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IMDbPro

Lilies - Les feluettes

  • 1996
  • R
  • 1h 35min
CALIFICACIÓN DE IMDb
7.4/10
3 k
TU CALIFICACIÓN
Lilies - Les feluettes (1996)
CrimeDramaFantasyMysteryRomance

Agrega una trama en tu idiomaWhen a bishop comes to a prison to hear the confession of an old friend he is forced to watch a play, performed by the inmates, about their youth together, love and betrayal.When a bishop comes to a prison to hear the confession of an old friend he is forced to watch a play, performed by the inmates, about their youth together, love and betrayal.When a bishop comes to a prison to hear the confession of an old friend he is forced to watch a play, performed by the inmates, about their youth together, love and betrayal.

  • Dirección
    • John Greyson
  • Guionistas
    • Michel Marc Bouchard
    • Linda Gaboriau
  • Elenco
    • Ian D. Clark
    • Marcel Sabourin
    • Aubert Pallascio
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    3 k
    TU CALIFICACIÓN
    • Dirección
      • John Greyson
    • Guionistas
      • Michel Marc Bouchard
      • Linda Gaboriau
    • Elenco
      • Ian D. Clark
      • Marcel Sabourin
      • Aubert Pallascio
    • 44Opiniones de los usuarios
    • 11Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 8 premios ganados y 14 nominaciones en total

    Fotos17

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    Elenco principal23

    Editar
    Ian D. Clark
    Ian D. Clark
    • Chaplain…
    Marcel Sabourin
    Marcel Sabourin
    • The Bishop
    Aubert Pallascio
    Aubert Pallascio
    • Older Simon
    Jason Cadieux
    • Young Simon
    Danny Gilmore
    Danny Gilmore
    • Vallier
    Matthew Ferguson
    Matthew Ferguson
    • Young Bilodeau
    Brent Carver
    • Countess de Tilly
    Rémy Girard
    Rémy Girard
    • The Baroness
    Robert Lalonde
    Robert Lalonde
    • The Baron
    Gary Farmer
    Gary Farmer
    • Timothée
    Alexander Chapman
    • Lydie-Anne
    John Dunn-Hill
    John Dunn-Hill
    • Warden
    Paul-Patrice Charbonneau
    • Chauffeur
    Michel Marc Bouchard
    Michel Marc Bouchard
    • Photographer
    Khanh Hua
    Khanh Hua
    • Prison Ensemble
    Benoît Lagrandeur
    • Prison Ensemble
    • (as Benoit Lagrandeur)
    Pierre Leblanc
    Pierre Leblanc
    • Prison Ensemble
    • (as Pierre LeBlanc)
    Jean Lévesque
    • Prison Ensemble
    • (as Jean Levesque)
    • Dirección
      • John Greyson
    • Guionistas
      • Michel Marc Bouchard
      • Linda Gaboriau
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios44

    7.42.9K
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    Opiniones destacadas

    8gradyharp

    From the Confessional

    LILIES, based on a Canadian play 'Les feluettes' by Michel Marc Bouchard, has been adapted to the screen by Bouchard and placed in the sensitive hands of director John Greyson, an artist who is able to indulge in surrealism with reality and make it work well. This very beautiful film is cast entirely with men despite the fact that there are women roles in the story. How does he make that work successfully without pandering to artiness? View this little film and make the discovery for your self.

    Set in Quebec in a prison, Bishop Bilodeau (Marcel Sabourin) has been summoned form the outside to hear the confession of 'a very sick man' who has been imprisoned for 40 years for a murder. Upon the Bishop's arrival the audience knows something is amiss: despite the atmosphere of the prison as a stage accompanied by choral singing of plainsong (The Hilliard Ensemble) there are props and images that seem out of place in a grim prison. The Bishop is ushered into the confessional booth and when he opens the window to hear confession, the person in the seat is Simon (Aubert Pallascio) the 'very sick' man who has planned for the bishop to watch a play depicting the 40 year old crime - a reverse on the confessional stance.Through a small aperture in the bishop's now locked confessional, the Bishop is forced to watch a reenactment of the incident 40 years ago when two young boys, Simon (Jason Cadieux) and Vallier (Danny Gilmore) were in love and the young future Bishop (Matthew Ferguson) was jealous of Vallier's attention from Simon and played a key role in 'murder' of Vallier that resulted in Simon's being accused and imprisoned. The atmosphere leading up to this act includes the reaction from the small town's homophobia and to Simon's sexual ambiguity that involves a strange lady Lydie-Anne (Alexander Chapman) who arrives form Paris via an air balloon. It is the interaction of the boys with the townsfolk, the new lady arrival who desires Simon's affections, and Vallier's understanding and self-sacrificing mother Countess De Tilly (Brent Carver) that leads to the fateful death of Simon. How the story ends in the confessional booth reversal is the beauty of the film that must be left unsaid for the drama to affect potential audiences of this movie.

