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If These Walls Could Talk

  • Película de TV
  • 1996
  • R
  • 1h 37min
CALIFICACIÓN DE IMDb
6.9/10
5.4 k
TU CALIFICACIÓN
Demi Moore, Cher, and Sissy Spacek in If These Walls Could Talk (1996)
DramaThriller

La película examina el tema del aborto a través de tres historias ambientadas en diferentes épocas: 1952, 1974 y 1996.La película examina el tema del aborto a través de tres historias ambientadas en diferentes épocas: 1952, 1974 y 1996.La película examina el tema del aborto a través de tres historias ambientadas en diferentes épocas: 1952, 1974 y 1996.

  • Dirección
    • Cher
    • Nancy Savoca
  • Guionistas
    • Pamela Wallace
    • Earl W. Wallace
    • Nancy Savoca
  • Elenco
    • Demi Moore
    • Shirley Knight
    • Catherine Keener
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    5.4 k
    TU CALIFICACIÓN
    • Dirección
      • Cher
      • Nancy Savoca
    • Guionistas
      • Pamela Wallace
      • Earl W. Wallace
      • Nancy Savoca
    • Elenco
      • Demi Moore
      • Shirley Knight
      • Catherine Keener
    • 42Opiniones de los usuarios
    • 12Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 4 premios Primetime Emmy
      • 4 premios ganados y 15 nominaciones en total

    Fotos58

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    Elenco principal58

    Editar
    Demi Moore
    Demi Moore
    • Claire Donnelly (segment "1952")
    Shirley Knight
    Shirley Knight
    • Mary Donnelly (segment "1952")
    Catherine Keener
    Catherine Keener
    • Becky Donnelly (segment "1952")
    Jason London
    Jason London
    • Kevin Donnelly (segment "1952")
    CCH Pounder
    CCH Pounder
    • Nurse Jenny Ford (segment "1952")
    Kevin Cooney
    Kevin Cooney
    • Dr. Kramer (segment "1952")
    Robin Gammell
    Robin Gammell
    • Jim Donnelly (segment "1952")
    Phyllis Lyons
    Phyllis Lyons
    • Audrey (segment "1952")
    Aaron Lustig
    Aaron Lustig
    • Tom (segment "1952")
    Dena Burton
    Dena Burton
    • Young Nurse (segment "1952")
    Marie DeCicco
    • Nurse Annie Ross (segment "1952")
    Lorna Scott
    Lorna Scott
    • Louise (segment "1952")
    Mary Portser
    Mary Portser
    • Margaret (segment "1952")
    Annie Weldon
    • Nurse (segment "1952")
    Vaughn Armstrong
    Vaughn Armstrong
    • Painter (segment "1952")
    Jack Kehler
    Jack Kehler
    • Cab Driver (segment "1952")
    Tim DeKay
    Tim DeKay
    • Becky's Husband (segment "1952")
    Bob Shuttleworth
    • Hospital Visitor (segment "1952")
    • (as Bob Shuttlesworth)
    • Dirección
      • Cher
      • Nancy Savoca
    • Guionistas
      • Pamela Wallace
      • Earl W. Wallace
      • Nancy Savoca
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios42

    6.95.3K
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    Opiniones destacadas

    PeachHamBeach

    Powerful, Poignant and Passionate

    I love this film because it tackles the issue from both internal and external places. Arguments are presented without bias, no matter what some may say. My dad even thought this was a Pro-Life film. I clearly disagree with him and believe it's got lots of Pro-Choice leanings. Demi Moore playing a nurse who is totally alone with an unplanned pregnancy was excellent. Her fear and aloneness in the not so fabulous '50s was so beautifully represented. And it's like the other comment said, her "family" treated her more like an extension of their dead son than like an individual person. I'd rather have no family at all than one like that. Sissy Spacek represented a choice, in a decade where choices were allowed. She had it so much easier than Demi Moore's character, yet her struggle and ultimate decision were just as hard in a lot of ways, maybe even harder. Anne Heche and Cher play two women who are up against Pro-Lifers who "love babies". It reminds me of a bumper sticker I once saw: "I love babies...born and unborn." Okay, great, but too many people who love babies actually hate KIDS. Once the child is no longer bald, pink and small, this passionate "love" turns into hatred and abuse of the worst kind. I know, I've seen it and I've lived it. Truly the most nerve jangling moment is at the very end of the film. Matthew Lillard is terrific as a psycho!!!

    I give this film an A+++++
    LittleMidg

    Almost too painful to watch - and that's a good thing

    If you ever thought a woman's right to choose was an easy one, this will take care of that. Unexpected pregnancy can be from carelessness of course, but it can also be from fallible birth control, boyfriends who lie, and people you were with against your will. This is three distinct movies in one on the same topic of a woman trying to chose to have, or not have, an unexpected baby. Each one is set in a different decade.

    I had to turn the volume down and close my eyes at times. Not for gruesomeness but the way you close your eyes when someone is about to hit that awful note in the Star Spangled Banner. You feel the pain of their attempt at something difficult. You don't just watch this movie, you feel it.

    Men are not portrayed as multi-dimentional as the women are, but they are not the villian either. They are included yet they can never fully understand. You see the suffering the women go through in their own head, how difficult it is, the wavering in their decisions. They have equal fear of having an abortion, having a baby, and having the people around them know of their predicament.
    sh33na

    Should Be Required Viewing in High Schools

    Lest we forget.

