jeffery "The Dude" Lebowski on his terms, hang out with him and his bowling buddies and follow them at a their (perhaps somewhat leisurely) pace through this weird and unbelievable tale about nihilism, theft (of a car and, more importantly: a Creedence Clearwater Revival tape), kidnapping, abstract art, porn and - of course - bowling.

The story is actually kind of simple. You see, some no-good German nihilists urinated on The Dude's rug - and this kind of aggression just won't stand against The Dude. With the help of his bowling buddies, he will do everything in his power to get someone to pay for his rug - or possibly get a new one (because that rug really tied the room together). So he embarks on this worthy quest during which he will encounter many wondrous things and fascinating people (even Jesus - who is NOT the messiah but a very naughty man).

With Jeff Bridges in the leading role, the Coen brothers have found the perfect actor to incorporate one of the most iconic characters that has ever been created. But it's not just The Dude that makes this a winner; the whole film is such an inspired folly and simply inventive filmmaking at its finest (the hilarious dream sequence alone is worth the price of admission). The supporting cast is outstanding (J.Turturro, J.Goodman and S.Buscemi among many others), the song choices are perfect and the dialog is the funniest, most quotable in any comedy I've ever seen. This - for me - is without a doubt the film with the highest rewatchability factor of all time. 10 stars out of 10.

Favorite Films: http://www.imdb.com/list/ls054200841/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/

The Dude, aka Jeff Lebowski, is mistaken for a shady, millionaire businessman with the same name, a gang of thugs, searching for money, smash his place up and steal his rug. The Dude is given the chance to seek out those men.

What a hilarious movie this is, from start to finish it's sheer brilliance, it doesn't matter how many times I watch it, I never tire of it, talk about a film you can watch over and over.

It's genuinely funny, and with plenty of mixed humour, some of it's smart, some of its slapstick, some of it's a little surreal, overall, it just works. I'm not sure the story is anything new or complex, but that idea of two people with the same unusual name being linked by a crime, it works.

The scene with Larry and the car is probably my favourite from the whole movie, talk about hilarious, that poor car.

Jeff Bridges has put in some marvellous performances over the years, for me though, this is the best, he just nails it, he's hilarious.

John Goodman is great, he steals many of the scenes, Julianne Moore is terrific, not sure if I prefer the accent or hairstyle, she's so good.

Perfect music throughout, seeing this you'll want to download The Gypsy Kings. You'll want to sip a White Russian at the same time.

A Joy!!

9/10.

My favourite Coen brothers movie changes over the years as I watch and rewatch their amazingly original and consistently surprising oeuvre. When I first saw 'The Big Lebowski' on its original release I enjoyed it but thought it was a bit of a slight "fun" movie with less depth than many of their previous works. Now, a few years and several viewing later, I have come to realise just how accomplished a movie it is, and it has become one of my all time favourite movies. Other film makers have attempted to weave together various genres, styles and images in a similarly eclectic, postmodern fashion, but few do it as seamlessly and with such wit as Ethan and Joel Coen. 'The Big Lewboski' is an extremely smart film, but it doesn't shout "look at me! Aren't I clever?". It sucks you in from the get go, and bottom line it is FUNNY, and as it is a comedy that's what counts the most! Everything about the movie is perfect, the script, the direction, set design, costumes, and the wonderful soundtrack (one of the most brilliant ever assembled, it includes lesser known Dylan and Elvis Costello numbers, Creedence classics, and songs from cult favourites like Yma Sumac, Captain Beefheart, Moondog, Esquivel and garage gods The Monks). Plus of course the actors, who are well cast and virtually flawless. Jeff Bridges ('Fat City', 'Starman') IS The Dude, and it's impossible to think of anyone else acting the role. Coen regulars John Goodman, Steve Buscemi, John Turturro, Peter Stomare, and Jon Polito are all on board, as well as Julianne Moore ('Boogie Nights'), David Huddleston ('Capricorn One'), Philip Seymour Hoffman ('Magnolia') and Sam Elliot ('Mask'), even surprise cameos from Ben Gazzara ('The Killing Of A Chinese Bookie') and singer Jimmie Ray Gilmore. I can't fault 'The Big Lebowski', it is one of the most original and entertaining comedies ever made and a genuine modern classic. It's movies like this that keep me watching despite the endless mountain of mindless garbage that Hollywood continually spews out. If only every movie in the box office Top Ten was as inspired and amusing as this one!

Those Coen brothers have an ear for language. You feel it in the sing-songy banalities of Fargo, and in the noiresque machine-gun dialogue of Miller's Crossing, but neither of these can prepare you for the feast for the ears that is The Big Lebowski.

Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).

As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?

This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.

More than 20 years it took me to have a look at this cult classic. Finally did it and I do undestand the fuss about it.

Not a flick for everybody that I can tell because a lot of talking is done but it's the talking that starts to get funny after a while. In fact, a bunch of loser trying to solve a abduction and trying to hold the money for themselves goes terribly wrong.

After a while you even want the talking to go on and on. And some art flick here and there it was indeed a hell of a ride, funny, stupid but genious in its kind.

Gore 0/5 Nudity 1/5 Effects 3/5 Story 4/5 comedy 2/5.