Larry Flynt. El nombre del escándalo

Before watching this movie, I had nearly no idea who Larry Flynt was. I read a quick summary a few minutes before watching it, but I hardly knew any specific details. After watching it, I know exactly who he is, and what he stands for. He stands for freedom of speech. Some might call him a pervert. Others call him a patriot. I believe he is the latter. While I don't know the exact story of Larry Flynt from any other sources than this movie, I don't know if it's completely accurate. The plot is great, for a biographic piece, the acting is superb, by most actors, especially the three main characters. Most of the cinematography fits the movie perfectly. The only thing that bothered me a little, was there was relatively little information about why Larry Flynt did what he did, believed what he believed so strongly. I sympathized with his character in several scenes, but I never fully understood him. The director should have had at least a few more emotional scenes with Larry, to explain his actions better. Overall, a very good drama. Recommendable to most fans of the genre, as long as they can stand what the movie shows them. If you have an open mind, you're not too easily offended and you're into autobiographical dramas, this is a good film to watch. 8/10

Idealized biography of Hustler magazine mogul Larry Flynt (played superbly by Oscar nominee Woody Harrelson) which finally ends up focusing on his legal battles to publish his pornography via the free speech laws of this land. Along the way he marries a bisexual wild woman (Courtney Love) who shares his unconventional views on free love, priced pornography and drug abuse. The character also survives an assassin's bullet, paralysis, imprisonment, endless court battles against the Reverend Jerry Falwell and even his own destructive nature. Edward Norton (a relative newcomer when this was released) shines as Harrelson's young attorney who tries to overlook and overcome his client's tirades. Director Milos Forman (Oscar-nominated) does a good job creating a cinematic story about a man who is hard for most in mainstream society to understand or relate to. Flynt is humanized and so are those who cross his path throughout the picture. The movie is not as wild and crazed as one would think. Instead Forman uses well-timed comedy with drama to get the major points across effectively. Overall one of the better films of 1996. 4 stars out of 5.

As Larry Flynt is hardly the usual type of person you think of when you think of the word "hero," it's fitting that this biopic opts not for the standard approach, but to make an offbeat comedy(as writers Scott Alexander and Larry Karaszewski did in their screenplay for ED WOOD and the upcoming MAN ON THE MOON, about controversial comedian Andy Kaufman). You may not like him(and one of two faults I had with this film was I think the filmmakers lionized him a little too much), but certainly any society which calls itself free needs to make room for him. Harrelson does a good job in the title role, but the real force for me came from Courtney Love, in an astonishing performance as Flynt's wife, and Edward Norton, one of the best new talents, as Flynt's reluctant lawyer.

Besides that it does lionize Flynt a little too much, there is one problem I had, though. If you believe the film, all of Flynt's opposition came from right-wing blowhards like Charles Keating and Jerry Falwell. Certainly, they did have the most publicized tussles with him. But to ignore the problems he had with feminists makes it rather limited. I don't agree with Gloria Steinhem's contention that the film ignores his depraved side, but I think the film would have been more interesting if it had addressed the opposition he had from both the left and the right. Still, this is a terrific and important film to remind us what freedom really is.

THE PEOPLE VS. LARRY FLYNT (1996) **** Woody Harrelson, Courtney Love, Edward Norton, James Carville, James Cromwell, Richard Paul, Crispin Glover, Vincent Schiavelli, Miles Chapin, Brett Harrelson, Donna Hanover, Norm MacDonald. Superb biographical account of smut publisher Larry Flynt (portrayed by Best Actor nominee Harrelson in arguably the role of his career) whose bouts with the courts regarding libel, pornography and ultimately first amendment rights to the freedom of speech are captured like a tempest in a teacup that depicts the rise and near fall of Flynt (who was paralyzed in an assassination attempt) and the uncomparable love affair with his doomed yet dedicated wife, bisexual, drug-addicted and tragically AIDS afflicted wife Althea Leasure (Love in a toweringly brilliant turn at acting that deserves all the recognition she mustered) who stood by her man as she withered away. Funny, insightful, important and some masterful filmmaking overall thanks largely to the cleverly constructed screenplay by Scott Alexander and Larry Karaszewski ("Ed Wood"), costumes by Theodore Pistek and Arianne Phillips, and all too believeable production design by Patricia von Brandenstein. And yes that is real-life Flynt as one of the judges passing sentence and yes it is real-life brother Brett of Woody playing siblings. Kudos to Best Director nominee Milos Forman (who was sorely passed over in the Best Picture nomination as well as practically getting shut out come to mention it) for pulling off a difficult hat trick: making scum respectable.

Oscar Winning Milos Forman's The People Vs. Larry Flynt is a fascinating (if not too trashy) look at how without the first amendment, people like Flynt would not exist. We see an expose on the man, myth and legend of master porno publisher Larry Flynt (played to damn close perfection by Oscar nominated Woody Harrelson) who releases Hustler (in my opinion the best porno mag ever, but that's just me) and gets severe backlash from censors, church people and just people in general. But, we see his struggle to fight back at any cost (even his legs) to send a message- just because you don't like doesn't mean you can't let me publish what I want. Forman directs this pumped drama with 5-star performances from Harrelson, Love (as the tragedy queen girlfriend) and Especially Norton (as the suffering yet compelling lawyer). Never ashamed and always On the edge, this film has a place not only in film history, but in Hustler magazine's also. The real Flynt appears as a Cinncinatti judge and Norm MacDonald appears as a reporter. A+