CALIFICACIÓN DE IMDb
7.4/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaThe daughter of deaf-mute parents seeks their understanding when she discovers a love for music.The daughter of deaf-mute parents seeks their understanding when she discovers a love for music.The daughter of deaf-mute parents seeks their understanding when she discovers a love for music.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 premios ganados y 4 nominaciones en total
Raghubir Yadav
- Willy
- (as Raghuveer Yadav)
Sunil Shende
- Raj's Father
- (as Sunil Shinde)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
One of the best drama movies of bollywood. Outstanding performances from salman , manisha , nana. Heart warming story. One of the finest art of bollywood.
10mastana
Sanjay Leela Bhansali, previously associate director to the talented Vinod Chopra, makes his directorial debut with a sensationaly complex piece of work. The film faired moderately at the box office and one wonders why?? This is undoubtedly one of the finest examples of commercial entertainment merging with what is referred to in India as "Art Cinema." Yes, the film is an out and out musical, but never do the songs hamper the narrative even once. Bhansali's ability to weave the songs in order to progress the narrative was also wonderfully displayed in his film "Hum Dil De Chuke Sanam."
One would wonder how it is possible to leave two characters who are both deaf and unable to speak, to develop themselves on their own. But Nana Patekar and Seema Biswas (Bandit Queen) have given their most impressive and sincere performances yet. Manisha as the girl stuck between her love for music and her love for her parents portrays the multiple complexities of the character very effectively. Salman Khan does his usual satisfactory job as the lover boy. However, the real winner of the film is the script also written by Bhansali himself.
The story is simply wonderful, and as is characteristic of Bhansali, instead of making the story complex, he makes his characters complex. To watch Patekar and Biswas play their roles is simply a lesson in acting. The cinematography by Anil Mehta is simply brilliant, effectively creating the carnival like atmosphere of GOA along with a noir-ish feel that compliments the dark complexity of the characters.
And alas - the music. Jatin and Lalit who have tended to focus on very Indian sounds in their previous works have somehow managed to fuse in the feel of Portuguese folk sounds into their very Indian tunes - characteristic of the entire feel of Goa. The lyrics are well thought out and simple to progress the narrative. Bhansali's grip over his subject is impeccable and he displays his mastery in the art of mainstream Indian filmmaking to the fullest. This is a man to watch out for in the future.
Overall, this movie is simply not to be missed. Sure, it has its minor flaws here and there but when one looks at the wonderful feel it creates for the viewer, all flaws can be overlooked. What sets this film apart from the usual churns is that the film actually has a STORY. It actually has CHARACTERS rather than just STARS and celebrities in it. It packs in a lot of meat. This is how entertainment and art should be blended. It is good to see yet another filmmaker joining the band of contemporary directors like Mani Ratnam, Shekar Kapur, Ramgopal Varma and Mahesh Bhatt who have succeeded in their quest to erase that line separating commerical and "Art" cinema.
One would wonder how it is possible to leave two characters who are both deaf and unable to speak, to develop themselves on their own. But Nana Patekar and Seema Biswas (Bandit Queen) have given their most impressive and sincere performances yet. Manisha as the girl stuck between her love for music and her love for her parents portrays the multiple complexities of the character very effectively. Salman Khan does his usual satisfactory job as the lover boy. However, the real winner of the film is the script also written by Bhansali himself.
The story is simply wonderful, and as is characteristic of Bhansali, instead of making the story complex, he makes his characters complex. To watch Patekar and Biswas play their roles is simply a lesson in acting. The cinematography by Anil Mehta is simply brilliant, effectively creating the carnival like atmosphere of GOA along with a noir-ish feel that compliments the dark complexity of the characters.
And alas - the music. Jatin and Lalit who have tended to focus on very Indian sounds in their previous works have somehow managed to fuse in the feel of Portuguese folk sounds into their very Indian tunes - characteristic of the entire feel of Goa. The lyrics are well thought out and simple to progress the narrative. Bhansali's grip over his subject is impeccable and he displays his mastery in the art of mainstream Indian filmmaking to the fullest. This is a man to watch out for in the future.
Overall, this movie is simply not to be missed. Sure, it has its minor flaws here and there but when one looks at the wonderful feel it creates for the viewer, all flaws can be overlooked. What sets this film apart from the usual churns is that the film actually has a STORY. It actually has CHARACTERS rather than just STARS and celebrities in it. It packs in a lot of meat. This is how entertainment and art should be blended. It is good to see yet another filmmaker joining the band of contemporary directors like Mani Ratnam, Shekar Kapur, Ramgopal Varma and Mahesh Bhatt who have succeeded in their quest to erase that line separating commerical and "Art" cinema.
In this award-winning drama, Annie (Manisha Koirala) is the hearing daughter of a deaf couple, and finds herself divided between two worlds. When Raj (Salman Khan) arrives bringing romance and music, her life takes a new direction, and she is torn between her new love for Raj and her duty towards her parents.
This is poignant and heartwarming film, with a strong message of faith and family. Some of the songs are particularly lovely. While both Koirala and Khan were good in their roles, the supporting cast of Helen, Nana Patekar, and Seema Biswas were fantastic. I highly recommend this lovely movie
This is poignant and heartwarming film, with a strong message of faith and family. Some of the songs are particularly lovely. While both Koirala and Khan were good in their roles, the supporting cast of Helen, Nana Patekar, and Seema Biswas were fantastic. I highly recommend this lovely movie
This is a beautiful film. But you have to watch it with an open mind and willingness to grasp whatever and wherever the story takes you. Its the story of a deaf and mute couple who give birth to girl who can listen n speak and later to a boy whose normal too. Its a progression of their story. But yeah this movie isn't for your normal Joe's who just want commercial entertainment as the narrative is slow to build. I can say its a film of emotions. Metaphorically and otherwise, as the couple's disability makes them converse through emotions. Its the type of film either you fell in love with, or you switch it off after 20mins or so. I belong to the former as this movie is so close to my heart as a film and also coz it gives me that nostalgic feeling of childhood as I was very young when it came. 'Aankhon mein kya, is dil se poocho zara'
This is form of art. Wonderful storyline, super acting by everyone. Salman charms you throughout the film, manisha makes you fall in love with her, and whatever I am going to say about couple Nana Patekar and Seema will be very little. People say Salman can't act or Salman doesn't do art films, well this is the film that will shut everyone's mouth. Sanjay Leela Bhansali Excels in his debut direction. Songs are addictive especially Aaj main upar and Baahon ke darmia. The cinematography of Baahon ke darmia is excellent.
On the whole this is treat for movie lovers.
On the whole this is treat for movie lovers.
¿Sabías que…?
- TriviaNana Patekar plays Manisha Koirala's father in Khamoshi: The Musical. That same year, he played Manisha's husband in Agni Sakshi.
- ConexionesReferenced in Comedy Circus Ke Ajoobe: Imagination Special (2013)
- Bandas sonorasAaj Main Upar
Written by Majrooh Sultanpuri
Composed by Jatin Pandit and Lalit Pandit
Performed by Kumar Sanu and Kavita Krishnamurthy
Courtesy of PolyGram Music India
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