Mask of Death

There are two things about "Mask Of Death" that will probably throw off a lot of potential viewers. The first is that this is a Canadian film, and the second is that it's a Lorenzo Lamas film. With each of those kind of films, quality is hard to find at times, so a combination of the two may sound deadly.

However, I found the film to be surprisingly watchable. The production values are definitely above average. While the movie never looks lavish, it is acceptably slick-looking and never looks seriously cheap. There is also some camera work that you usually don't get in a movie like this.

The plot will seem familiar to a number of viewers, but it's handled in an acceptable fashion, never being executed in a way that will make viewers groan. The hero does face a number of complications, and they are handled believably. The plot is also handled in a tougher than average way - there is some effective brutal violence that gives this telling of the story a hard edge.

As for Lamas... most of the movie has his character acting in a cold and detached way, so his unemotional way of acting actually fits a lot of the time. However, I will admit that when his character does have to show strong emotion (like rage), Lamas is very bad. But this was a minor quibble; I was never bored by the movie, and it passed the time well. It may not be a movie to seek out, but on a lazy weekend it will do its job.

An average effort by action hero Lorenzo Lamas. This movie is just another example of the stereotyped role we've come to associate with him: slick hair, sunglasses, black leather and boots, fearsome. I thought the role reversal from the ruthless criminal to the more sensitive cob, and vice versa, was a big flaw. The intention was good, but somehow, between Lamas's lame acting and the more than shallow script, everything fell apart. This movie was was lame and boring. I'd expected more from it, particularly with famed actors such as Chong and Star Wars hero Billy Dee Williams. Wave this one goodbye before you've even said hello.

MASK OF DEATH is a well-made thriller from Lorenzo Lamas' career as a staple player of the golden days of direct-to-video action fare. It's basically a remake of Chuck Norris' THE Hit-man, and I'm surprised to say that the Lamas flick is the superior effort of this sort of storyline. With that said, it's not a fantastic action film, and that's what brings down my rating: if I could value low-budget storytelling over fistfights, this one would have a four-star rating, but as it stands, MASK OF DEATH is missing the one crucial element to my idea of a good mid-90s action flick.

The story: After his wife is killed in a criminal deal gone wrong, Officer McKenna (Lamas) is declared dead but instead undergoes plastic surgery to disguise himself as a hit-man killed in action. Going undercover, McKenna infiltrates the dangerous underworld to bring a cruel mobster (Conrad Dunn) to justice.

The script is penned by a writer with little apparent experience (R.C. Rossenfier) and by high standards probably isn't all that special, but I like how it goes more into the mindset of Lamas and the ethical problems he faces in this situation than the aforementioned Norris picture. Lorenzo Lamas isn't a fantastic actor but he makes the most of this role while staying within the macho archetype. There are some surprisingly well-staged parts here, like the interrogation scene in the middle of the film. Additionally, I appreciate the casting of part-time action lady Rae Dawn Chong as McKenna's ex-partner: it's not a fantastic role, but it allows her to play a tougher character than she usually gets to, one who gets into fistfights and car chases and crashes.

As that last line indicates, the film is far from action-free but, it's too little and too impersonal for my tastes. There's a speedboat chase, two car chases, one shootout that Lamas is barely a part of, one bad hand-to-hand fight, and an instance wherein Rae Chong fends off an assassin with a towel, a jar of paint, and a wrench. Most of this passes as fairly big-budget stuff and would be at home in many a Hollywood feature, but it's just not what I'm after. There is plenty of opportunity for more karate and stylish gunfighting, but apparently the film was geared towards generic action to tide over the ultimately good story. It's disappointing and keeps the film from attain a four-star rating, but I don't think everyone will be bothered by it as much as me.

Basically, Lamas fans - especially those of his TV show - can feel free to check this one out, and potential fans who want to acquaint themselves with Lorenzo via a slightly sophisticated vehicle might as well seek it out too, but everyone else ought to settle for happening upon it on TV someday.

This movie sets a bad example for society. In "Mask of Death" shallow, ruthless characters hurt other people just to succeed. It's another lame story about greed, money and power. There's an excessive amount of violence and the characters are underdeveloped. The bad acting and direction don't help the movie either. The whole movie is typical low budget trash and has nothing that makes it worth watching.

(1995) Mask Of Death ACTION

Straight-to-rental action cheapie vehicle starring Lorenzo Lamas playing two roles- one as Detective McKeena and the other as bad guy hit man Lyle Mason. Anyways, as a result of a botched exchange between two criminals regarding a gov't chip, Mason escapes by boat with Billy Dee Williams character as the FBI agent in charge of the whole operation on his trail by means of helicopter, but he had to be flown down because it was shot at. And while escaping by boat to a local beach where the McKeena coincidentally happened to be at gets caught up in the middle resulting his wife to be killed during the crossfire by one of the two escapees. And if that wasn't enough a car crash ensures with one of them getting away with the chip on his hand, the Billy Dee Williams character then forces detective McKeena while still recovering in hospital to pose as the bad guy Mason since he looks similar to him even though the real one has been shot dead. The rest of the film dwells on this point whether he can get away with this new undercover disguise or not, except that it's so badly made- no one really cares. .