[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
IMDbPro

Meurtrières

  • 2006
  • 1h 38min
CALIFICACIÓN DE IMDb
6.0/10
341
TU CALIFICACIÓN
Céline Sallette in Meurtrières (2006)
CrimenDrama

Agrega una trama en tu idiomaNina and Lizzy meet at the mental institution they are committed to. Nina , who feels guilty for her father's death, has been depressed since the tragic event. As for Lizzy, a slightly unbal... Leer todoNina and Lizzy meet at the mental institution they are committed to. Nina , who feels guilty for her father's death, has been depressed since the tragic event. As for Lizzy, a slightly unbalanced girl, she has been confined there after a suicide attempt. One Saturday night, Lizzy... Leer todoNina and Lizzy meet at the mental institution they are committed to. Nina , who feels guilty for her father's death, has been depressed since the tragic event. As for Lizzy, a slightly unbalanced girl, she has been confined there after a suicide attempt. One Saturday night, Lizzy persuades Nina to sneak out of the clinic to paint the city red with her boyfriend Malik ... Leer todo

  • Dirección
    • Patrick Grandperret
  • Guionistas
    • Frédérique Moreau
    • Patrick Grandperret
    • Maurice Pialat
  • Elenco
    • Hande Kodja
    • Céline Sallette
    • Gianni Giardinelli
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    341
    TU CALIFICACIÓN
    • Dirección
      • Patrick Grandperret
    • Guionistas
      • Frédérique Moreau
      • Patrick Grandperret
      • Maurice Pialat
    • Elenco
      • Hande Kodja
      • Céline Sallette
      • Gianni Giardinelli
    • 3Opiniones de los usuarios
    • 8Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Fotos1

    Ver el cartel

    Elenco principal59

    Editar
    Hande Kodja
    Hande Kodja
    • Nina
    Céline Sallette
    Céline Sallette
    • Lizzy
    Gianni Giardinelli
    Gianni Giardinelli
    • Yann Jobert
    Anaïs de Courson
    • Hélène Jobert
    Isabelle Caubère
    • Madame Jobert
    Shafik Ahmad
    • Malik
    Karine Pinoteau
    • Joanna
    Marc Rioufol
    Marc Rioufol
    • Le père de Nina
    Eugene Durif
    • Le psychiatre
    • (as Eugène Durif)
    Teiva Airault
    • Bébé
    • (as Teïva Airault)
    Sonia Amori
    • Petite amie de Malik
    Alain Artur
    • M. Jobert
    Raja Aïtou
    • Malade de l'hôpital
    • (as Raja Aïtour)
    Marc Bassler
    • Un forain
    Joël Berthelot
    • Pompier
    Cédric Blaizot
    • Pompier
    Thomas Bloch
    • Musicien à l'hôpital
    Chantal Boutonne
    • Concierge de Malik
    • Dirección
      • Patrick Grandperret
    • Guionistas
      • Frédérique Moreau
      • Patrick Grandperret
      • Maurice Pialat
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios3

    6.0341
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    8guy-bellinger

    A modern tragedy

    For sure Sylvie Pialat, famous director Maurice Pialat's widow, did the right thing in choosing Patrick Grandperret to carry through "Meurtrières" (not the title originally chosen), one of her late husband's pet projects for years. Pialat had even started filming it back in the seventies only to call it quits after a few days, as he was dissatisfied with the pair of lead actresses he had hired. He tried again in the eighties with Sandrine Bonnaire but did not even begin shooting. After "Le Garçu", his last movie, Pialat still considered directing it. Now that Maurice is in a more peaceful world, who else but Grandperret could do justice to the master, flesh out the twenty pages written by Pialat (from actual facts), update these facts dating back to 1972 and find two believable young actresses?

    Grandperret is the right choice for two main reasons. First he is a very estimable director who, not having been able to work for the cinema for ten years, needed a second chance. Second, he had been Pialat's first assistant-director for two years and he was the person best suited not to betray his mentor. Sylvie Pialat was aware that Grandperret's personal matter-of-fact style was in harmony with her late husband's touch. The finished product must not have disappointed her, as the basic material really inspired Grandperret, making "Meurtrières" his best film to-date.

