Bent

This journey is filled with seductive images and feelings-feelings that we tend to forget until we are reminded that life can change on a dime-

There is a scene on the way to Dachau where the Max (Clive Owen) has to denounce knowing his friend..." He is not my friend".....reminicient of Judas denying Jesus....was it to save himself or his friend....the answer comes when one cannot no longer deny who you are- facing your truth brings-reclaiming your dignity-Max's final journey.

Lothair (Jesus of Montreal) and a new-comer, Jude Law (The Talent Mr. Ripley) add to make up a fine cast.

Splendid job by all-especially Mr.Clive Owen.

Take the journey -it's worth your time.

Kuranosuke Sasaki who is my favorite actor acted in the play "Bent". I wanted to see him, so I decided to watch it without taking it too seriously. However, after the play, I regretted watching it with a light heart because it was so tragic that my heart could not bear. Since I already knew the story, I also watched the film version. This is the story of gays under control of Nazis. It is famous that Jewish put on the yellow star, but for the first time I know gays are also the target of holocaust and have the pink mark on their chest. In the situation that human is not treated as human, gays survive with the dignity and love of human beings. I feel sad, dark, disappointed and don't like such an ending. However, I think this important story should be handed down from generation to generation.

While I didn't spot Jude Law or Rachel Weisz, I couldn't miss Clive Owen. What a fantastic performance and a gorgeous backside. Supported by Ian McKellen and a very glam Mick Jagger, he goes on a terrible journey that I can only imagine is amazing on stage.

It wasn't as horrificly graphic as I was expecting, which was pleasing, as some concentration camp films really upset me, but it still had a strong and poignant message to tell.

I wasn't sure if the bombed out properties used at the beginning as the club and Clive's house were to represent the stage show more than a true idea of where they would actually be, but I liked its quirks and artistic direction throughout.

As much as I love Mr Owen, I think I have to say that Lothaire really gives the greatest most emotive and heartfelt performance in this film and the "No touching" scene was unbelievable.

I sat down to watch this movie, and I was completely drawn into it. By the end, i thought that only 15 minutes had passed instead of an hour and a half. The subject matter (homosexual persecution during the Holocaust) was approached with the right amount of dignity and respect. Bent, furthermore, has the most powerful and original love scene that I have ever seen. I do feel that it needed more character development, but regardless it is an intensely psychological and powerful movie.

When Martin Sherman's play first appeared (with Ian McKellen as Max and Tom Bell as Horst) it caused outrage and much discussion with its sympathetic and frank treatment of forbidden love in the age of the SS.

Here it has undergone a few changes but retains its stark power. Clive Owen (probably not my first choice for the role) plays Max, the homosexual who pretends to be a Jew so he is not at the bottom of the pecking order of prisoners. The way the SS force him to prove his sexuality is shocking whether on the printed page, in a theatre, or up on the big screen. Brian Webber plays his intellectual lover Rudy with some class and it is a brief but touching performance.

Lothaire Bluteau, who I had only seen before in 'Jesus of Montreal', was brilliant in the role of Horst, the prisoner with the pink triangle who awakens Max again from his imprisoned desires. There are quiet and intense scenes between the two that are almost unbearably moving to watch, and are done within this film extremely well.

Elsewhere in the cast, Ian McKellen himself plays Uncle Freddie (but those of us who saw him as Max would love to have seen that portrayal immortalised on screen), while Mick Jagger is surprisingly good as Greta (a role which could easily be played wrong but he's spot on).

This play/film is intended to make its audience confront their prejudices, to shock, move, and inspire them. I think it is an unmissable experience - a difficult one, but worthwhile.