12 Angry Men

Watching this movie was like peeling an onion- the more it progressed the more the heart of the real matter was revealed. The ideas this movie fosters- the certainty that everyone enters the jury room with a hidden agenda were proven. Most of all it brings to light the fact that justice and money are connected. I was in awe of both Jack Lemmon and Hume Cronyn- how they were men of courage. Though the whole movie is set in a jury room it never lacks for tension and action. This movie should be required for every person who ever has to serve on a jury.

A young man(Douglas Spain) is accused of murder. It is a hot summer day in a jury room. Most of the jurors have better things to do, and want to get out of there. One man, Juror #8(Jack Lemmon), decides not to jump to conclusions. He uses reason and logic to help prove to the other jurors that there is a reasonable doubt, and there is not enough evidence to convict this man. Juror #8 has to convince a bigot, Juror #10(Mykelti Williamson), a man who refuses to admit he may be wrong, Juror #4(Armin Mueller-Stahl), a man who has something against young people, Juror #3(George C. Scott), and a man who just wants to get out of there, even if it means making an unjust choice, Juror #7(Tony Danza).

Lemmon, Scott, Williamson, Stahl, and even Danza put on great performances. This is an exception to the rule that remakes can't be great. This was a brilliant film. Like in the original, tempers flare as it is a hot day and there is no air conditioner. William L. Petersen, Edward James Olmos, Hume Cronyn, James Gandolfini, Dorian Harewood, Ossie Davis, and Courtney B. Vance all play as jurors too. Every juror does a great job. Every character has a story and view point.

If you liked the classic or play, you should definitely see this remake. I strongly recommend this movie. 10/10

This TV-movie is truly remarkable. It's a remake of an undeniable classic, and that word usually brings tears to your eyes. Remakes normally are a lame excuse used by uninspired directors to make more money out of a good idea. You know the drill of the average remake: bigger, louder and as less tribute to the original as possible. William Friedkin's take on 12 Angry Men is the exact opposite of all this. It's a modest re-telling of the story but obviously made with endless amounts of professionalism and respect towards the original. Taken up to an even higher level by on of the best ensemble casts of the nineties! All members of the jury are familiar faces and some of them give away the best performances in their entire career. The acting level of the cast during some of the intense discussions and debates almost burns holes in the screens…it's that perfect. A very special word of respect and worship goes out to Jack Lemmon, Hume Cronym and George C. Scott. These 3 late legends of the big screen kept on giving amazing performances till they sadly passed away. May their souls rest in piece, cinema will never forget them. Of course, I can't give this version the honor of being better than the original masterpiece starring Henry Fonda, but nevertheless it's an intense and fascinating courtroom drama that'll leave no soul unharmed. Naturally, one could ask the question if it was really necessary to create an update of 12 Angry Men…the answer to that would be ‘no' of course, but what the heck. Almost every remake, sequel or spin-off is unnecessary, but that doesn't mean they can't be enjoyable.

This version of 12 Angry Men is certainly worth seeing, but it does not come close in overall excellence to the original film with Henry Fonda. Jack Lemon does a credible job here but it is certainly not his best work. George C. Scott is excellent as he plays the last holdout in a jury room. If you really want a treat, see the 1957 film version with Henry Fonda, Lee J. Cobb, Ed Beagly, Jack Warden, Martin Balsam and E.G. Marshall. The debut direction of Sidney Lumet is simply outstanding making use of unique and effective camera angles and close-ups.Much of what this TV version lacked was better direction. It is pretty hard to improve on perfection though.

Like the original 1957 film, this remake is a taut drama. Unlike most remakes, this one is as good as the first. The script still stands up as a gritty revelation of human psychology. The cast is solid, and the characters are more diverse than in the original. Look at both versions and see a study not only in the workings of human nature but also in the workings of script adaptation at its best.