American Perfekt

I hope this movie receives more attention now that it's on video. Robert Forster gives a great performance that anchors the film. Also, the casting director has populated this effort with a very talented cast that is willing to go as far as the story requires. Yes, the road movie is a tired genre but I think the performances elevate the movie above its premise.8 out of 10.

Tricksy psychological thriller where no one is what they seems, nor indeed do they do what they seem!

It's well cast (almost perfekt, in fact) with the performers seeming to enjoy themselves in their roles. Angela Plummer & David Thewlis are no strangers to playing off-the-wall characters and excel as always, but it's Robert Forster who steals the film and shows along with his superb performance in "Jackie Brown" what an under-rated character actor he is.

If I've one criticism to make it's that when the characters are a little better revealed halfway through the film some of the tension dissipates a little but the plot keeps twisting and turning to the very end.

Worth a couple of hours of your time.

I saw this film in a film festival in Montreal a long time ago and I was amazed at the quality of this film. First of all, the screenplay is well written and the characters are well defined. Furthermore, the way it is shot proves that the director knew what he was doing.

Unfortunately this film never made it to theater here in Montreal and it is very hard to find. I am surprised to see that such a good movie couldn't get any distribution, but I guess that's the way the system work. So many good films don't make it while so many bad films gets released...

I hope it will be easier to see it on DVD. I recommend this film to whoever wants to watch an intelligent movie.

Robert Forster is good as Jake, a psychiatrist who picks up a woman named Sandra, after her car is run off a desert road. Jake likes to make most of his decisions on the toss of a coin. The duo run into a confidence trickster named Santini, and that's when the fun and games begin.

Jake soon hooks up with Sandra's sister Alice, who is supposed to meet Sandra in a diner. Jake then has a few surprises in store for Alice. The film isn't very long, and doesn't out stay its welcome. A blackly humourous road movie that is well worth seeing. The film clearly has its tongue firmly planted in its cheek.

I'd heard so many different opinions about this movie. At first it sounded like just another psycho-killer road movie (although with a cast of some of the greatest actors around) but then it got chosen for the Cannes film festival and won a bunch of other 'serious' awards. Anyway, one night my mom and dad saw it at a festival and when they got home they were arguing like mad - my dad (who hates EVERYTHING) called it a masterpiece - my mom said it freaked her out and shouldn't have been made! After that I didn't know what to expect but I knew I had to see it. Well, tonight I did and oh my God, it turned me upside-down. I wouldn't go so far as to call 'American Perfekt' a masterpiece, but it's smart, funny, beautifully acted and directed, and has moments of such straight-faced hilariously chilling brilliance that it made me remember why I love movies. I won't try and explain the plot in detail but Amanda Plummer plays a woman lost in the desert after her car is driven off the road by a mysterious car. She gets picked up by a criminal psychiatrist and a strange romance develops between them based on making all their decisions on the flip of a coin. Plummer is better than I've seen her since 'The Fisher King' (and even more beautiful) and Robert Forster is AWESOME! Better even than 'Jackie Brown'. David Thewlis is alternately funny, creepy and downright sad. And watch out for Chris Sarandon, too, as a gentle Deputy to Paul Sorvino's gung-ho Sheriff - a great performance that reminds us why he got nominated for an Oscar once (Dog Day Afternoon). The gorgeous Fairuza Balk is also excellent in a really intense performance much more mature than the usual flashier stuff she gets asked to do. Yeah, 'American Perfekt' starts off slowly but only because it's lulling you into a false state of security while it's crawling under your skin. And writer/director Paul Chart pulls it off without resorting to being 'above' his audience ie: despite all the clever different layers to the film, you never feel like it's trying to prove how smart it is - also, everyone really looks like they're having fun. All in all, 'American Perfekt' isn't so much a psycho 'art film' as a really neat and original movie that's been 'artfully made'. Give it chance and don't be afraid to laugh at how nightmarish it becomes. A warning to the faint-hearted, however - although Chart keeps the sex and violence fairly low-key, it has a habit of coming out of nowhere and is presented in such a matter-of fact way that it WILL stay with you (just ask my mom). There's another great score from Simon boswell, too ('Shallow Grave', 'Trainspotting').

Now, where did I put that shovel ....?