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IMDbPro

The Whole Wide World

  • 1996
  • PG
  • 1h 51min
CALIFICACIÓN DE IMDb
7.0/10
4.3 k
TU CALIFICACIÓN
Renée Zellweger and Vincent D'Onofrio in The Whole Wide World (1996)
Theatrical Trailer from Sony Pictures Classics
Reproducir trailer2:29
2 videos
40 fotos
BiografíaDramaRomance

En 1933, Texas, una maestra de escuela y aspirante a escritor conoce a un escritor, y pronto se desarrolla una relación entre los dos, pero está condenada por su devoción servil a su madre e... Leer todoEn 1933, Texas, una maestra de escuela y aspirante a escritor conoce a un escritor, y pronto se desarrolla una relación entre los dos, pero está condenada por su devoción servil a su madre enferma y su insistencia en su libertad.En 1933, Texas, una maestra de escuela y aspirante a escritor conoce a un escritor, y pronto se desarrolla una relación entre los dos, pero está condenada por su devoción servil a su madre enferma y su insistencia en su libertad.

  • Dirección
    • Dan Ireland
  • Guionistas
    • Novalyne Price Ellis
    • Michael Scott Myers
  • Elenco
    • Vincent D'Onofrio
    • Renée Zellweger
    • Ann Wedgeworth
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    4.3 k
    TU CALIFICACIÓN
    • Dirección
      • Dan Ireland
    • Guionistas
      • Novalyne Price Ellis
      • Michael Scott Myers
    • Elenco
      • Vincent D'Onofrio
      • Renée Zellweger
      • Ann Wedgeworth
    • 99Opiniones de los usuarios
    • 24Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 6 premios ganados y 7 nominaciones en total

    Videos2

    The Whole Wide World
    Trailer 2:29
    The Whole Wide World
    The Whole Wide World - Official Trailer
    Trailer 2:12
    The Whole Wide World - Official Trailer
    The Whole Wide World - Official Trailer
    Trailer 2:12
    The Whole Wide World - Official Trailer

    Fotos39

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    Elenco principal17

    Editar
    Vincent D'Onofrio
    Vincent D'Onofrio
    • Robert E. Howard
    Renée Zellweger
    Renée Zellweger
    • Novalyne Price
    Ann Wedgeworth
    Ann Wedgeworth
    • Mrs. Howard
    Harve Presnell
    Harve Presnell
    • Dr. Howard
    Benjamin Mouton
    Benjamin Mouton
    • Clyde Smith
    Helen Cates
    • Enid
    Leslie Buesing
    • Ethel
    • (as Leslie Berger)
    Chris Shearer
    • Truett
    Sandy Walper
    • Mammy
    Marion Eaton
    Marion Eaton
    • Woman on Bus
    Dell Aldrich
    • Mrs. Hemphill
    • (as Dell F. Aldrich)
    Libby Villari
    Libby Villari
    • Etna Reed Price
    Michael Corbett
    Michael Corbett
    • Booth Adams
    Antonia Bogdanovich
    • Teacher
    Elizabeth D'Onofrio
    Elizabeth D'Onofrio
    • Mrs. Smith
    Stephen Marshall
    • Director
    Bridgett
    • Wolf
    • Dirección
      • Dan Ireland
    • Guionistas
      • Novalyne Price Ellis
      • Michael Scott Myers
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios99

    7.04.2K
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    Opiniones destacadas

    10janniejaye

    Amazing, Must-See Movie

    If there was only 1 movie ever, I would suggest anyone to watch, this would be the movie that I would suggest. I came across it on Netflix, DVD rentals, and rented it because the storyline seemed interesting, and I like Renee. I had never heard of this movie, and at the time it came out in 1996, I was working too many hours to even know what was in the movie theaters. Vincent D'Onofrio is more than amazing in this role, and should have been nominated and won the Oscar for this part. For me, his portrayal of his character in this movie is the best I have ever seen any actor do. Vincent's portrayal brings out Renee's character beautifully; how could she not act like she did, working against such an amazing actor. This screenplay is beautifully written, from Novalyne Price-Ellis's true book she wrote herself, covering her relationship with Robert E. Howard. I had no idea who he was, but after this movie, have read up on his life, and will purchase Novalyne's book, "One Who Walked ALone", from which this movie was taken. Great directing, screenplay, photography, acting, music; a movie that could not have been put together any more beautifully. BRAVO to all, thank you for one of the best movie experiences I have had, at the age of 48. Shame on whomever did not spend the money to distribute and advertise the heck out of this movie when it came out in 1996. I will purchase the DVD, and will buy it for gifts for many, but wish they had put more in the "special features", than only Renee's chat. Why not all of the "deleted scenes", "the making of", etc...Janet, NYC, Feb 2007
    10egret1

