All the Rage

Just what I needed, a gay "Your Friends and Neighbors." Not. Add to the down, tired material dialogue that sounded as if it were being read off cue cards, boring camera work, dull locales, and endless conversations, often as people plodded along in some park. Ugh! What a disappointment! I kept waiting for it to get better. It didn't.

I was extremely bewildered by the purpose of this film, but even more bewildered by the positive reviews a few people have left for it. It truly holds almost no value as a movie or social commentary at all. The acting is static and makes you feel like you are watching the first performance of several understudys. The subplot involving Merle Perkins' character Susan is unrelated and incomplete. The random black and white vignettes featuring the main character "Christopher Bedford" are intrusive and uninformative and I didn't care for a single one of the shallow, archetypical characters we were supposed to relate to.

The fact that people found some scathing commentary on the emptiness of the pretty boy "gym-bunny" gay lifestyle within this contrived film astounds me. Did I miss something? I saw a story about one man who sleeps around, cheats, and ends up lonely...Was that not an obvious conclusion? The emotionally charged ending seems out of place and adds 5 minutes of drama to a film that was an hour and a half of blah blah blah....YAWN

The great thing about movies like "All the Rage" is that they remind you that movie making isn't as easy as it looks. I've seen some pretty bad movies ("Showgirls", anything with Molly Ringwald or Pia Zadora) and this "film" is definitely up there with some of the worst of them. And this film fails in every category: acting (those "introspective" moments where the lead addresses the camera directly! Yikes!), script, directing (or lack thereof), cinematography (don't drink and shoot), and the hair! Oh! The hair...

But that's not always a bad thing.

If you know that a movie is going to be lousy right from the start, like "All the Rant", you can kick back and scream with laughter and pray to God you've found yourself sitting on a yet undiscovered camp classic. This movie just became more gruesome as it moved along (or didn't move along). By the credits everyone in the theater was either in stunned silence or laughing hard enough to soil themselves.

On another note, it's great that gay themed movies are starting to come out more regularly so the gay community doesn't have to LOVE whatever is handed out. I became a little tired or rewinding the "Maurice" tape...

I'd much rather see a movie that fails on all counts rather than a mediocre snooze fest that a lot of movies today seem to be.

Bravo! If you're going to be bad, be REALLY bad. Make sure you see this car accident.

Here's a film that holds a mirror up to the sometimes shallow, narcissistic, gay male urban world. But why did it take so long for a movie like this to be made? Instead, the "gay" films that do receive distribution tend to be either light comedies about queens or depressing dramas about AIDS. So along comes "All The Rage" like a breath of fresh air--multi-dimensional characters, gay and straight people as friends, and, yes, a fair amount of humor, both light and dark. For a low-budget movie that was adapted from a stage play, the film is very cinematic, with beautiful colors and fluid camerawork. The acting is uniformly strong, with Jeff Miller's quick appearance at the end an especially powerful performance. Although the film has been a hit at festivals around the world, it's no surprise that it hasn't received wide release from a major distributor. It takes a hard look at a certain subculture and resists stereotypes. And everyone knows Hollywood operates out of fear and rehashing what worked before (sequels). Since "All the Rage" breaks new ground, it's deemed too "difficult" for mainstream audiences. What a shame. Writer/director/composer Roland Tec should be applauded not only for having the guts to take on this subject matter, but for pulling it off with such finesse. This first-time feature director is already head and shoulders above many veteran directors who keep churning out trite, recycled, safe "entertainment". Bravo!

I went with a group of friends, and those who were expecting a comedy (romantic or otherwise) were sorely disappointed. This movie is a merciless indictment of a certain superficial, vicious subgroup within the gay community. In fact, if this movie were your entire view into the gay subculture, it would probably justify the whole ex-gay movement for you. (The character of Stewart probably signed up with Exodus after the events in this film.) It reminded me of Larry Kramer's Faggots in the way it tried to address the lack of genuine feeling and community within its target group.

While I agree that the acting and technical aspects of this film are sorely lacking, I had no problem ignoring the form and focusing on the content. Yes, it's just a movie about a cad who happens to be gay, but I can't think of another movie with this subject in the past 20 years. Most gay films these days seem afraid to turn a mirror on any part of its audience and say "you are the villain", which this movie does. I found it quite difficult to sit through the first half hour, during which we are introduced to two despicable gay men (Christopher and Larry) and two merely insufferable ones (Tom and David). Once Stewart showed up though, it was easier to feel something (other than disgust) for someone in this film, even though it was pretty inevitable what was going to happen to the poor guy.

As for the ending, it was no more out-of-left-field than the ending of Looking For Mr Goodbar, and at least no one wound up dead for no good reason in this movie (although even suggesting it might happen was a big mistake on the director's part).