    The cast is all male because the whole story is a mise-en-scene, a play within a play, where all parts are acted by the prisoners for the sake of displaying truth to the Bishop. There is no pretense at making the men look like women except for the costumes and this enhances the message of the story. The actors are excellent and the impact of the story is powerful. Yes, this is a highly honored gay-themed film, but it is really more about the power of love both in youths and in thwarted adults that makes it a film for all audiences. Highly Recommended. Grady Harp
    10fuxing626

    One of the best films ever created

    This film is proof that some of the most iridescent, incredible films never make it to mainstream America. Barely anyone I know has even heard of this movie, and it's quite saddening. Although it has won numerous awards and lots of prestige in Canada, where it was made, I've often seen it lying on the shelf untouched at Blockbuster or gay film shops.

    The movie begins with a prisoner named Simone who requests that a specific priest come to hear his confession. The priest, perplexed as to why he has been summoned, arrives at the prison, not knowing what to expect. It is soon divulged that the priest has some confessing of his own to be done when the prisoners trap him in his confessional box and begin to perform a play. This play is about Simone's childhood, when Simone was attending a Catholic all-boys boarding school and was in a gay relationship with his schoolmate, Valier. They keep their love clandestine until another schoolmate, Bilodeau (the priest as an adolescent), unearths something of what the two lovers have been doing. He confronts them about it, calling them a "disease," when it is revealed later that he is more insidious than they are.

    Things take another dramatic turn when Simone's father discovers his son has kissed a boy and mutilates his body with a whip. Out of searing rage, Simone succombs to arson. A Parisian woman (who is portrayed by a male actor because the play is being performed by male prisoners) visits the schoool and falls in love with Simone. Despite the distinctely male features on her which expose the actor's gender, the he does an excellent job of emulating a pristine, romantic woman desperately seeking love.

    Simone repudiates Valier, saying "it's time he started thinking about girls" and that he plans to marry the Parisian woman. Valier is devastated and runs to his mother, who is scorned by the rest of society because she believes herself to be a countess. She is shockingly compassionate and supportive when she learns of Valier's homosexuality. At the engagement banquet for Simone and his fiancee, Valier sabotages the celebration by dressing like a Greek God and reciting a monologue from the romantic Greek play he and his beloved were rehearsing together in the beginning of the film. And I can't tell you the rest. It'll ruin it. All I know is everyone should see this movie-especially gay Catholics. Incredible directing, eloquent dialogue, wonderfully abstract scenary-there's no way this movie could have been done better!
    ckmercuri

    The most beautiful gay film ever

    This film stands out in my collection as the most beautiful gay love story on film so far. It's lyrical story-telling is accented by it's Romeo & Juliet-inspired forbidden love theme, while avoiding any political message that plagues today's current stream of gay love stories. With it's gorgeous location, haunting sound-track and surreal moments of simple tenderness, Lilies succeeds at simply being a beautiful film.
    9timleemail

    A haunting poetic tragic doomed love affair

    After a spate of disappointing gay films in the mid 90's, Lilies appeared from Canada as a fresh bouquet presenting a refreshing change of pace. Improving upon the play its based on, Lilies uses various cinematic conventions to its advantage, with cuts between prison re-enactments and the actual events given seamlessly and often artisticly breathtaking. The use of cross gender casting (this is an all male film) is humorous to a degree, but never in a mocking drag queen tone. We come to believe these men are really women. And the coming of age love story at the center of the plot, done to death by so many other films, is achingly tender.

    It was once said that gay work has to have someone die in it and this film is no exception. But the deaths portrayed here and the long hidden betrayal finally revealed are handled quite effectively. The artifice involved only adds an extra layer of beauty upon the story. A remarkable acheivement.
    carford

    Amazing use of "play" technique in a film.

    I have seen Lilies on more than one occasion, and am amazed each time at the intricate and ingenious use of the "theatrical" in the movie. When watching the movie from the beginning, it doesn't take a moron to realize that the "play" is being put on by inmates at a prison.

    Staying true to the "setting" of the play, the movie uses males to play all roles, including the roles of women. It is unique as the characters in the "play" react and respond to the female roles as if they were women and not men playing women's roles.

    There is an incredible depth to the movie that chronicles the life and love lost by Simone through the deception and lies of the "church." There is much more meaning here than just the plight of one man. The movie tell the story of many men and women around the world who are persecuted, imprisoned, and often sacrifice their lives for being true to their love of the same sex. It is good to see a movie that does not portray a same sex relationship as one of casual sex or one-night stands. The relationship is one of committment, of trust, of pain and caring, of going through the good and the bad together. Heterosexuals do not have the corner on good relationships. This movie tries to portray the love between two people and the struggles they faced, largely due to the intolerance and rigidity of the church.

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    Argumento

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    ¿Sabías que…?

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    • Citas

      Young Simon: [to Vallier] I shall be reborn. My breath in the heavens, bear witness. We shall be free. We'll we be loved. If you do truly love me, let your love be known unto me.

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    Preguntas Frecuentes18

    • How long is Lilies?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de agosto de 1997 (Japón)
    • País de origen
      • Canadá
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Lilies
    • Locaciones de filmación
      • Montreal, Quebec, Canadá
    • Productoras
      • Triptych Media
      • Galafilm Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • CAD 2,200,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 301,548
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 28,781
      • 12 oct 1997
    • Total a nivel mundial
      • USD 301,548
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 35 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 1.33 : 1
      • 1.85 : 1

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