CALIFICACIÓN DE IMDb
3.5/10
3.9 k
TU CALIFICACIÓN
Un director novato llamado Alan Smithee descubre que es un títere del estudio forzado a hacer una película de acción costosa que sabe es pésima. Roba los rollos y busca negociar.Un director novato llamado Alan Smithee descubre que es un títere del estudio forzado a hacer una película de acción costosa que sabe es pésima. Roba los rollos y busca negociar.Un director novato llamado Alan Smithee descubre que es un títere del estudio forzado a hacer una película de acción costosa que sabe es pésima. Roba los rollos y busca negociar.
- Premios
- 6 premios ganados y 8 nominaciones en total
Opiniones destacadas
I saw this movie like, three years ago on HBO, or something, and I thought it was awesome. So I decided to see what people on the net had to say about it, and I was shocked. Apparently everyone and there mother hates this film. I don't know why. Sure it's no masterpiece, but only a handful of movies are. When Roger Ebert said it was worst than Showgirls, he went too far. At worst, I expected reviews like 2/5 stars, or 4.5/10 points. Instead I got things like 0 stars, something I didn't even know existed. I could see people didn't like the way the actors looked at the screen (even though it was a mockumentary), or the way you can't care too much for any one character (even though it's a satire, in which society as a whole should look bad). The movie has an odd flow to it (is that bad?), which I found cool. I Don't see why people can praise films like "Memento" (which told a story in an unconventional way, just like "Burn"), or "Spinal Tap" (which has no real plot, just like "Burn"), and not give this movie, and at least average review. If you can find it, watch it and decide for yourself, don't take the word of these flakers and perpetrators.
How could this many people hate a film so much? I'm giving it a 10 just so the average will go up a little. If you liked spinal tap and Waiting for Guffman then this movie is a must, but like spinal tap, it's all about dialog, like Stallone's observation of the immaculate conception in the Rocky movies truely great. If you are looking for a great action movie with big stars then the joke is on you. This is maybe the most realist portrail of how the movie business works maybe that's why people don't like this movie because it takes all the "magic" out it and shows how the public is completely "played" by the movie companies (people don't like it when a movie shows how easily the general public is manipulated). Much like another movie everybody hated "the last action hero" cars don't blow up when you shoot them, chances are you'll break your hand trying to punch your way through a windshield etc..
I laughed all the way though this movie from the first 5 seconds till the end (When I realized I had been duped). Maybe americans can't get it but I guess I was lucky. This is Ryan O' Neil's best role in years and Coolio and Chuck D are perfect as the Brother Brothers (Cosacks), Richard Jeni is classic. Its amazing the movie ever got made,,not because it's bad, but because it shows the blatant prostitution of the movie business.
This is a comedy and you are the joke,,,relax and laugh at yourself
I laughed all the way though this movie from the first 5 seconds till the end (When I realized I had been duped). Maybe americans can't get it but I guess I was lucky. This is Ryan O' Neil's best role in years and Coolio and Chuck D are perfect as the Brother Brothers (Cosacks), Richard Jeni is classic. Its amazing the movie ever got made,,not because it's bad, but because it shows the blatant prostitution of the movie business.
This is a comedy and you are the joke,,,relax and laugh at yourself
If you are in the feature film industry, what makes this picture so funny is the close parody... some of the characters appear to be modeled on real people. It would not be too far a stretch of the imagination to believe that two of the characters are parodies of Peter Guber and John Peters of Sony Pictures. Read the true story of these two guys' careers, documented in the book, Hit and Run, then watch Burn Hollywood Burn again. You will probably find the film twice as entertaining as the first time you watched it. After having last watched the film 7 years ago, I bought the DVD this week because I wanted to see if I could grab the title track that I liked, and I also clearly remembered (and liked) the graffiti art that was drawn for the movie title. Once I got the DVD in my hands, though, I watched the film all the way through again, and enjoyed it every bit as much as the first time I saw it.
Why did I buy this movie? Because several (British) friends of mine were discussing it passionately, declaring it a masterpiece satire full of wit and irony that Americans (and Germans) would probably never understand.
And because the cast list looks like a dream collection of funny actors: Jackie Chan, Sylvester Stallone, Whoopi Goldberg, Eric Idle, Ryan O'Neall....
