Un campanero deforme reivindica su libertad contra un político perverso que lo mantiene preso en Notre Dame para ayudar a su amiga, una bailarina gitana.Un campanero deforme reivindica su libertad contra un político perverso que lo mantiene preso en Notre Dame para ayudar a su amiga, una bailarina gitana.Un campanero deforme reivindica su libertad contra un político perverso que lo mantiene preso en Notre Dame para ayudar a su amiga, una bailarina gitana.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 8 premios ganados y 26 nominaciones en total
- Esmeralda
- (voz)
- Hugo
- (voz)
- Guards
- (voz)
- …
- Clopin
- (voz)
- Phoebus
- (voz)
- Esmeralda
- (doblaje en canto)
- Guards
- (voz)
- …
- Baby Bird
- (voz)
- …
- Laverne
- (voz)
Opiniones destacadas
The animation here is first rate and the entire thing is shot like a live-action film with some incredible long shots, great theatrical panning and even at one point, during Quasimodo's song "Out There" a realistic camera flare (I did a double take the first time I saw it!) Hunchback is filled with all sorts of great "tricks" like this. Lighting effects here are nothing short of magnificent often subtle they sometimes change in an instant dramatically altering the mood of the piece. Frodo's demonic song "Hellfire" is perhaps one the most sinister and frightening moments to emerge from Disney and the animators let loose.
The prologue to the movie alone is a minor masterpiece and, like Beauty and the Beast, marvelously prepares us for the whirlwind of a story to take place.
The complaints about the singing and dancing gargoyles Victor, Hugo and Laverne, are simply wrongheaded. I read the Hugo classic too, and know they're not in there. What the complainants fail to realize is these gargoyles live only in Quasimodo's imagination. He invented these companions to ease an otherwise tortured, lonely, friendless life. The culmination of all of this becomes obvious in the spectacular song "A guy like you" which finishes with pigeons flying and hearts and banners and ribbons and Quasimodo being celebrated and then BAM immediately upon the conclusion of the final notes, the room becomes the same dark, dank, splintering tower filled with relics, junk and heartbreak. It's one of the movie's most shattering effects.
While deserved praise goes to the animators and crew, the voice talent here is, in my opinion, Disney's very best. Tom Hulce goes to the very soul of Quasimodo and gives a performance that is as poignant and shattering as anything he has done (Hulce also happened to be the best Hamlet I've ever seen.) Certain lines ("I am a monster, you know") will ring in my ear forever. Hulce has a beautiful voice and renders "Out there" with such abandon and vigor it makes my hair stand on end. In the quiet "Heaven's light" (which sequences into a stunning shot of the bells frantically ringing the opening theme), Hulce brings a fragility to such lines as "no face as hideous as my face, was ever meant for Heaven's light" that only a heart of stone would not be moved. Switching from pathos to rage, Hulce lets us feel the hidden rage and danger that this character also possesses. It is a truly remarkable performance.
Demi Moore, Kevin Kline, Tony Jay, Paul Kandel and the rest of the cast all sound at the top of their game creating wonderful and vivid characters.
Alan Menkin and Stephen Schwartz get to the heart of the matter with score and songs a sound that are as integral a part of the telling of this story as the animation and voices.
Hunchback is a miracle of a movie!
Now although I am a huge advocate of Disney it's no mystery that they have turned storylines around on mostly all of their movies. I dont think I have seen one of their animated features, that was derived from a story that they didn't change the plot around on. And though most of us know that Sleeping Beauty's original story didn't include 3 good fairies, nor did Beauty and the Beast feature singing Dishware or Gueston (sp), but we still loved those movies regardless, and that it because they were well done. So in saying all of that, why should this one be any different. It didn't follow the Hunchback's novel completely but it doesn't mean that it was horrible. On the contrary, I admire Disney for trying to reninvent themselves by attempting this challenge.
Of course there are alot of things in the book that MUST be taken out of the movie in order for the movie to remain children-friendly. Let's face it the story of the Hunchback is definately one of the darkest, and the combination of religion,lust,and racism which is major concept in the book, needs to be toned down. It is even painful to me, a young adult to stomach alot of what is portrayed in the original Hunchback. I know that children couldn't possibly understand what the real lessons of the book were trying to portray.
However, I believe that Disney reformed this story as to not really narrate the book as I think it was made to prove a point, and to educate children on the cruelty of society in general.
