¡Eso que tú haces!

Catching the excitement of a mid-1960s garage band formed by 4 typical all-American young men from Erie, PA, who atypically make it to the "big time" with a hit record.

Hanks succeeds on all levels as Director, Screenwriter, Actor, and Producer, resulting in the official formation of "Playtone" two years later (named after the fictional record label portrayed in the film), that continues to make him some serious "scratch".

'That Thing You Do' is a contagiously likable and fun film to watch, and for baby-boomers a must-see.

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I didn't see That Thing You Do (TTYD) when it came out, and it's too bad. This movie will--strange to think--rank up there with "Stop Making Sense" as a classic concert film. Interesting that 1) they're not really comparable, since SMS is real concert footage and TTYD is a mockumentary, and 2) Jonathon Demme is in TTYD!

Is this a timeless movie? Close. Darn close. What's great? Actually--almost enlightening--Hanks' writing is really quite wonderful. The dialog is almost a rare example of direct, effective, "connecting" film writing. The casting, directing, and acting is great. The editing is very effective. The sets, costumes, general "look" is a delight. The music is very, very effective. So much subtle craftsmanship goes into stuff at the right levels of detail, that you might accuse the film of failing to be like a genuine "rock 'n' roll experience" because it's almost too crafty. But I think they pull it off.

What's wrong with the movie? Not much. The ending flags a little. The pre-credits posting of thumbnail future bios of the characters is a cheap device; but again I think it doesn't eclipse the power of the mythic payload (the moral) which ultimately has to do with the power of love. And I don't say that in a wishy-washy sense. What is love? According to this movie, it's that multi-dimensional experience which includes not just finding "that special someone," but also finding your path. It reminds me of an exchange I had with a work buddy who hoped to write "that big hit tune" and retire early. I loaned him a record by Fred Frith, which put him off entirely. "This guy won't ever get anywhere," he said. But I patiently explained that he (my friend) and I get up in the morning and go to our corporate jobs. This guy (Frith) gets up and goes to the studio. Who's the success? That's a big life lesson, and I think this movie nuances that very effectively. It can even translate to any of life's pursuits, not just music.

I found myself being continuously delighted by this film. At the risk of sounding like a green ass, I want to plug this film's attention to a time-honored aesthetic virtue: Hard work. This film is a labor of love, with equal attention to the inspiration AND perspiration.

I can't believe how much I like this movie! I feel like a bobbysoxer saying it! I resonated with this movie on many points. Let me give you one example. I was in a little band once and was something of the "muse" of that band. Something I always marveled at was how "the creative process" people talk about is actually a very simple and practical reality when you're actually being creative. One of the sweet, simple high points of working up a number is the act of picking the tempo. If you've ever done this, you know what I'm talking about. Picking the tempo is a profoundly rewarding act, and of course that's just one small aspect of the process. So the scene near the beginning of the flick where the drummer overrules Jimmy and establishes an uptempo beat to what was supposed to be a ballad is a profoundly resonant moment for me. And the direction and editing bring together an almost perfect picture of the very real and profound joy that this brings to people.

There were many, many moments in this movie that affected me in much the same way. If you haven't seen it and you love "concert films," check it out.

(NOTE: I wrote a little "trip guide" to TTYD!, which can be found at: http://www.ronazajac.com/That_Thing_You_Do_Comments.pdf . Hope you find it useful. -raz)

I remember when I first saw this in the '90s and thinking, "Wow, what a shock: a modern-day movie with no no villains, no nasty people and nary a cuss word." I kept waiting for that stuff, and it never appeared. It also has a nice sentimental ending.

The story is a simple one about a group of average guys who form a band and become one-hit wonders.

Tom Everett Scott, a young Tom Hanks-lookalike, is an appealing lead and Liv Tyler looks very, very pretty in the female lead role. The band in this almost-old-fashioned musical, is good to hear, too. They are a throwback to the old movie musical days of Mickey Rooney and Judy Garland. Yes, you hear the same song (the movie title) over and over but's a great song which is very catchy. The rest of the music is decent, too.

Speaking of Hanks, he plays the promoter of the group. It's not a huge part but Hanks, as always, is entertaining. The whole film is, and, is refreshing to see.

"That Thing You Do!" is a perfect film about a group of guys in the mid-1960's inspired by Thelonius Monk-type jazz and Beatles-esque pop music. With one hit single, they are catapulted to clean-shaven, teen idol stardom. The band "The Wonders" could easily have been the 60's pop group "The Turtles" or "The Beau Brummels." The film's plot is fairly simple, yet it doesn't veer off into the typical VH1 Behind The Music avenue of excessive sex and drugs. Matter of fact, they aren't even mentioned. Written, directed and starring Tom Hanks, "That Thing You Do!" is honest and easily palitable for younger audiences. It rarely strays away from its theme: The climax and downward slope of musical fame. Viewers can also appreciate several 60's pop culture bones, thrown by Hanks himself to a nostalgic audience of youngsters such as myself. Plot occassionally gives way to hype and music, but that's okay. I was sort of looking for that. I really appreciated the "The Wonders" drummer relationship to "Dell Paxton," a jazz musician that's obviously a Thelonius Monk reference. Check them out jamming together during the third act of the film. Now THAT'S what I call truly remarkable music. The song "that thing you do" could easily have been a number one single in 1965. It's a simple, hook-laden piece of popcorn that's catchy on a near paranormal level. It was written by members of the modern pop/rock group "Fountains of Wayne." One can only wish for more music such as this today. There's enough innocence in it to guarentee parents' wide-eyed approval ... and just a bit of angst to attract the attention of hormone-raging teenagers the world over. Definetly an excellent movie for your shelf ... right next to your DVD copies of "A Hard Day's Night" and "The Beatles Anthology." Also ... check out "The Beau Brummels." Rhino Records has issued a great best-of package. One has to wonder if Tom Hanks had them in mind while writing the script. They had a few hits, though none will be as remembered as the poppy "Laugh, Laugh." A true gem from 1960's rock 'n roll.

My guess is that Tom Hanks is a really nice guy. He certainly seems like it when he's interviewed, and since he wrote and directed this movie, and it's really nice, too, that seems to be more evidence.

This is a very small movie. It has no pretensions, but just tells a simple story about a small-town band that makes good. It paints a nostalgic picture of the 60's -- I grew up in a small town during that time, and life wasn't so idyllic in my town -- but it isn't trying for gritty realism. The cast is attractive and more than adequate (some are quite good, including Hanks as the band's manager), and the story is observant enough to be an enjoyable confection. It's very nice family movie (my kids liked it, and so did I).