Omega Doom

In a dark and dismal world, Rutger has obviously found passage through a land of endless fatty food buffets. This movie was bad enough on its own, but add a nearly comical robot to be cut to pieces, a gun, a bunch of women borrowed from a Robert Palmer video set (and almost as active), and a waddling Rutger Hauer; what do you have? Something Troma would have refused to release on their Sex & Violence office webcam.

After a nuclear war that desolated the planet, just robots and machines got to survive. Old and rusty, the group of cyborg usually gather themselves into gangs and the confronts are inevitable among them.When Omega Doom, a machine programmed to protect the innocent ones, arrives in the small villa and starts to help the place's oppressed inhabitants, he ends up provoking the hate of the villainous, and it doesn't take a lot of time for the hero and the evil robots to start a private, violent combat. Using the experiences and abilities acquired in the war, Omega Doom will do everything to help his friends and, by using his high capacity, he will put an end to the tyranny. A low-budget thriller directed by Albert Pyun, a film maker who is specialist in making science-fictions (Pyun is responsible for others interesting motion pictures, such as "Nemesis" and "Crazy Six"). The dark photography combines with the slow and pessimistic story's climate,but there is no action scene (this is a small bad aspect, but for those who like to see adventure moments' "Omega Doom" isn't a good choice), and Pyun substitutes the shootings and fights for surprising dialogues and discussions about pain, happiness and freedom.Even being tedious, there are qualities, as the exuberant visual that composes a frightening, lonely and violent image of the future, and the contained Rutger Hauer's performance.

Man-o-man does this movie suck a whole lot. It is so bad that its worth watching to laugh at it and pull an MST3K with friends. I don't know if its important or not, but the plot was lifted from Yojimbo and crunched into one day's time.

Nah, I don't think it's a horrible movie. Sure it lacks a lot of action that movies of the period had, but I never thought of this as an action movie anyway. It seemed to me to be more like a comic book/graphic novel meets 70's samurai movie meets spaghetti western. Despite the obvious overarching situation (apocalypse, possibility of humans returning, obvious society gone to hell), it pretty much all but ignores that and focuses on the problem at hand: ridding the robot town of the "bad guys." It ends with a sense that Omega Doom has really done nothing more than put a band-aid on the whole situation, but his actions are more along the lines of self-preservation than anything else. He just showed up for a drink and gets sucked into a fight. That's how pretty much any of the same genre starts. Someone comes along, wanting to be left alone, but some dumb schmuck picks a fight and then our hero has to teach them a lesson. Nothing is resolved, the world is still as crummy as it ever was, but the hero gets to get back on the road in one piece. Lather, rinse, repeat.

That's why this kind of movie appeals to me. I don't think it's boring or a waste of time. It's interesting enough in it's hopeless nothingness. I don't always want to see a happily ever after ending or some Matrix-y, save-the-human-race type of fight. Those are a dime a dozen. That's what has always appealed to me in old samurai movies, though those tend to focus more on making things better. This movie was very reminiscent of Philip K. Dick stories: bleak futures with small stories that just are what they are.

Of course this kind of movie doesn't appeal to everyone, not by a long shot. I think my little brother fell asleep. Van Damme movies were more his thing. Lots of fight scenes and the bad guys get their due. Not that I don't like those movies, I do. It's just that something of the type of movie that Omega Doom is, is a breath of fresh air. There's a pointless despair to it that I enjoy. Something is done, and yet it isn't.

Also, I know the special effects are bad, but I honestly thought it was an 80's movie. I was surprised to see 1995-1997 as a release date. I think it's much better thinking of it as an 80's movie if you're the type of person who just can't get past special effects not being as good as LotR or Star Wars.

So this gets 6 stars from me. Not the greatest, but not the worst. Despite IMDb's plot description, it doesn't try to be anything other than it is, it fulfills my comic book/graphic novel pleasures, and I much enjoyed some of the talent in it compared to, say Van Damme.

Most people would tell you that this flick stinks because it's got poor special effects or the plot seems to be vague. Frankly, you can't judge it next to A-list movies. It's not an A-list movie. What it is though, is a remarkable story with some interesting film tricks to get around its obvious low budget.

In Canada we have a TV station that happens to play independent Sci-fi flicks on weekends and Omega Doom caught my eye because it has Rutger Hauer in it. I figured I would turn it on, have a good chuckle at a plotless flick with a good actor and was surprised to see an intriguing situation of the "Omega Doom", Guardian Angel (Hauer) being feared by others of his kind. That and he has a wicked looking sword...it's like the line in the Simpsons when Homer says "but that little guy hasn't done anything yet, you know he's gonna do something and you know it's going to be good."

While you wait for him to do his thing, the other characters are introduced, the war is explained...and frankly, by then I was salivating. You just *know* who he is. Finally, Angel begins to do his work. The film work is well done, and despite what has been said above, Hauer did his own stunts. And for you Ladyhawke fans, he performs the sword-throwing trick again.

It's also a very good example of a short story brought to life. It could work well on a stage, too. The acting is very consistent and the dialogue, while sparce, doesn't betray the characters. The only thing I didn't like was the bartender singing Joy to the World at the end, but it's okay, because the conversation between Zeke and Angel at the end nods at the idea that life is about waiting, knowing when to act and when not to.

If you are looking for an A-list movie, go to your local theater. If you want to see something quaint and intriguing, watch this. Just don't raise the bar too high...that wouldn't be true to the flick. It's an excellent B-movie, and something good to write a paper on!