Suwarôteiru

I read through the comments on this film, and was not surprised to see that some people did not enjoy it. That, in my case, is always the sign of a truly great, immensely artistic film. I'm sure it bored some people to tears, confused others, and downright p***ed off a few.

I loved it. I enjoy foreign films, especially good asian films. I loved "In the Heat of the Sun" and "Made in Hong Kong", but this is probably my favorite out of all of them. It's close to the best thing I've ever seen. I like the style, I like the fact that it's in three languages, and I even like the fact that some in the cast were not speaking their first languages. I think that fit into the message of the film, which is that everyone there was in some way or another displaced. I think the idea of a movie about immigrants trying to fit in where they're not wanted is perfect. I think that the speech by the non-English speaking white guy who has never been to America was the summation of the whole film, and Glico's rendition of "My Way" was its heart. Absolutely beautiful, it encompassed so many different aspects of Japanese film-making, and put unique twists on all of them. Excellent movie. If you find it somewhere, watch it. If you're disappointed in the film, sell it on Ebay. If you post it enough times it'll be snapped up by somebody.

It is a horrible shame that this film has never been released in the United States- I shudder to think how many other films of this caliber I will never see just because Americans hate subtitles. If you are reading this- FIND THIS MOVIE right now!!! Inport it!!! It's worth it, I promise!

This is really an intense masterpiece. Not only its length of more than 2 1/2 hours, but the carefully developed characters and the twisting story qualify it for a top rank in movie-history. The story itself takes place in the outskirts of Tokyo where a lot of non-japanese people live, looking for the fast Buck (or Yen), for returning home rich. To tell more of the story would be unfair, but be assured it consists of violence, romance, hope and (best of all) the Japanese singer Chara performing "My Way". This is the kind of movie leaving you more than once with a big smile in your face and tears in your eyes, just because this moment is so...I don't know...joyful. Watch it!

This is not anything like Iwai Shunji's "Shigatsu Monogatari", with its rather innocent themes and situations. In contrast, "Swallowtail Butterfly" jumps right in with stylized shots of destitute living, seedy shantytowns full of drugs and prostitution, and somewhat gratuitous violence. It was surprising that more than a third of the dialogue was in some form of English, seeing as how the Yentowns all seemed to come from the lower rungs of their respective non-English-speaking countries (i.e., those not able to attend English classes at the grade school and higher level), excepting of course the American boxer. How ironic that they managed to speak better English than most Japanese who have taken several years of English in school. The non-English-speaking white guy was an interesting touch, as was the casting of Yosuke Eguchi as an ethnic Chinese gangster. By far the most confusing characters were Yamaguchi Tomoko and Watabe Atsuro, cast as some sort of foreign (US?)-trained counter narcotics operators. Obviously, such a "black" unit would not be politically viable in Japan, hence the presence of an American-accented squad leader and the exclusive use of (bad) English between Yama-chan and Watabe-kun. I realize that their main objective was to terminate Rianki's counterfeiting ring, but why would they do it by helping Yentowns scam millions of yen from cash machine owners? Don't even get me started on the impossibility of taking out a target on a moving train. Surely, Iwai Shunji's watched "La Femme Nikita" too many times, but even Luc Besson wouldn't have one of his characters pull off such an impossible objective. Overall, the movie was depressing, enlightening, sad, disturbing, and in some ways entertaining (Tomo-chan's scene with the anti-tank weapon was immensely funny). Did i like it? Well, yes.

Simply Brilliant. One of my favorite films of all time. Incredible sociopolitical backdrop, incredible array of characters, incredible diversity of situations, styles, nuances. I love and adore this film from the gut to the heart to the mind. On every level it hits a nerve, and my only regret is that this hefty piece of work isn't longer still because the characters get so far under your skin and burrowed into your soul that when the credits roll you feel as though the vacation has come to an end and you're bidding your friends farewell.