Depredadores

A mysterious object enters the airspace of a military base in California going at a tremendous rate of speed. A team is sent out to investigate. It turns out to be one of the Viking landers from that we sent to Mars. How did it get back to Earth? Why is it here? Is there a big nasty alien that's going to end up popping out of our chests if we touch it? While the last question is a bit of a joke relating to the obvious Alien (1979) influences on Lifeform (aka Invader), it's no secret that the film involves, well, an alien lifeform. What seems to be more of a secret is the film's existence and the fact that it's pretty good.

An obviously low-budget affair, writer/director Mark H. Baker overcomes this limitation with a smart, well-constructed story, plenty of sci-fi horror tension, and fine performances (including from an amusingly young Ryan Phillippe). A lot of the budget appears to have been spent on building the Viking replica, the costumes/military accoutrements for the human cast, the creature costume and special effects. It was money well spent. The effects are amazing for such a low budget film. The creature costume is as good as most big studio efforts, the Alien-style cocoons and eggs are well done, and there is a great, visceral autopsy scene.

Except for exterior location, Baker wisely keeps all of the action in a nondescript government facility. "Nondescript" may not sound very attractive visually, but it's believable. That's how government facilities look. Besides, Baker is skilled enough to make it interesting visually. The bulk of the plot is divided into two modes: (1) figuring out what the Viking lander and then the alien are doing there, and (2) "monster" chase and attack scenes.

Baker gives us fantastic sci-fi writing for both. We have a team of bright, multi-dimensional scientists examining the lander from a "hard science" angle, with dialogue that's not gobbledy-gook yet that's easy enough to understand. They propose intelligent theories and make intelligent moves. As the military becomes more involved and we begin to enter more of an action/horror sci-fi mode, Baker doesn't have his characters leave their brains at the doors. They develop an Alien-like sulfur detector to find the monster, and they have insights into its behavior that help them.

Still, the material is very suspenseful at times, and it is consistently captivating. There are clever subtexts. One is keyed to an important piece of dialogue--"Why are we exploring space if we're just going to blow-up every lifeform we come across?" Even though there is little reason to believe that the alien has ill intentions, most of our protagonists assume that it does, and they all assume that it at least poses a great danger to them in the form of unwittingly transmitted viruses, for example. They go so far as to issue a quarantine and consider drastic worst-case-scenarios and options. Baker seems to have a pessimistic view of human tendencies in the face of the unknown, and probably deservedly so.

Although there are some flaws with the film (otherwise I wouldn't have subtracted two points), including strange moves by characters, such as one wearing a face mask to guard against biological contamination and another standing a foot behind and not wearing a face mask, Lifeforce is unusual (such as its strange but refreshing nihilistic ending—apparently, fortuitously precipitated by budget limitations) and well worth watching.

I caught this film on the Sci-Fi Channel. They were hyping it as a Ryan Philippe movie, though this is clearly not so. He plays a very minor part in the story. That's the Sci-Fi Channel for you.

The important thing is that this movie is not that bad. It suffers from lack of style, lack of cinematography, poor pacing and some annoying "rigidly following the groove of the genre" plot paths.

However, there are some good things.

The actors are high quality and deserve a shot at better films. Their characters suggest depth and background, making them almost well rounded, though such depth and background is only suggested (not demonstrated) in the film. The portrayal of the scientists and military types is non-cliched. They are intelligent and have intelligent dialog. They behave as real people would.

The science details are actually based on science and smarts, instead of gadgetry and nonsense. It is clear, as mentioned in another good review, that the scriptwriter researched the material, as there are correct descriptions of the Mars lander's capabilities and design and interesting concepts about the alien lifeform are explored.

The alien lifeform is extremely well thought out and designed. It looks great on screen, too. It is possibly the most interesting thing about this film, though treated a little more like the "creature we must hunt down and kill" than I'd like. It does demonstrate interesting behaviors and qualities not seen often before, as well as something most alien creature movies never consider: intelligent motivation.

