CALIFICACIÓN DE IMDb
6.0/10
12 k
TU CALIFICACIÓN
Dos amigas se convierten en rivales sexuales al llegar a la madurez.Dos amigas se convierten en rivales sexuales al llegar a la madurez.Dos amigas se convierten en rivales sexuales al llegar a la madurez.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Achala Sachdev
- Rupa
- (as Achla Sachdev)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10lilithg
I bought this movie after seeing most of it on Bravo several different times. I really love this movie. It has beautiful imagery and a good plot. I was captivated by the lovely erotic scenes. Although there is a love story in it, the film isn't entirely an happily ever after affair. However, the ending retains the feeling of hope and the fact that love (though not necessarily the lover) survives all things.
A sad, yet hopeful movie. I highly recommend it.
A sad, yet hopeful movie. I highly recommend it.
The other review was very harsh. The film had some moments of delicacy and the sets were noteworthy. Most of the friends that saw the film with me, rather liked it. If you like India, you will like this film.
Last night I went to the theatres to see MONSOON WEDDING. Such a beautiful movie. This evening I ran to the video store to rent some other titles by the same director. I had seen the display box for KAMA SUTRA a million times, but was afraid it was some boring semi-porn movie. If you're into porn, rent porn, not pretend porn. I watched it tonight, a wonderful movie. Very romantic. Yes there is sex, and violence, and some naughty talk, so you would think all Americans would love it. But the beautiful music, settings, costumes, and people did it for me. Great Flick.
i admire mira nair's films. she clearly loves India and its culture, a fact evident in all of her films i've had the pleasure of seeing. but her real art is showing her passion through so many prisms. vanity fair showed us India from the British home perspective which we usually see from western directors, while salaam bombay showed us modern urban India at its most destitute and triumphant. monsoon wedding introduces to the rapidly expanding Indian middle class, providing us with a far more intimate appreciation of her subjects than we might get calling for tech support for our computers or trying to understand a credit card bill.
kama sutra shows us India through yet another prism. first a prism of history, which she lushly recreates, and then through a prism of sexuality, which she (rightly) brandishes as legacy of a great and ancient culture. perhaps she suggests that the British morality imposed by the empire attempted, with some success, to obscure a vibrant and enthusiastic sexuality. well, if British sex is anything like British food, and Indian sex is like Indian food, she might have a point. curiously, i've been told that if you want to eat good English food in London, go curry.
i don't think that nair's ultimately interested in instructing us on sexual physics, or in telling us an epic melodrama. but through her four characters, she reveals love and sex as they are manifest continuously through the human story. a king imposes himself on his queen (patriarchy and rape), a king demands his coutesan (adultery and carnality), unrequited love (every character, each with a twist), jealousy, shame, sex as love, sex as passion, sex as brutality, and so on. the shades of sex that she reveals through her characters' relations are familiar, and she artfully sketches the nuances in three dimensions, where you rarely see more than one or two in Hollywood tripe. yet, like a good tikka masala, the chicken is familiar, but the colors and the flavor are distinctly and marvelously Indian.
kama sutra shows us India through yet another prism. first a prism of history, which she lushly recreates, and then through a prism of sexuality, which she (rightly) brandishes as legacy of a great and ancient culture. perhaps she suggests that the British morality imposed by the empire attempted, with some success, to obscure a vibrant and enthusiastic sexuality. well, if British sex is anything like British food, and Indian sex is like Indian food, she might have a point. curiously, i've been told that if you want to eat good English food in London, go curry.
i don't think that nair's ultimately interested in instructing us on sexual physics, or in telling us an epic melodrama. but through her four characters, she reveals love and sex as they are manifest continuously through the human story. a king imposes himself on his queen (patriarchy and rape), a king demands his coutesan (adultery and carnality), unrequited love (every character, each with a twist), jealousy, shame, sex as love, sex as passion, sex as brutality, and so on. the shades of sex that she reveals through her characters' relations are familiar, and she artfully sketches the nuances in three dimensions, where you rarely see more than one or two in Hollywood tripe. yet, like a good tikka masala, the chicken is familiar, but the colors and the flavor are distinctly and marvelously Indian.
I've watched this film over and over again and it just gets better. It's actually based on a book called "Hand-Me-Downs" which you'll understand after you've watched it. As the last person who commented on this stated it's not the "Kama Sutra" you're thinking of. There IS sex, there IS a bit of violence, but don't watch this with the hopes of seeing your average vulgar action and sex film. The women in the film are instructed and shown how to the master the art of Kama Sutra, mind you the ART not the positions. Anyway, the film setting is gorgeous and the acting is superb. You'll recognize Sarita Choudhury as Tara if you've already watched Mississippi Massala. Indira Varma does an excellent job in expressing her revenge, regret, and mystery in Tara's character. Everyone and I mean EVERYONE did an excellent job in this film.
¿Sabías que…?
- TriviaIn order to film in India, the production had to use a fake title "Tara and Maya." Indian authorities would not have permitted the film to be made there had they known its true title and content.
- ErroresThe story of this film is set in the sixteenth century. Young Maya is running through red chili pepper drying in the sun on the palace grounds. Chillies didn't reach Indian cuisine until the seventeenth century.
- Versiones alternativasThe director Mira Nair suffered approximately 2 years bringing the film from censorship to lawsuits, and to the highest court due to the film's sexual content, the C.B.F.C. (Central Board of Film Certification) banned the film before being passed with an 'A' (18+) certificate in 1997 with small cuts to nudity made and all sex scenes reduced. After cuts were made to the English-language version, all Indian dubbed versions have this cut version, and no further cuts were made. The film was released theatrically in India in February 1998. It remains cut in India, but uncut worldwide.
- Bandas sonorasWinter in Austria, Theme and Variations
Written and Performed by L. Subramaniam
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- How long is Kama Sutra: A Tale of Love?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Кама Сутра: Історія кохання
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,109,095
- Fin de semana de estreno en EE. UU. y Canadá
- USD 53,499
- 2 mar 1997
- Total a nivel mundial
- USD 4,109,095
- Tiempo de ejecución1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for Kama Sutra: A Tale of Love (1996)?
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