    A little giant among films

    This is an easy vote. A real, well acted old time story of star crossed loves. Cutting edge acting by Vincent D'Onofrio as Robert and his girl Rene Z. An emotional, tender, and heartbreaking story. Both actors pull out your emotions and put them through the wringer. Beautifully filmed and the music fits the mood. Vincent was perfect. His intense face, which he uses as an emotional barometer, captures and relays the tortures Robert E Howard experienced. It is how films used to be - memorable. This was Rene Z's first serious work, and I will say she has never come close again in touch the emotional triggers although she is big box office. Her thanks to Vincent on receiving her first Academy awards speaks volumes " Thank you Vincent for teaching me how to work." They were a lovely team together with a special bond both actors created together. I did not want to leave the characters and return to reality. In closing, this "little movie" budget wise and distribution wise, is actually a far greater achievement then it's modest budget could foresee. This film should have been dubbed as one of the greats instead of shelved and forgotten.
    10shermatz

    Best Little Movie in the Whole Wide World

    I was thrilled to read the (almost) unanimous praise for this FANTASTIC little movie by fellow viewers, and I must chime in with my wholehearted agreement. Every once in a while you blunder across an under-financed and straight-to-video movie that just absolutely flattens you with that rare convergence of talent, story & production, and you're reminded anew of just how powerful a film can be.

    Most of the previous postings give a good outline of the plot, so I won't recap it here. "The Whole Wide World" is remarkable in all sorts of ways, but I must use my space here to further celebrate the masterful acting of the leads, Vincent D'Onfrio (as Bob Howard) and Renee (as Novalyne Price). Indeed, the skill of the portrayals completely conveys the sense of time, place and emotional temperament necessary to draw us into their worlds--and break our hearts. And yeah, you're just absolutely made of stone if you're not weeping just a little as the credits roll(or trying hard not to). It's testament to D'Onfrio's amazing talent that we can clearly see Bob's misanthropic shortcomings, but still we hope this tragic misfit of a guy can (as another fan wrote here)"meet her half way." A DEEP, insightful performance by Vincent who has quietly been doing the same in lesser roles for decades now.

    And I gotta give Renee her full due as well. She was EXCELLENT, fully credible, spiky, tender, flirtatious, frustrated, and ultimately emotionally exhausted trying to figure out this neurotic but strangely charming man she tried to get close to. Seeing this movie reminds me of "Casablanca" in the sense that you can't imagine anyone else in the Bogart & Bergman roles; no doubt other actors would have given their all, but I can't see how anyone other than Vincent & Renee could have spiked our hearts so fiercely.

    Who would have ever thought that such a GREAT movie could be made of the abortive love life of Robert E. Howard? Of course that's not really what makes the movie great--as Flaubert said when asked to identify Madame Bovary, he replied "I am;" and so it is with "The Whole Wide World," where we are poignantly reminded of our own failures to engage with life and love in the ways we believe they should play out.

    Again, I'm THRILLED to see how many other fans recognize the unique quality of this movie. I encountered it obliquely, noting its synopsis in the New Yorker back in '96 and thinking "what a curious thing to base a movie on." For some reason my sister tracked it down and loaned me a dubbed-from-TV video cassette; crummy video and sound, but the movie still BLEW ME AWAY (and it still does--thankfully it's now available on DVD). Given Renee's star power I don't think it will ever vanish completely, but we can only hope others will take a chance on this little masterpiece so it can one day receive the acclaim its excellence deserves.

    I'd also be remiss if I didn't put in a small plug here for Robert E. Howard the pulp fictioneer; it wasn't complete hyperbole for Novalyne to dub him "the best pulp fiction writer..." His writing stands up well today; plenty of brawny page-turning adventure that still delivers fabulous escapist thrills for guys. But if some of us guys can watch this movie and worship it, I'd bet at least a few of the girls can read some Robert E. Howard today and get a sense of the tough-but-hurting guy depicted in the movie. But one certainly need not read Howard to appreciate this amazing movie on its own stellar merits.
    8Wuchakk

    Dating Conan the Barbarian's creator in the heart of Texas in 1934-1936

    Released in 1996, the movie focuses on budding writer Novalyne Price Ellis (Renée Zellweger) and her experiences with famous pulp writer, Robert E. Howard (Vincent D'Onofrio), creator of Conan the barbarian and other characters, like Kull, Solomon Kane and Red Sonya. The events take place in central Texas (Cross Plains and Brownwood) during the last two years of Howard's life, 1934-1936, and are based on Novalyne's memoirs "One Who Walked Alone" and "Day of the Stranger: Further Memories of Robert E. Howard." Ann Wedgeworth is on hand as Robert's sickly mother.

