Una organización antiterrorista clandestina finge la muerte de una asesina convicta y la entrena en las habilidades de lucha necesarias para tener éxito en su nuevo trabajo.Una organización antiterrorista clandestina finge la muerte de una asesina convicta y la entrena en las habilidades de lucha necesarias para tener éxito en su nuevo trabajo.Una organización antiterrorista clandestina finge la muerte de una asesina convicta y la entrena en las habilidades de lucha necesarias para tener éxito en su nuevo trabajo.
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- 4 premios ganados y 21 nominaciones en total
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When "La Femme Nikita" premiered I thought the show would be a typically cheesey USA show: no plot, lots of naked women. To my surprise I genuinely think the show is among the best on TV.
The show's plots are complex and well-thought, taking the usual conventions of the action genre and turning them on their head. Even Peta Wilson, who looked like she was originally cast in the title role solely on her looks, has turned out to be a talented actress. She lends an emotional depth to the role of Nikita that is surprising.
Very good.
The show's plots are complex and well-thought, taking the usual conventions of the action genre and turning them on their head. Even Peta Wilson, who looked like she was originally cast in the title role solely on her looks, has turned out to be a talented actress. She lends an emotional depth to the role of Nikita that is surprising.
Very good.
It seems that one genre of film has rarely been successfully translated to tv: The spy film. Can't think of one off the top of my head--except the cartoons like Lancelot Link and Danger Mouse. I suppose in the sixties--Man From Uncle, Mission Impossible.
But here comes La Femme Nikita, a very stylish show, no question, with a certain ruthlessness about it that seems cold and dangerous. Everyone in it seems to adequately convey the sense of dangling over a precipice, waiting for the stark harsh powers to send them to their doom. But until then, they combat various and sundry international terrorists.
While the acting never really rises above adequate--the dialogue really doesn't allow it, the characterizations themselves are rather enjoyable. Megalomaniac Operations, icy Madelaine, zombie like Michael, etc. There's a certain menace that hangs in the air, as if even humanistic Nikita wouldn't hesitate to put a bullet in you were the situation to require it.
I'm not suprised this show draws a devoted following--probably some who put it in the same late nineties genre of women wandering around beating the hell out big bad men (see VIP, Xena, Buffy, etc) But it's rather a bit more than that, the plots are routinely more complex than most spy movies--the last few James Bond movies in particular, maybe they could donate a few writers to the cause in bringing some life in that series.
The endless maneuvering for advantage, the incredible withering amorality, the sudden violence ... and don't forget the clothes, all give this a pretty slick, sexy feel to it. Like a very shiny, glistening new gun--lethal, but undeniably attractive.
But here comes La Femme Nikita, a very stylish show, no question, with a certain ruthlessness about it that seems cold and dangerous. Everyone in it seems to adequately convey the sense of dangling over a precipice, waiting for the stark harsh powers to send them to their doom. But until then, they combat various and sundry international terrorists.
While the acting never really rises above adequate--the dialogue really doesn't allow it, the characterizations themselves are rather enjoyable. Megalomaniac Operations, icy Madelaine, zombie like Michael, etc. There's a certain menace that hangs in the air, as if even humanistic Nikita wouldn't hesitate to put a bullet in you were the situation to require it.
I'm not suprised this show draws a devoted following--probably some who put it in the same late nineties genre of women wandering around beating the hell out big bad men (see VIP, Xena, Buffy, etc) But it's rather a bit more than that, the plots are routinely more complex than most spy movies--the last few James Bond movies in particular, maybe they could donate a few writers to the cause in bringing some life in that series.
The endless maneuvering for advantage, the incredible withering amorality, the sudden violence ... and don't forget the clothes, all give this a pretty slick, sexy feel to it. Like a very shiny, glistening new gun--lethal, but undeniably attractive.
This series is unique. Unlike the banal witty dialog in all of today's action series...this one was quite different and pleasing. Finely emotionally nuanced so that communication takes place by a glance or a turn of the head. This series is the antidote for all other series where everything is conveyed via dialog and nothing by character development. An organization dedicated to public good, but using evil techniques. Are its principals evil themselves or simply amoral? Characters have everything money can buy, but freedom or individual destiny. Nikita herself flourishes at Section, and is redeemed from a meaningless life on the streets..but is this redemption worth it? Does she lose herself or find herself? The moral contradictions alone are spellbinding. I recommend following director Joel Surnow's work for similar treatment of new series.
True, La Femme Nikita is no "24"..it's better than 24.If it wasn't for LFN there would be no 24. Joel Surnow creator of 24 was a script writer for LFN. It set the standard for 24 and Alias. La Femme Nikita had it's own style of story telling that was intriquing and left you wanting for more. The characters were complex and the actors put all their focus into giving the best performances out there. The soundtracks were outstanding and the wardrobe dept always outdid themselves. I for one think that the series was much better than both "Nikita" and "Point of No Return". It was a shame that the show had to end. Face it 24 and Alias-just copies of a good thing.
This show is one of the few that I attempt to regularly tune into each week. I'm not a die hard fan analyzing every sentence/glance/breath of every character, but I certainly enjoy the show. A person who says this show has poor acting or poor character/plot development is most likely disappointed by every TV series and not being fair to the genre. This show says more with a moment of silence than most shows say in an hour of dialog. It is impossible for a show that has run as long as this one to dot every "i" and cross every "t", of course there will be holes. But by and large the show remains true to itself and at the top of it's genre. The acting and action are appropriate, the plot works well enough to be create a suspension of disbelief and the character development is the best I've witnessed from any long term series.
Thank you for creating a thoroughly entertaining show, I will miss it greatly after this season.
Thank you for creating a thoroughly entertaining show, I will miss it greatly after this season.
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- TriviaThe series' original cancellation in 2000 was due to a dispute between Wilson and the producers of the show over Wilson being offered the role of Jean Grey in X-Men (2000) and asking to be released from her contract early so she could participate. The producers refused and Wilson refused to renew her contract. It would appear, this had Peta Wilson blacklisted for the rest of her "Hollywood" career.
- ErroresIn the early episodes, Section would put a stick-up microphone/earpiece behind Nikita's earlobe, before leaving for a mission. This allowed her to communicate remotely with the base. As the series progressed, in further seasons, they didn't even try anymore; they couldn't be bothered to make it look credible---perhaps assuming viewers took that for granted---and the whole "sticking the silver circle behind Peta's earlobe" was given up. Then the production took their audiences for granted. The actress would just speak her lines as Nikita, while the visuals showed she had absolutely nothing behind her ears. The same for other remotely-speaking characters on a mission. Audiences were apparently expected to suspend disbelief, whenever Nikita was then whispering sans microphone/earpiece while out---often in a loud location such as a nightclub or party, which made no sense whatsoever---and her words were expected to be somehow magically relayed to Berkoff or Michael.
- Citas
Michael Samuelle: You still believe in free will? In here there's no such thing.
- Versiones alternativasOriginally broadcast in Canada as "Nikita". Rebroadcasts in the US make use of the film title "La Femma Nikita." In 2001, new episodes were broadcast as "Nikita" while reruns were shown as "La Femme Nikita."
- ConexionesFeatured in WatchMojo: Top 10 TV Seduction Scenes (2014)
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- The Woman Nikita
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