The film does not end predictably and the process the film takes to get to that end is not that bad, either. It's just a bit anticlimactic and a little flat.

This review may sound unkind. I am simply being realistic and honest. The flaws are there and they keep this film from being high quality. Yet, there is much to like. The good aspects are plenty and are of higher caliber than you would expect to find in direct to video alien-invader flics. Normally these kinds of films rely of cliche, unintelligent characters, unrealistic scenarios, sex, gunplay and gore. This film uses mostly none of those items to make its attempt at entertaining you (some violence and gunplay, but not to rediculous extremes).

I found much to enjoy about the film, from a deconstruction point of view - the technical details, the story concept, the unique uses of the genre, the excellent alien design and portrayal, and as a general "learning tool" for film study.

As a feature film, it falls flat. As an extended length episode of The Outer Limits, it would have been a "top-ten" episode.

I think that anyone who can enjoy "flawed films with good intent" should give this film a shot; it isn't grade-A material, but it's worth a viewing or two and may inspire film makers to do better in different ways.

Even in an auspicious premise over a NASA lander Viking sent to Mars in early eighties, it strangely is back landing at California desert area, in the same time Nasa's Engineer crew members aware of the happening pick up the lander sending it at Mojave closed laboratory there they try figure out why it was back on Earth, due such lander didn't has any pre-arranged device to allow any post-returning, therefore just this element was enough good to developed a better screenplay, instead once again another slime Alien monster aiming for capitalize on the successful formulaic ALIEN.

Aftermaths the Pentagon notifies the US' Army to take over the incident and remove the lander Viking to a top-secret place to clarify the sudden appearance, turns out that inside a spheric pod came an embryonic egg of an alien form, who growing faster and hides on the facility, to worsen the lame script mixing a struggles against a hermaphrodite Alien, even once dead is growing inside another being, the came up the unexpected matter, a soldier suffering of appendicitis needing a rush surgery, what a mess, just wait for strong emotions, it just the beginning.

Thanks for reading.

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First watch: 2024 / How many: 1 / Source: Youtube / Rating: 5.

Lifeform (AKA Invader) 1996 R

This film is about a team of scientists and military yahoos that end up fighting an alien creature. It's that simple. It's yet another film like Alien or Leviathan (which itself was a direct rip-off of Alien) or Species. In this one, intelligent life that reproduces asexually sends a Viking probe back from Mars (because Mars is new territory in the world of alien encounters you know), and that probe has been modified to carry this creature along with it. Of course, the alien gets out and gets hunted and gets killed.

Overall, the acting isn't too bad, and the special effects are competent. The alien is intelligent, so of course, the one woman in the film feels sorry for it. The design of the alien itself is kind of like those half-human, half-horse creatures. You know, a centaur. It looks all terrifying on the outside, but then it extends it's little alien body up (the part where the human part of the centaur goes) out of the normal trunk (the part that is the horse), and it looks all benevolent. The military base they're on is rather bland, and of course, Big Brother shows up and spoils the show. The Army folks saunter about trying to kill the alien and they're all afraid it may have some contagion that it's spreading around.

The atmosphere isn't bad, but the film is somewhat shallow—it's just a straight-forward science fiction/horror flick with some decent gore and a humorous kill (guy is stabbed with the blunt end of an M-16). Nothing really special, but nothing really horrible. Recommended to hardcore SF/horror buffs. And that's about it.

5/10

'Invader' is a decent aliens film, no more but no less either. It is done in the mid 90's, is is clearly a low budget film - so the effects are far from what big studios succeed in similar movies. Directing and acting are quite routine, nothing memorable above the usual TV series level. However, the script is quite decent, and despite some inconsistencies, it keeps somehow the interest high. The end is quite good, kind of justifying the viewer surviving the 90 minutes the movie lasts. Science fiction fans may like it, though we have seen much better. 6/10 on my personal scale.