Maachis

... noone gains anything out of terrorism! And no better movie to portray this stark reality than Maachis! It truly depicts the circumstances that have forced many-an-innocent and ordinary men and women into terrorism in Punjab and Kashmir only to be slain by the police and/or by their own counterparts. The mixed feelings of a person on the borderline of becoming a terrorist are brought out beautifully. Except the part about how Kirpal Singh is finally caught, a very well made movie!

I was born in India, but have been in the United States for the last 15 years or so, I am 26 years old. This movie is excellent in helping you understand the political situations that exist in India. Even as a young kid, I remember situations like this and this movie does a great job depicting them. I just wish the Indian boards would view this as an artistic point of view and stop the censorship. Although, sometimes they cannot be blamed, because the people tend to follow the indian cinema more than common sense.

Gulzar's 'Maachis' depicts the tension and terror in Punjab post the 1984 riots. During this period tension exacerbated as terrorist actions took place and alleged suspects were tortured and murdered during fake encounters. 'Maachis' follows Kripal and Veera as circumstances force them to walk the path of crime. Poet that he is, Gulzar's storytelling is lyrical and this effectively highlights the harsh irony and tragedy of the situations. Not for one moment does the story feel unreal.

The sets and costumes look authentic. The landscape is brilliantly captured. The cinematography is superb. Manmohan Singh makes efficient use of the camera as he alters between various techniques such as long shots, static and hand-held. Vishal Bharadwaj's score (that includes Gulzar's own lyrics) beautifully contributes to the film.

The performances are topnotch. Om Puri, Raj Zutshi, Kulbhushan Kharbanda, Suneel Sinha and Jimmy Shergill are excellent. Chandrachur Singh is very good. But, it is Tabu who steals the show with a transcendent heartbreaking performance. Even in the simpler moments, like a particular scene during the song 'Paani', within seconds her face subtly changes from smile to tears and it looks so natural.

1996 saw at least four other such cinematic treasures in the form of Shyam Benegal's 'The Making of the Mahatma', 'Sardari Begum', Mahesh Bhatt's 'Tamanna' and Sanjay Leela Bhansali's 'Khamoshi: The Musical'. During a time when Bollywood was churning out trash, few directors like Gulzar, would give us some gems. I wish he would make a comeback like Shyam Benegal.

This movie is gulzar's most personal film till date. It depicts the terrorism in punjab after Mrs.Indira Gandhi's assassination. Chandrachur singh gives a fantastic performance as a young man who is forced to join a terrorist group run by kulbushan kharbanda and om puri. Its hard to believe that this was the first film of chandrachur singh. Tabu gives a performance which changed her career. She got a national award for this film. Om puri, raj zutshi, jimmy shergill and kulbushan kharbanda give superb performances in the supporting cast. The screenplay/story/dialogues are written by gulzar. As with most gulzar's films , maachis too has story told in form of flashbacks. The script is very engrossing and does not let the viewer move till the end. This movie was banned in some places in punjab & kashmir. It was also send for a re-censor. A cinema hall strike in january 1997 and good publicity of songs meant that this became india's second biggest word-of-mouth hit. This record was only recently beaten by "Satya". The first one being "Sholay". Gulzar won filmfare award for Best story and Best dialogues. Gulzar also won a national award for the most popular film of the year. This is a must see movie. Like most of gulzar's film this is a CLASSIC.

Made on the pathetic political situation in Punjab state of India, this is an excellent movie to watch. Though hampered by Sensor boards narrowmindedness, it is an almost cruel depiction of the reality of Punjab.