Werewolf

This movie does indeed stink a lot. However, that DOES NOT mean it isn't worth viewing. It's actually a hilarious romp through Flagstaff, Arizona. First off you have stars like Richard Lynch (Trancers II) and Joe Estevez (Beach Babes From Beyond), these guys are always great in B-movies like this one!

The dialogue is insane and the special effects are ridiculous - is that really supposed to be a werewolf? I think it looks more like a bear that lived on Endor and got beat by a bunch of Ewoks with traffic cones.

Anyhow, the real gem here is the character portrayed by R.C. Bates (Bad Girls) known as "Sam the Keeper". Sam's job is to watch over the house where are main character lives. Not since the movie "Fletch" has the silver screen been graced by a more hilarious watchman.

Sam's is one goofy guy - he looks like Santa Claus/Jerry Garcia dressed up in camo carrying a shotgun "just to keep the flies down". He's a lovable goof and every scene he's in you'll find yourself hitting rewind to hear him deliver his goofy lines over and over. He even calls Count Dracula a faggot - but you don't need to believe him, "cause that's the facts!"

Sam the Keeper makes this movie a must see. Good out and rent it! Invite a couple friends over, order some pizza, and laugh away.

It should be noted that my friends and I thought this movie was so funny that I should have been on MST3K when we first saw it years ago... well, there is a sense of justice out there, because it did end up being on MST3k and boy, that was a good episode.

R.C. Bates forever!!!

Well, let's put it like this. They must have spent more money for the cool-looking holographic werewolf-transformation cover than they spent for the entire rest of the movie.

It was a horrible, horrible film. Makes Plan 9 look like Ben Hur.

Since capturing the MST3K version of "Werewolf" on tape years ago, I have sat down and watched it several times, trying to figure out how functional human beings could make a feature film that has a sloppier script, more continuity errors, less coherent performances and ends up making even less sense than a patchwork mess like "Space Mutiny".

Then I happened upon 'billybrown4''s suggestion that perhaps the filmmakers kept running out of money, waiting to get some more, and then trying to resume again over the course of several years while the actors and extras and costume designers and crews kept coming and going. That would explain a lot of things: Yuri's wildly varying hairstyles, Joe Estevez disappearing after the 1st 1/3 of the film, the way the werewolf keeps appearing in totally different guises (a bear, a bat, a hand puppet, Federico Cavellini in spirit gum and floor mats, etc.), Richard Lynch's apparent loss of interest in the whole problem in the last 30 minutes, the jarring "start-stop" feel of the movie and the whole plot thread with the 2nd werewolf (the security guard) which serves no purpose except to establish Yuri as a complete *ssh*le who will stop at nothing to 'be famous beyond (his) wildest dreams'.

Oddly, the movie is filled with physically attractive, photogenic people who nevertheless seem to have the personality of a sack of cement - this may have been caused partially by the fact that English is obviously a 2nd language for the three main leads, especially the female lead "Natalie". So your eyes are drawn to them while at the same time your ear recoils in irritation at their attempts to speak the vernacular. "Yuri" is very handsome and muscular, but chews the scenery without mercy. On the other hand (paw?), there is "Sam The Keeper" who speaks perfect English but looks like roadkill and camps it up something fierce. And there is Joe Estevez, who is an utter cornball, but still is one of the most interesting things in the movie.

So the actors who aren't wooden marionettes in this movie are complete Shakespearean level hams, except for poor Richard Lynch, who probably took the money and ran.

Other discordant and jarring elements in the movie:

1) The longest transformation scene in the history of Western cinema 2)A fight scene between Yuri and the werewolf in which the two actors are never in the same shot and Yuri seems to sustain fatal damage without ever being physically touched. 3)A scene in which the female realtor is thrown over a railing by the werewolf when she visits him in the house she rented to his human form, which fall should have killed or crippled her, but she walks away without a scratch - AND SHE NEVER REPORTS IT TO THE POLICE!! 4)The scene at the benefit party in the museum where "Loud Mumbling Breaks Out", followed by the one were Yuri attacks Paul Niles with the skull of the werewolf. 5)At one point Natalie tells Paul "You're our only hope..." What? Where did THAT come from?? If the archaeological project needed more money, all they had would have to do is issue a press release about the werewolf skeleton and they would have more money and attention than they could handle. Michael Jackson alone would probably bid upwards of $5 million to keep the skeleton after they were done. 6)Most egregiously, the infamous scene where the werewolf attacks the young woman who is necking in the jeep, and she jumps OUT of the jeep and runs screaming with three voices down the middle of the road, only to trip in her pre-muddied dress and founder in a 2 inch deep puddle. Where did her boyfriend go? How did the werewolf catch her when he was writhing along the road like a snake? We may never know...