    For all the folks who have no clue as to what a woman who finds herself pregnant goes through, this movie could be a great educational tool. Making a baby is easy and one doesn't need any degree of maturity to accomplish the task. Deciding to continue with a pregnancy or to termitate is a trying, sometimes heartrending decision - one that is very individual and very personal. Sometimes there are no right answers, only better choices.

    There are now 2 generations of women (and men) who have no idea what life was like before women had access to reliable birth control and safe abortion. Because of birth control, fewer women are forced to make these life or death decisions. Because of legalized and safe abortion, fewer women are forced to go to less than qualified, back alley abortionists who more often than not rendered their clients barren. This movie showed the worst and the best. Bravo for having the guts to make this.
    9midnitepantera

    This movie is an EVEN a More IMPORTANT WATCH in 2021!! :O

    I saw this movie back in 97 and thought it was well acted, well thought out and realistic. As it follows different women, in different decades that have the very difficult decision to make on whether to continue a pregnancy or not. All the women are in totally different stages and situations in their personal life and ages.

    Sadly, with the RIDICULOUS LAWS TEXAS JUST PASSED in 2021, I see us veering for a collision course with THE HANDMAIDS TALES :O VERy FRighTENing and VERy SAD! They don't care about the Women or the Babies, this is just a Political/Religious Obsession.

    I'm surprised that as well as the $10,000 bounty people can get for snitching on a woman or girl they suspect may have had an abortion, that they just don't pass a law to Burn her at the Stake too! :o

    Even Ireland finally made abortion legal when they realized the horrific outcomes for so many women and children. The states that are passing these oppressive laws don't want to pay for more welfare, food stamps, housing, birth control and they sure don't make the fathers pay child support either. I still haven't heard where the man gets to share any responsibility in the pregnancy or the punishment with so many unplanned pregnancies???? Why???

    And what happens if someone has a miscarriage and someone reports them for the money?? Like it isn't horrible enough for a woman to miscarry and now she will have to be shamed and fight a legal battle too?? WOW! I'm Amazed at the Stupidity and Selfishness that abounds.

    There are SO MANY children being abused, physically, emotionally, sexually by their own families EVERY DAY!! And people who shouldn't have kids at all and foster homes overflowing with kids and epidemic numbers of kids born addicted to drugs going thru horrific withdrawals from their 1st breath. People selling or pimping out their kids. WoW! :O My Heart Hurts writing this down, For Real! :(

    There's gonna be a Great Migration as women will choose to move away from these Crazy states. And so many Republican's complaining about wearing a mask and social distancing in a Deadly Pandemic in it's 3rd and I'm sure NOT FINAL Wave, shouting It's my body, my choice. Guess that only applies to whether you wanna risk killing your whole family, innocent people you encounter, the health care workers and Drs that are overwhelmed trying to save you dummies.

    And rapes are at an all time high and now women and girls have to worry about going to jail or having some creeps child too with NO options??? WoW!!!

    The USA is also overwhelmed with mental illness in kids and teens like never before, and kids shooting up schools. Sorry, I don't get it?? And for all you citing the Bible to pass this Ridiculous Law, You know what,1st not everyone believes in your God and the ones that do and choose to have an abortion, well, it's NONE OF YOUR BUSINESS, that is to be settled between her and God ! NOT YOU, So BUTT OUT!! :0.
    laursene

    Moore's segment outstanding

    All three of these short films are good, but the first is outstanding, largely because Demi Moore, whose performances I've otherwise never particularly liked, is so excellent. The point that she and Savoca convey - powerfully - is the sheer isolation, 50 years ago, of women who faced unwanted pregnancies. Moore spends most of the film, it seems, sitting alone in an empty house. Otherwise, she's enduring the company of her late husband's family, who see her only as their boy's widow, not as a human being. It's a frightening story that exerts a very strong empathetic pull.

    The dialog is spare; Savoca relies on Moore's face and body language to convey her terror, aloneness and feeling that things are closing in on her. There's very little "emoting" here, which makes Moore's character all the more forceful. The result is an exemplary piece of film acting.

    Of course, how much do we need in the way of tears and histrionics when we can see Moore attempting the old knitting needle cure, and later dealing with the aftereffects of a ghastly kitchen-table operation? This country's abortion laws created - and maintain effectively, in many places - a sort of hell for pregnant women. Thanks to this film, we can really understand a bit of what it was - and is - like.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Holds the record as HBO's highest-rated original movie.
    • Errores
      In the 1974 segment, one of the kids mentions wanting to watch The Partridge Family (1970), which at that time, aired on Saturday night. However, the kids had been to school that day so it was not a Saturday.
    • Citas

      Patti (segment "1996"): You get this abortion and I swear to you, you are on your own.

    • Versiones alternativas
      The UK video version was cut by 3 secs to reduce multiple gunshots during the hospital shooting scene.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: That Thing You Do!/Bound/Michael Collins/Infinity/If These Walls Could Talk (1996)
    • Bandas sonoras
      Crazy
      Written and Performed by Seal

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de octubre de 1996 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Mitt liv, mitt val
    • Productoras
      • HBO NYC Productions
      • Moving Pictures (I)
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 37 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.33 : 1

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