    Howard's great imagination and expertise with words made him "the greatest pulp fiction writer in the whole wide world," as he was known. Unfortunately he died way too young at the age of 30 but, thankfully, he was prolific and so we have a lot of material by him to enjoy. It has always been a mystery to me why this talented man died the way he did, but this film gives life to REH's last two years and helps the viewer understand what happened.

    This is a true-life drama with elements of romance consisting of the simple way of life of a writer, his parents and friends in the plains of central Texas in the mid-30s. Most of the sequences take place at the quaint Howard abode, the theater in Brownwood, the school where Novalyne taught and, mostly, Robert & Novalyne driving the desolate landscapes or walking and talking, sometimes in conflict. In other words, this is a simple drama. The potency comes with the subject matter, Robert E. Howard. I found the drama gripping as insights emerge in the dialogues and other sequences.

    The film runs 1 hour, 51 minutes and was shot in the heart of Texas (Austin, Bartlett, Bastrop and Rockne).

    GRADE: A-
    10bilborough64

    Definitely a Keeper!

    I love listening to the audio commentaries after I've watched a film. It shows me how much the actors or crew members felt making the film. There is a big difference between a film and a movie. A film holds you to your seat because of the quality of the writing and acting. A movie is usually exciting, but it may or may not have persons who can or cannot act in it's line-up. I consider "The Whole Wide World" in the former category. I can't say enough about this film.

    The story is simple enough. Vincent D'Onofrio plays Robert E. Howard, arguably the greatest pulp magazine writer of all time. He is the creator of the Conan series of magazine and movie fame. Howard falls in love with Novalyn Price, a woman who wants to be an author, but has no talent. She is played by Renn' Zellweger, who brings fire to this "mousey" character. Price realizes her destiny lays in teaching and pursues that course in her life. Zellweger's performance is exceptional as her 5'5" frame faces down the 6'4" frame of D'Onofrio.

    D'Onofrio's performance in this film is beyond exceptional. He kept me emotionally attached to the character of Howard through out the film. I cried at the end.

    As one of the producers of this film, D'Onofrio was able to keep the film on track. But something tells me that he believed so much in the film that he took on the problems himself and protected the project. I loved the Greyhound bus, by the way. It was one of his additions.

    This film was Dan Ireland's first major film and he did exceptionally well. He knew the caliber of actors he was working with and let them do their job. The actors also let him do his job as well. Surprisingly in the commentary I could tell that he watched his stars and learned from them

    Like I said, I can't say enough about this film. I rented it from Netflix and have watched it several times. It is definitely a keeper and my order on Amazon is already in the works.

    Argumento

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    • Trivia
      Renée Zellweger, upon receiving her Oscar for Regreso a Cold Mountain (2003), thanked Vincent D'Onofrio for teaching her how to act, referring to her experiences in this movie.
    • Errores
      The door of the car that won't start shuts itself.
    • Citas

      Robert E. 'Bob' Howard: Hey girl. Take a look at the sunset that I ordered for you.

    • Créditos curiosos
      During her interview on "Inside the Actor's Studio", Renee Zellweger revealed that the end credit for Woofgang Zellweger was an inside reference to her dog, "Woof."
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Dante's Peak/SubUrbia/The Beautician and the Beast/Rosewood/The Whole Wide World (1997)
    • Bandas sonoras
      Depression Blues
      Composed by Peter Cork (as P. Cork)

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    Preguntas Frecuentes20

    • How long is The Whole Wide World?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de diciembre de 1996 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • 鍾愛一世情
    • Locaciones de filmación
      • Paramount Theatre - 713 Congress, Austin, Texas, Estados Unidos(exterior and interior)
    • Productoras
      • Cineville
      • The Kushner-Locke Company
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 1,300,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 375,757
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,316
      • 22 dic 1996
    • Total a nivel mundial
      • USD 375,757
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 51min(111 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 2.35 : 1

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