The second time i saw this film, i had rented it and watched it with a three year old girl that I was nannying at the time. Her mother wanted her to see it but I was reluctent to subject the little girl to the darkness of the message. Regardless of everything, I do think this film is more of a FAMILY film, than a CHILDREN'S film. If children are going to see this, then they need a parent to watch it with them. Through out the entire movie the little girl reacted the exact same way that I am sure Disney wanted her to. She would constantly ask me questions like. "Why do people make fun of Quazi, he is a nice guy", and "That Frollo man is so mean to people". Regardless of the inacuracies to the book, the little girl was learning a lesson. Don't judge a book by it's cover, and be kind to your fellow man.
I thoroughly enjoyed this film. I thought it to be very well done, and the music was outstanding. "The Bells of Notre Dame" give me a chill everytime I hear it sung, and there was a good blend of humor, and drama. Disney, once again hits the nail on the head, and it's one that I am going to be adding to my Christmas list in the future.
Enough said!
I am 17 years old; I grew up watching The Little Mermaid and Aladdin. When Disney released this movie, which dealt with extremely heavy subject matter in an extremely tasteful manner, I jumped for joy. During the entire movie, I was amazed and spellbound. The music was also fantastic, by the way, as was the cinematography (although those crowd scenes begin to look really fake after a while). That scene where Quasimodo holds Esmerelda up in front of the rose window and yells, "Sanctuary!" still gives me chills.
This is not a movie for children in any way, shape or form. I think the only problem with Hunchback is the fact that Disney refused to accept that this is a serious, relatively adult motion picture and would not make any animated movie, no matter how serious, without obnoxiously cute little critters (i.e., the gargoyles) bouncing around to entertain the kiddies, or huge marketing campaigns at McDonald's, etc. As some others have written on here, it's pretty obvious this movie isn't for kiddies from its subject matter.
But anyone over 13 who's willing to think as well as be entertained when watching a Disney movie would probably love Hunchback.
¿Sabías que…?
- TriviaFor the scene when Judge Frollo sings "Hellfire" and sees Esmeralda dancing in the fire before him, the Motion Picture Association (MPA) insisted that the Disney animators make Esmeralda's clothing more well-defined because she seemed nude.
- ErroresAfter Quasimodo is crowned the King of Fools, among the food thrown at him are tomatoes. Tomatoes are native to Central America, which the Europeans had yet to discover at the time the film takes place.
- Citas
Frollo: [opens his dictionary] Shall we review your alphabet today?
Quasimodo: Oh, yes, Master. I would like that very much.
Frollo: Very well.
[pours Quasimodo a wine]
Frollo: A?
Quasimodo: Abomination.
Frollo: [pours himself a wine] B?
Quasimodo: Blasphemy.
Frollo: [puts the cork back on the wine bottle] C?
Quasimodo: C-C-Contrition.
Frollo: [raises his cup] D?
Quasimodo: [smiling enthusiastically] Damnation!
Frollo: E?
Quasimodo: [points and winks] *Eternal* damnation!
Frollo: Good. F?
[sips his wine]
Quasimodo: [shrugs his shoulders] Festival.
Frollo: [spits out his wine, coughs, then wipes his lips] Excuse me?
Quasimodo: [realising his mistake] F-F-Forgiveness.
Frollo: You said...
[shuts the dictionary]
Frollo: "Festival."
Quasimodo: *No*!
Frollo: You're thinking about going to the Festival.
Quasimodo: I-It's just that, *you* go every year.
Frollo: *I* am a public official! I *must* go, but I don't enjoy a *moment*!
- Créditos curiososAt the end of the closing credits, the gargoyle Hugo says, "Good night, everybody!"
- Versiones alternativasOn British VHS versions of The Hunchback of Notre Dame, it played Eternal's "Someday" over the closing credits.
- ConexionesEdited into The Frollo Show: Frollo Faps to a Firefighters calendar (2011)
- Bandas sonorasThe Bells of Notre Dame
Music by Alan Menken
Lyrics by Stephen Schwartz
Performed by Paul Kandel, David Ogden Stiers, Tony Jay, and Chorus
Selecciones populares
- How long is The Hunchback of Notre Dame?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Hunchback of Notre Dame
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 100,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 100,138,851
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,037,414
- 23 jun 1996
- Total a nivel mundial
- USD 325,338,851
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1