Un hombre lobo americano en París

I don't know why I get my hopes up for sequels... my hopes are always destroyed.

This movie is no exception. For starters, it's important to note that An American Werewolf in London (AAWiL) will always have a special place in my heart as one of the first horror movies I remembers seeing on HBO as a kid.

This movie lacked just about everything that AAWiL had: good acting, good special effects, a decent soundtrack, etc.

Tom Everett Scott is a terrible actor... the kind of actor I see and wonder how he ever gets casted for anything. Julie Delpy is OK and I dig her accent. Everyone else was pretty much fluff and/or fodder. The effects were God awful. It's hard enough to pull off CGI monsters and hairy ones are even harder to make believable. When you are making a sequel for a movie that had effects that are still impressive by today's standards, some serious effort has to be made if the intent is to make a movie that rivals the original. This one isn't even in the same league as AAWiL. The music for AAWiL was also very well done. AAWiP had... Bush? Yeah, that's the route you want to go to create a timeless classic.

Unlike other reviews I wouldn't even go so far as to say this movie would have good as a stand-alone (no connection to AAWiL), but I wouldn't even give it that much credit.

It just sucked.

When a trio of American teens travel to Paris for a daredevil challenge they decide to bungee jump off the Eiffel Tower. During the jump Andy manages to save the life of a girl attempting suicide. However when he later tries to find her again he finds that she has something to hide. When he and his friends attend a party held by friends for hers they find they are trapped by werewolves. Andy gets bitten and becomes part of a world he wants no part of.

This is a belated sequel to the 1980's classic `American Werewolf in London' and indeed it tries very hard to be just like it - the corpse black humour, the dreams within dreams sequences etc. However the story is different as it introduces a wider werewolf conspiracy idea to the plot. It actually works quite well - it's not better than many other creature features but it works OK.

The main problem with it is that it is very much another teen horror movie - with a stupid rock soundtrack, valley girl style humour and dumb spectacle. It lacks the original's black humour and it isn't anywhere near as tense as `London'. The special effects are totally CGI and they don't work as well as `London's' - it all looks too computerised, and seeing everything takes the scare factor out of it.

In fairness when you look at it as a stand-alone film it's not so bad even though it doesn't stand out from other teenage horror movies. But a sequel to `London'? - sorry but it's not a great addition to that piece of work. Tom Everett Scott looks like he's stepped out of American Pie into a horror movie! He's OK but he doesn't compare with Dunne all those years ago. Julie Delphy is actually quite good - she doesn't have much of a character but she carries herself well. The other characters are either rough French skinheads or American teens.

Overall it's entertaining enough - but it pales terribly when compared to the original.

As a sequel to An American Werewolf in London, this film is sure to disappoint many. It certainly doesn't have the talent that was involved on that one. No John Landis. No David Naughton. No Jenny Agutter and other more-than-competent actors. No Rick Baker and dazzling, innovative special effects. I could go on...and on. But if one distances themselves from seeing this film as a sequel(and really it is not a sequel at all...it doesn't have any of the same characters from the first film), this film is not that bad on its own. Sure it is relying on your memories of the London film to get fannies in the seats. Yep, it uses the same character TYPES and situations(dead victims talking and being funny comes to mind quickly). Other than that and the fact that werewolves are involved(and a romance of course), I found few other similarities. This film is definitely going for more laughs and takes itself even far less serious than An American Werewolf in London. The leads...Scott and Delpy are pretty good. The rest of the actors are pretty good too, with Julie Bowen as a slutty American and the guy playing Claude particularly good. I also loved all the French police and the gentle humour inherent in every line they said. The script has some genuine scares laced throughout the picture but always comes back to the humour. French werewolves enjoying feasting on Americans was a particular funny storyline. Director Anthony Waller creates a fast-paced film with some excellent sequences interspersed with some sophomoric plot strands. By no means is this a great film, or even a great horror film/spoof, but it is a film that should grab and hold your attention. Make you jump a few times and laugh out loud now and then.

I enjoyed this movie. Its not in the same league as the Original (An American Werewolf in London), but fun all the same. I think a lot of the reviewers on here have gave it a bad write-up, because they were probably comparing it to the original too much.

6 out of 10 ... It's worth watching.

5.5 out of 10

Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.

Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.