    The director quite rightly chooses to plunge the viewer as of the very first scene into the heart of the tragedy. In the first sequence a dazed girl covered in blood wanders about a road in the middle of the night. She has just murdered someone, no doubt about it. She is soon joined by another young lady, as reddened by blood as she is. As a result, when a flashback makes the viewer travel back before the facts, they know that the two girls are doomed, even if the circumstances of the drama have not been described yet. The two protagonists can't possibly escape their fate and what the viewer wants to know now is not "WHAT will happen to them?" but "HOW will the circumstances lead them to this fatal end?" And just like in Greek tragedy, fact after fact will turn against the two characters, whether or not they hold a share of responsibility in what happens to them. But what makes "Meurtrières" a modern tragedy –and not a classical one- is that it is not the gods who play with humans like puppets but it is today's society, based on money and individualism as it is, that causes the two girls to fall down. It is BECAUSE they are penniless that Lissy and Nina are left out of everything. In such a selfish world as ours they just can't expect any support, any help. As the waiter of a café coolly tells them (and that could epitomize consumer society as a whole): "either you buy something or you beat it!" And they beat it…until they go beyond the point of no return.

    As I said above, the tone adopted by the director is matter of fact, neither too sentimental nor too moralizing, and all the more effective for that, as things speak for themselves. And the form is the right one as well: in this "absurd road movie", the girls are always on the move but they do not go from one point to the other, they go round in circles until they are back to their starting point. The places are very definite geographically speaking: all the action takes place in the French "department" of Charente-Maritime, with clearly identified spots such as La Rochelle, l'Ile de Ré, and so on… Most of the time they are connected with vacation and luxury, which, by contrast, makes the lot of the unfortunate heroines all the harder.

    Hande Kodja and Céline Sallette, two talented newcomers (who also contributed to the script), give a breathtaking performance. It is amazing to think that they are beginners. They are surrounded by an excellent cast ; all are so natural that we forget they are actors.

    Let's hope Grandperret is off for a new start. "Meurtières" should constitute a precious visiting card for the director. And thank you to Sylvie Pialat for trusting him the way she did.
    9rich-445

    An inescapable bad dream!

    An extremely thought-provoking movie that leaves you wanting a sequel - I can't help thinking that this is the film that Baise Moi ought to have been.

    While it is easy to see the story as about innocent girls fighting an unpleasant, chauvinistic world, it should be remembered that Nina is the central character, and Lizzy is actually a supporting cypher. It is Nina who we see as a newly orphaned teen, wandering in a fog of repressed grief and rage, depressed and wanting only to be somewhere else - a role Kodja plays masterfully - while Lizzy we are introduced to as an anarchic girl with no past who has taken too many pills and narrowly avoided death.

    Nina finds herself handed off by a sympathetic but shallow cousin who simply places her with one of her beauty salon clients to drive to La Rochelle. The lady in question is very obviously a sexual predator, yet Nina is too lost and too innocent to notice. She ends up in the family hotel, and what a family! The laissez-faire father, the monstrous mother, the spoilt and petulant son...

    Finally overwhelmed by grief, Nina is dumped by these lovely people at the hospital, where she is consigned to a sanitarium, and here she meets the apparently delightful Lizzy, who is also in recovery.

    Soon enough, they 'escape' and rapidly find themselves without friends, family, money, a home... they can't wash, they can't eat, they can't sleep. Every time they ask, they are refused or abused, and every time they try to take instead, they mess up. The end result is the suspense of an inevitable confrontational ending. Yet that is not quite how the film DOES end.

    And it isn't quite that simple. Lizzy is, in fact, a psychotic who really ought to have stayed in hospital. Not everyone is horrible - Lizzy's boyfriend is actually a caring kind of guy, who does try to help; there's a distrustful but kind lorry driver, a fatalistic old market stall seller and a self-obsessed affluent do-gooder.

    Yet the only people who actually offer charity want something in exchange - and if there is no money, then sex is demanded. Yet perhaps the most harrowing scene in that respect is where the girls simply try to get a shower in a truck stop - the mercenary stares of the clientèle become truly horrifying.

    The story of the two girls unfolds as a bad dream, where every door is closed to them in turn. Whatever they try to do, and wherever they go, they seem to end up in the same place. They are, in geographical reality, travelling in small circles, and yet all they really need to do is travel from La Rochelle to Bordeaux.

    Meurtrieres is a highly polished movie that succeeds in placing the viewer in the minds of the leads. This is due in part to the wonderfully empathetic direction, but mainly to the outstanding performances from Kodja and Sallette, who really deserve accolades, and hopefully great careers ahead.

    Más como esto

    Emilia Pérez
    5.4
    Emilia Pérez

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Visa d'exploitation en France # 113558.

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de junio de 2006 (Francia)
    • País de origen
      • Francia
    • Idioma
      • Francés
    • También se conoce como
      • Murderers
    • Locaciones de filmación
      • Ars-en-Ré, Ile de Ré, Charente-Maritime, Francia
    • Productoras
      • Les Films du Worso
      • Emael Films
      • Rectangle Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 38 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.35 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.