Viaje a las estrellas: Primer contacto

Probably my favourite film of all time. The thing about First Contact is that it's not just about Star Trek. If you don't like Star Trek but can live through the first 20 minutes you'll find a gem of a movie which is as much about the future of humanity & an invention so wonderful as it is about Yet More Star Trek Plot.

Warp Speed - they've been saying that since Captain Kirk. But how did it happen? and why might it all not happen, our future could be in ruins and one flight of one makeshift spacecraft some time after world war III will make all the difference.

The on-screen relationship between Picard & Lily is totally magic, as is the relationship between the Enterprise crew members - you get a sense of team, of family.

First Contact is one film I enjoy watching again & again. The flight of the Phoenix is one scene I totally love, along with the end scenes.

The only sad thing about the movie is that you come away and deep down you know there is no Cochrain, no FTL engine around the corner. Well, not yet!

"I envy you, the world you're going to" "I envy you, taking these first steps"

'Star Trek: The Next Generation' may not be quite as influential or as ground-breaking as the original 'Star Trek' series (though it certainly has those elements), but quality-wise it is every bit as good with a few improvements.

The first "Next Generation" 'Star Trek' film, 'Generations', was to me not that bad but was frustratingly uneven (namely the treatment of Kirk and the emotion chip subplot). The next film, 'First Contact', was a significant improvement and highly deserves its reputation as the best film based of 'The Next Generation' series and one of the best 'Star Trek' films overall. Giving some of the supporting characters, like Worf and Crusher, more to do rather than giving them little screen time and not having them do much, was pretty much the only thing that 'First Contact' could have improved on.

'First Contact' is one of the best looking 'Star Trek' films, feeling more expansive and cinematic and benefiting from significant technology advances. The cinematography is intimate, colourful, brooding and immersive, while the sets rich in detail and the special effects are first rate with a real sense of awe. Bringing Jerry Goldsmith back was a good move, and he and his son Joel produce a score that's rousing, haunting, menacing, melancholic and sometimes even pastoral. Oh and the main theme tune is a classic.

Writing-wise, 'First Contact' is one of the best written and balanced of the films. The humour is genuinely funny and sometimes affectionate with the in-jokes, the emotional moments have real poignancy and a grandiose sweep and there is a real tension at times too. The story is perhaps the best paced, with no wasted or extraneous scenes and the one that gets to the point the most. The action is simply thrilling, and while some characters are underused there is still some interesting character development and interaction, namely a more conflicted Picard (in a way that's reminiscent of Captain Ahab), the scene between him and Lily and Data and the Borg Queen.

Patrick Stewart gives his most intense and moving performance of all the 'Next Generation' films, and still has the commanding presence and the dignified gravitas. Brent Spiner is strong too, and he is much more restrained here with Data significantly better written. Jonathan Frakes is compelling as Riker but does even better in the director's chair, he doesn't lose any of what makes the series so great in the first place or what makes it so influential while showing some freedom to show his own style and open things up.

Alice Krige is on seductive and deliciously slimy villainous form, while the Borgs are genuinely fearsome even now. James Cromwell and Afre Woodard excel in atypical roles to the work they're best known for, Cromwell in particular.

In conclusion, first rate and a high point of the 'Star Trek' franchise. 9/10 Bethany Cox

The new crew takes on the great villain of the new era, the Borg. The Borg have sent one cube and the Federation is gathering a force. On the other hand, the Enterprise is told to patrol the neutral zone with the Romulans. Starfleet Command doesn't trust Captain Jean-Luc Picard. When the battle goes badly, Picard disobeys orders and returns to earth. The Borg cube is destroyed but a small ship escapes. The small ship travels back in time changing the present and the Enterprise follows them to repair the damage to the past. They travel to 2063 when Zefram Cochrane (James Cromwell) is about to make first contact.

A working knowledge of the Star Trek world is beneficial. It's a good thing that the filmmakers have figured out that a movie requires the greatest villains and the Borg is definitely one of the most compelling. It has a few laughs at the right time. It touches some profound literary concepts like Moby Dick. The space walk combat is cool. Jonathan Frakes takes the directing helm and he does a reasonable job. The story is the star here.

The next generation crew of the Enterprise star in their best movie. Picard and his crew hitch a ride back in time to save the Galaxy from being infested with Borg, by saving the drunkard who invented Warp Drive from being killed by the Borg. This Star Trek movie is nuanced enough for the 'trekkies' to get into, while still being very accessible to the rest of the cinema going public. Johnathon Frakes, for all of his smarmy, cocky demeanor, still I have to admit that he hits a home-run in this initial outing (now his "Insurection" is a whole nother story, one for a different day) This film is action-packed, features good performances, and is just plain fun. All those aforementioned traits easily puts it among the top echelon of Trek films.

My Grade: B+

DVD Extras: Disc 1) Commentary with director/actor Jonathan Frakes; Second commentary with writers Brannon Braga and Ronald Moore; Text Commentary with Michael and Denise Okuda Disc 2) 12 featurettes (Making 'First Contact', The Art Of 'First Contact', "The Story, The Missile Silo, The Deflector Dish,From 'A' to 'E', Jerry Goldsmith: A Tribute, The Legacy Of Zefram Cochrane, 'First Contact': The Possibilities, Unimatrix One, The Queen, and Design Matrix); 3 Scene Deconstruction;Storyboards, Photo Gallery; Teaser & Theatrical Trailers; and Trailer for the Borg Invasion Hilton show in Vegas

3 Easter Eggs: In the Main Menu, click on the sun for a list of all the alternative titles considered; In the Star Trek Universe menu highlight a circle for an interview with Ethan Philips; In The Borg Collective menu highlight a circle for an interview with Alex Jaeger

Many of the Star Trek Films have relied heavily on character interaction, dialogue, and suggested events to tell the story. Star Trek: First Contact breaks from this tradition by producing a sharp, fast paced action film that never relents from beginning to end. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. The result is one of the most satisfying films in the series.

Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. Krige is confident, convincing, and absolutely threatening in her performance, and seems to almost border on a character from a horror film. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. The design for both the Queen and the rest of the Borg is unsettling, and the story line and history of this race serves to illicit an emotional continuity between the events in the television show and the films.

Star Trek: First Contact probably has the widest appeal of all of the episodes, in much the same way as Star Trek IV: The Voyage Home did in 1986. It is action packed, filled with decent visual effects, clearly plotted, and supplies a threatening villain. This is definitely the best Next Generation film to date, and one of the strongest movies in the entire series.