And then this. My friends were right. If there is any humour, I did not get it. The movie tells of film-editor Alan Smithee, who has been given a chance at directing for the first time. An action blockbuster of unseen proportions (and budget). Seeing this movie, I could not help suspecting that it depicts quite accurately what might have happened behind the set of "M:I-2", with a kind director being overrun by his star's and producer's egos.
Unfortunately, the story isn't told linearly, but in flashbacks, and in interviews, and with the trailer for the blockbuster. It wants to be a mockumentary. Like "Bob Roberts".
But it just isn't all that funny. And Eric Idle is wasted, as he only ever gets to run around screaming manically during most of the few scenes he has.
To some it might be a classic. For me it was agonizing....
And because the cast list looks like a dream collection of funny actors: Jackie Chan, Sylvester Stallone, Whoopi Goldberg, Eric Idle, Ryan O'Neall....
And then this. My friends were right. If there is any humour, I did not get it. The movie tells of film-editor Alan Smithee, who has been given a chance at directing for the first time. An action blockbuster of unseen proportions (and budget). Seeing this movie, I could not help suspecting that it depicts quite accurately what might have happened behind the set of "M:I-2", with a kind director being overrun by his star's and producer's egos.
Unfortunately, the story isn't told linearly, but in flashbacks, and in interviews, and with the trailer for the blockbuster. It wants to be a mockumentary. Like "Bob Roberts".
But it just isn't all that funny. And Eric Idle is wasted, as he only ever gets to run around screaming manically during most of the few scenes he has.
To some it might be a classic. For me it was agonizing....
I disagree with the people here saying this is one of the worst films ever made. I'm somewhat of a connosieur of bad films, and that just isn't the case. It's competently put together from front to back, but the script definitely could have used another draft or two.
At its worst, it's just unfunny, not mind-bendingly horrible as some would have you to believe. Certainly if you know nothing about the inner workings of Hollywood you won't understand the references and almost none of it will be funny.
I'm sure there were lots of references I didn't understand -- I get the feeling people working in Hollywood would get more out of this movie than the rest of us. One odd reference is the repeated name of "Michael Ovitz" throughout the movie. It appears in the song "I Wanna Be Michael Ovitz" in the soundtrack, there's a "Paging Dr. Ovitz..." in the background in a hospital, etc. It's not quite clear what writer Eszterhas's feelings toward Ovitz are -- does he hate him or look up to him?
Another thing I don't understand is why director Arthur Hiller felt he had to change his credit to "Alan Smithee", except that it's amusingly appropriate. Looking at the film, I can't imagine that it was changed too radically in the editing, except perhaps the ultra-acidic put-downs on the title cards that introduce new characters.
At its worst, it's just unfunny, not mind-bendingly horrible as some would have you to believe. Certainly if you know nothing about the inner workings of Hollywood you won't understand the references and almost none of it will be funny.
I'm sure there were lots of references I didn't understand -- I get the feeling people working in Hollywood would get more out of this movie than the rest of us. One odd reference is the repeated name of "Michael Ovitz" throughout the movie. It appears in the song "I Wanna Be Michael Ovitz" in the soundtrack, there's a "Paging Dr. Ovitz..." in the background in a hospital, etc. It's not quite clear what writer Eszterhas's feelings toward Ovitz are -- does he hate him or look up to him?
Another thing I don't understand is why director Arthur Hiller felt he had to change his credit to "Alan Smithee", except that it's amusingly appropriate. Looking at the film, I can't imagine that it was changed too radically in the editing, except perhaps the ultra-acidic put-downs on the title cards that introduce new characters.
¿Sabías que…?
- TriviaAfter Arthur Hiller had his credit changed to Alan Smithee, the Directors Guild of America retired the pseudonym. This is the last film to officially bear it. However, due to the name's infamy, up to the present day, numerous non-DGA and independent films all over the world make unofficial, unauthorized use of it.
- ErroresRyan O'Neal is tearing down the highway in a sports car with the speed gauge standing in flat zero.
- Citas
Sylvester Stallone: Comedy is my life, that's why I'm star-ving!
- Créditos curiososVarious extra scenes and outtakes during the end credits.
- Bandas sonorasHolly Should
Written by Steve Nelson
Performed by Steve Nelson
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- How long is An Alan Smithee Film: Burn Hollywood Burn?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- An Alan Smithee Film
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 45,779
- Fin de semana de estreno en EE. UU. y Canadá
- USD 28,992
- 1 mar 1998
- Total a nivel mundial
- USD 59,921
- Tiempo de ejecución
- 1h 26min(86 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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