Infierno ocasional

film is aptly named because once in a while you come across a film which provides an occasional hell to have to watch...actually this one would be highly recommended for viewing by an arborist- wooden plot, wooden script, wooden acting, etc, etc, etc....I like tom berenger, but this is the equivalent of painting by numbers on steroids...and not even the nude scenes can help this turkey, but I can highly recommend it if you want to have a nice nap mid-movie, then wake up not feeling as though you missed anything...berenger's imaginary visits by the female missing from the crime scene are particularly annoying and ridiculous and add absolutely nothing to the plot...all in all such drivel that I was compelled to stop watching a little over halfway through, which after reading the reviews, turned out to be a wise move...the people advocating this disaster as a triumph are in need of god knows what, but taste comes forefront to my mind

BUT - I wanted to thank John Gartner of Portland for his hilarious (and sometimes educational) comments!

I'm not sure which Berenger film I saw first, but he has warmed the cockles of my heart (to be genteel) from the first. In this flick, the shot where he reveals to his lover the dirty little secret underneath his shirt was worth the whole movie! - See, we gals can salivate over just a hint of the rest of what's there - or maybe it's just me, I'm an easy mark for a certain type of... ahem... torso, shall I say? But I'll never understand why guys are even attracted to that Daisy Mae-type critter - so obvious, so over-the-top; and here, she was really, really annoying, and just wouldn't go away! I, for one liked Berenger's deceptively easy-going southern man characterization. It doesn't have to be revolutionary if it works. As for his crying scene, I didn't think it was bad at all, as it was sudden and unexpected. To me, it was his lover's reaction that came across as forced and unconvincing.

What I like about this actor is that he often plays roles as what I consider a real man - he's a man's man, yet fully capable (sooner or later, often gradually) of connecting with a woman in a palpably tender way. If you think about it, there aren't many actors who can achieve this. They're either too intense at being tough to switch gears believably, or they're too obsessed with being proper at all times...sorta like a lot of actual people...

So, I guess I'll not heartily defend the script or the plot, etc., but I will vouch for Tom Berenger. In my book, he reliably adds quality to any film.

I've seen Valeria Golino in comedies, but till now not in such a film. In this film she shows what an allround actress can. I was deeply impressed by both of the players, Tom and Valeria. It's a pity that I didn't see the full length of the film, but it held me in my chair from the beginning to the end. My advice: See the movie.

Tom Berenger portrays a college professor who returns to his former line of duty as a detective when Valeria Golino hires him to investigate her husband's death. Berenger's character suffers from old wounds which inhibit his abilities and also induce some weird hallucinations.

So so mystery-thriller benefits heavily from Tom Berenger's outstanding performance as the tragic lead character. Too bad the script and bland direction couldn't do better, this is standard mediocre fare all the way. Robert Davi does a good supporting job, as does Valeria Golino. They all deserve better.

This is not a stellar performance by Tom Berenger. This obvious low-budget movie does not make an impression. The plot seems to have many holes and the story line never really comes together. Berenger, a former cop, and now college professor is lured into finding the killer of a woman's husband and also tries to find the husband's lover. The movie's flashbacks are confusing and never make things that clear. The movie jumps around too much and it never gives the viewer a chance to get comfortable with any one character or situation. This movie falls short of expectations and is one of Berenger's saddest roles and performances. He never seems to be comfortable with his character and it seems way too obvious in this movie.