Anyway, an invigoratingly sloppy and stupid movie. Watch this whenever you want to feel better about yourself in comparison to a bunch of clueless people who wasted thousands of dollars and hundreds of hours to make awful dreck.

In an archeological dig site, the crew unearths skeletal remains that bear a mixture of human and canine characteristics that some on the crew believe to be a skinwalker (werewolf). During a fight instigated by site supervisor Yuri (Jorge Rivero), one of the crew is scratched by the skeleton and soon becomes ill. Eventually the crewman becomes a skinwalker through Yuri's intervention and mysterious inciidents involving beasts begin to plague the surrounding area.

Werewolf is a 1996 direct to video horror film made by Iranian filmmaker Tony Zarrindast. Zarrindast's career spanned all the way back to 1962 when he began directing low budget schlock in his native Iran, but following the Iranian revolution he fled to the United States where he continued to produce exploitation films with his same seal of quality (hence why he's nicknamed the Iranian Ed Wood). Werewolf is one of Zarrindast's more well known films having been showcased on cult movie mocking show Mystery Science Theater 3000 and were it not for its showcase on that show Werewolf might've faded into obscurity like so many other forgotten 90s direct to video genre fare. Given the nature of Tony Zarrindast's filmography, it should surprise no one that Werewolf doesn't work as a horror film as it's a sloppy mess of a movie.

To start off on a positive note, the premise behind Werewolf is intriguing at first. The nature of the werewolf in the film is tied to native American mythology involving skinwalkers (also called "yetiglanchi" according to the movie, but I wasn't able to confirm if this was a real term). The impetus of the skeletal remains of a werewolf still having the power to turn those injured with them into werewolves is an interesting concept on paper but in execution not so much.

The movie per the standards of its director plays very stiff and awkward with shots that go on too long, weird incorporation of animal sound effects that are non-diegetic, stilted deliveries from the actors many of whom seem like English may be their second language, and stiff robotic fight sequences that have the "punching tire" sound effect you may remember from every other 70s Kung Fu flick you've forgotten. Even the werewolf effects which are of paramount importance to any werewolf movie are really inconsistent with the make-up sometimes appearing as vaguely humanoid with fur around the face only to be coupled with insert close-ups that feature a puppet that has a significantly longer snout than the make-up used on the actors. The movie's also filled with confusing editing choices and obvious day for night shots that they don't even attempt to make convincing and I'd be hard pressed to tell you about the motivations of certain characters with action and reason seeing noticeable divergence.

Werewolf is a bad movie, but it's an amusingly bad movie. It has a nugget of a good idea when it comes to unique takes on werewolf lore but aside from that one point in its favor its pretty much everything a werewolf movie shouldn't do done anyway.

Saw this one recently with some friends who have an ironic love of truly terrible movies, and in that context, it was just the ticket. It was a double feature with "Satanik," a 1968 Italian piece of junk that was just as bad but at least had a hot Eurobabe as the killer. Both flicks were made by the absolutely untalented, and can be watched only by dedicated students of bad film.

In a "climactic" scene in "Werewolf," the title critter kills a man apparently without touching him, or even being in the same general area. We repeatedly cut back and forth between shots of the werewolf going RARRR, and of the victim crossing his arms in front of his face (again and again), in a posture of defense. Finally, the bloodied victim drops to the ground. At no time do both the werewolf AND the victim appear in this scene together. It's as though the two "actors" involved couldn't coordinate their table-waiting schedules in such a way as to be both on the set on the same day. We all looked around at each other and said, "What just happened?"

See it for laughs, if this sort of bad flickage is your idea of fun. Otherwise, flee like a Texas Democrat.