One Eight Seven

In the world of 'teacher takes revenge' flicks, we have tons of flops. I think "187" is certainly not one of those flops. It is a film that has held up well since its release in 1997.

Samuel L. Jackson turns in one of his good performances here. The setting is perfect: a hazy, smoggy east Los Angeles in the 90's. Films like "American Me" and "Falling Down" also captured that 'L.A. thing' well. "187" does that. It makes you feel like you are there.

Some of it definitely plays like an after school special, but most of the plot here is gritty and believable...this is no "Class of 1984." Awesome soundtrack with lots of good Massive Attack too.

7 out of 10, kids.

Samuel L. Jackson is not only one of the coolest guys alive, he´s also a great character actor what this film shows very impressively. I don´t know how bad the circumstances at some American schools really are, but I think "187" is much more realistic than liars like "Dangerous Minds". Kevin Reynolds also did a great job as director. In the whole film there are no spectacular things happening, but it is suspense-packed and dramatic from beginning till the end. Also the photography and the score are excellent, because they reflect the depressive and hopeless situation perfectly. The "Deer Hunter"-like showdown and the desperate speech of Rita at the end will keep you sitting on the chair, left deep impressed and considering, while the whole film is already over for a long time. (9/10)

A teacher (Samuel L. Jackson) makes every effort to engage his students at a tough inner-city New York high school when one day he is stabbed in the back by one of the students. After he recovers and although still traumatised he relocates to LA and an equally tough San Fernando high school where not only does he face similar challenges, but must also face up to his demons.

A slightly more fanciful thriller like variation with elements of vigilantism than films that covered similar subjects such as in the better STAND AND DELIVER (1988), MENACE II SOCIETY (1993) and DANGEROUS MINDS (1995). Nevertheless, the film still stands as a commentary on the violence in urban American high schools and for this it does an adequate job. Well acted by Jackson, his performance making the film more believeable.

Kevin Reynolds' 187, although billed as another "straight-laced-teacher-turns-troubled-urban-highschool-teens-into-well-rounded-individuals" movie, goes above and beyond this tired premise. The provocative story (which was apparently written by an actual highschool teacher) breathes new life into the otherwise stale highschool-drama subgenre.

Samuel L. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. Also, the characters are much more dynamic and developed here than in most movies of this kind. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations.

Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film. And since this movie was made directly after his abominable WATER WORLD, we should all by doubly impressed by his efforts!

After a vicious assault on him, Trevor Garfield, a teacher, moves cities and works as a temp. However, he finds that things are even worse at his new school. Dealing with an important subject, this is immensely engaging and tense. While not based on any specific case, this was written by an actual teacher, and, frankly, it does feel terrifyingly authentic and realistic. The psychology is completely accurate, and this is not black and white. This is well-paced, and never boring. The plot is compelling throughout, and though you can figure some things out before they occur, this most likely *will* surprise you. Every acting performance is spot-on, and all roles are marvelously cast. Jackson is impeccable, and his particular knack for playing someone who holds anger and may lose control at any moment is excellent for this. This has a great soundtrack, with music that fits the environment(which is very nicely established; they found perfect locations and types of people), without making it appealing. The editing and cinematography are incredible, if dangerously close to being flashy. There is a bit of brutal, bloody violence, a lot of disturbing content, moderately frequent strong language and brief nudity in this. I recommend this to anyone mature enough to handle it. 7/10